© Prashant Bhat

(Prashant Bhat)

架构师提供的文本描述。我们设想通过这个集体住房项目，创造出一种能呼吸的建筑，一种与树一样的自然特性的建筑。阿富汗政府对其艺术、建筑和文化产生了400多年的深远影响，由此形成了以贸易创新材料为背景的本土风格，该项目由六座相同的别墅组成，历史悠久。

Text description provided by the architects. We envisaged creating architecture that breathes and one that embodies the same characteristics as that of a tree in nature to architecture through this group housing project. Goa has had a deep global influence of more than 400 years over its art, architecture and culture out of which evolved a genesis of vernacular styles with a backdrop of innovative materials through trade, the history of which is honoured through this project comprising of six identical villas.

游客受到一个轻量化的钢结构的欢迎，这个钢结构坐落在I.P.S上。(印度专利石)结构，包覆地面材料的调色板，由赤陶砖和热带植物的各种绿色色调组成。使用放置在每一层的播种机，使每个居民都有归属感，并加强了这样一种观念，即这种结构应该是戏剧性的，但又像一棵树一样深深植根于自然之中。

The visitor is greeted by a lightweight steel structure atop which sits an I.P.S. (Indian Patent stone) structure which envelopes a down to earth material palette comprising of terracotta bricks and various green hues of tropical plants. The use of planters placed at every floor, renders a sense of belonging to every resident and strengthens the idea that the structure should be dramatic and yet be deeply rooted to nature like a tree.

 © Prashant Bhat

(Prashant Bhat)

别墅以这样一种方式计划,即在侧面和后部形成包括热带植物的绿色偏移,该中心是由通向中心的路径构成的主脊柱的中心,"Balinaao"或者每个别墅的入口门廊。

The villas are planned in such a way that a green offset comprising of tropical plants is created on the side as well as rear with a large open to sky courtyard in the centre which is the main spine consisting of paths that lead to the ‘balçao’ or entrance porch of each villa.

这个脊柱被设想为三个区域，入口或‘帕德马萨纳’球场，中央或‘活亭’球场和‘后宫’。空空的王座神殿让观赏者形成自己对至高无上力量的个人理解。

This spine is envisioned into three areas, the entrance or the ‘Padmasana’ court, the central or the ‘Living Pavilion’ court and the ‘Rear court’. The empty throne shrine lets the viewer formulate his or her own individual understanding of supreme power.

 © Prashant Bhat

(Prashant Bhat)

“活亭”是围绕一棵树的元素合成的，木柱是主要的树干，大量的植物代表着树叶。展馆的重点是细枝末节，使用对比材料和表面，如手工凿花岗岩基座，木柱，I.P.S.和木百叶窗被绑在透明荷塘周围。果阿有着数百年的仪式和习俗，其文化影响表现在兵马俑、手工雕塑或怪诞的石榴石，充当水龙。

The ‘Living Pavilion’ is synthesized around elements of a tree with the wooden columns acting as the main trunk upon which a plethora of plants represent the foliage. The emphasis of the pavilion is on the micro details and the use of contrasting materials and surfaces like the hand chiselled granite pedestal base, the wooden columns, I.P.S. and wooden louvers bound around the transparent lotus pond. The cultural influence of Goa with its hundreds of years of rituals and customs are represented by terracotta handmade sculptures or grotesque Gargoyles acting as water spouts.

 Planter Section

播种机科

“黄金比率雕塑”在后场占据主导地位，一个木制的身影，双臂张开，放在两个裸露的水泥墙壁上的手工浮雕黄铜环上，一个是黄色的，另一个是伊夫·克莱因蓝色的，另一个放在另一个后面。

The ‘Golden ratio sculpture’ dominates the rear court with a wooden figure with arms wide open placed within a handmade relief brass ring over two exposed cement walls, one in yellow ochre and the other in Yves Klein blue colour placed one behind the other.

别墅本身的设计方式使室内没有任何东西。大的滑动玻璃窗连接中央庭院和别墅的绿色后院。“巴拉索岛”或入口门廊作为一个过渡空间之间的生活-就餐区和中央庭院。

The villas themselves are designed in such a way that nothing is indoors. The large sliding glass windows connect the central courtyard to the green backyard of the villas. The ‘balçao’ or the entrance porch acts as a transition space between the living-dining area and the central courtyard.

 © Prashant Bhat

(Prashant Bhat)

这种砖制品的设计方式是这样的：每块砖都以开放的工作模式从下一块砖中抵消，用一条透光的毯子包裹墙壁，在特定的空间中产生斑驳的日光。晚上，当所有的灯都亮在里面时，从街道上就可以看到建筑物，就像一件发光的格子作品。

The brick work is custom designed in such a way that each brick offsets from the next in open work pattern, wrapping the walls in a permeable blanket that creates dappled daylight in particular spaces and, at night, when all the lights are on inside, the building will be seen from the streets like a glowing lattice work.

“城市炼金术9”是一个社会实验，我们试图通过在功能、设计、历史、文化以及最重要的自然之间取得完美的平衡来捕捉果阿的本质。

Urban Alchemy 9 is a social experiment by which we tried to capture the essence of Goa by trying to strike the perfect balance between functionality, design, history, culture and most importantly nature.

 © Prashant Bhat

(Prashant Bhat)

Architects Ankit Prabhudessai

Location Margao, Goa, India

Lead Architects Ar. Ankit Prabhudessai

Team Ar. Sagar Kamat, Ar. Janice Viegas, Rupali Naik

Area 10094.0 ft2

Project Year 2017

Photographs Prashant Bhat

Category Housing

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