结构工程Thornton Tomasetti机械电气工程师，管道Ibe咨询工程师，土木工程KPFF景观梅林达泰勒首席记录工作室顾问/AV设计录音室顾问沃特兰设计声学顾问纽森布朗声学总承包商TOBO建筑更多规格更少规格

Structural Engineering Thornton Tomasetti Mechanical Electrical Engineer, Plumbing IBE Consulting Engineers Civil Engineering KPFF Landscape Melinda Taylor Principal Recording Studio Consultant/AV Design Sonitus Recording Studio Consultant Waterland Design Acoustical Consultant Newson Brown Acoustics General Contractor TOBO Construction More Specs Less Specs

 © Iwan Baan

(Iwan Baan)

架构师提供的文本描述。位于加州大学洛杉矶分校的新伊夫林和莫奥斯丁音乐中心由凯文·戴利建筑师设计，为加州大学洛杉矶分校杰出的音乐部门提供了一个开创性的新家，在那里音乐被创造、共享，并在数字集成的专业质量设施中进行研究。两个展馆，一个是最先进的录音室，另一个是合奏表演室，附属于现有的赫伯阿尔伯特音乐学院。合奏彩排空间在地面有一家咖啡厅，上面有教员办公室和教学工作室，面向校园地标倒流喷泉。第二个展馆是一个商业高质量的录音室，有一个足够大的直播室，可以用管弦乐队为电影配音。

Text description provided by the architects. The new Evelyn and Mo Ostin Music Center at UCLA, designed by Kevin Daly Architects, provides a pioneering new home for UCLA’s outstanding Music Departments, where music is created, shared, and studied in digitally integrated, professional-quality facilities. Two pavilions, one a state-of-the-art recording studio and the other an ensemble performance room, are attached to the existing Herb Alpert School of Music. The ensemble rehearsal space has a café at ground level, faculty offices and teaching studios above and faces the campus landmark Inverted Fountain. The second pavilion is a commercial quality recording studio featuring a live room large enough for film scoring with a string orchestra.

 Master plan diagram_phases

总规划图阶段

组成奥斯丁音乐中心的这两个展馆是音乐学院总体计划的第一阶段，该计划将把音乐设施向外转移，促进与校园的更强的视觉和社会联系。它也将突出音乐表演的活力，通过窗口向加州大学洛杉矶分校校园社区展示它的表演空间和户外音乐会。

These two pavilions that compose the Ostin Music Center are the first phase of a master plan for the School of Music that will refocus the music facilities outward, promoting stronger visual and social connections to the campus. It will also highlight the vitality of music performance by making it manifest to the UCLA campus community through windows into the performance spaces and outdoor concerts.

 © Iwan Baan

(Iwan Baan)

这个4300个SF录音室被巧妙地安装在由WeltonBeckett设计的Schoenberg音乐大楼上，这个三层高的16，000 SF合奏和教室建筑让南边和西边的公众都充满了活力。一个焦点是1500平方英尺的合奏室，用作表演厅、排练空间和教室。这个空间可以容纳100名观众，记录多达40名音乐家，并在控制室容纳众多的制作人员。音乐技术系统现在遍及整个建筑，形成一个连接表演、实践和教学空间(包括新的多媒体空间)的数字神经中心。

The 4,300 sf recording studio is delicately attached to the Schoenberg Music Building, which was originally designed by Welton Beckett, and the three-story, 16,000 sf ensemble and classroom building animate the south and west sides to engage the public. A focal point is the 1,500 square-foot ensemble room, which serves as a performance hall, rehearsal space, and classroom. This space can hold audiences up to 100, record up to 40 musicians, and accommodate numerous production personnel in the control room. Music technology systems are now pervasive throughout the building to form a digital nerve center that connects performance, practice, and teaching spaces (including the new multi-media space).

 © Iwan Baan

(Iwan Baan)

 © Iwan Baan

(Iwan Baan)

虽然这两个房间都是为特定的混响周期和声学衰减而设计的，但它们也被视为个人或小型音乐家提供本地化声音环境的声学“景观”。内部表面包括一个定制设计的木挡板道格拉斯冷杉和云杉，作为一个谐振器，并允许不同数量的声音被吸收或反射到空间。KDA专门设计了房间，以创造一种在乐器内的感觉。

While both rooms are designed for a specific reverberation cycle and acoustical attenuation, they are also treated as acoustical “landscapes” that provide localized sound environments for individuals or small groups of musicians. The interior surfaces incorporate a custom-designed wooden baffle of Douglas fir and Spruce that acts as a resonator and allows varying amounts of sound to be absorbed or reflected into the space. KDA specifically designed the rooms to create a sensation of being within a musical instrument.

 © Iwan Baan

(Iwan Baan)

Architects Kevin Daly Architects

Location University of California, Los Angeles, United States

Principal In Charge Kevin Daly, FAIA

Team Gretchen Stoecker; Project Manager, David Pakshong, Tom Perkins, Jared Ward, Philip Gleason, Henry Brawner, Jessica Dovletian

Area 20000.0 ft2

Project Year 2014

Photographs Iwan Baan

Category Other Facilities

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