© Adrià Goula

(AdriàGoula)

架构师提供的文本描述。一个小岛。在一个小岛上，然后在一个花园里，让一个人的思想能够漂流到一个宁静的反思之地。圣乔治的花园有一个扇形的步行结构，从帕拉迪奥的克洛斯特到泻湖。早礼拜堂就在这些长路之一，就在这条行人道与水交汇的正前方。

Text description provided by the architects. An island. To be on an island and then inside a garden, allows a state of being where one's mind can drift to a peaceful place of reflection. The garden in San Giorgio has a fan structure of walks, starting from Palladio's Cloister towards the Lagoon. The Morning Chapel is along one of these long paths, and sits right before this walking line meets the water.

森林。礼拜堂是一堵平行于小路的墙。这堵墙有一扇门，让我们可以选择离开这条普通的路线，进入森林，放弃这些直线路径所提供的已知命运，而选择未知的人，面临迷失方向的危险。礼拜堂变成了通往森林的大门，变成了它所属的更宏伟的实体：一个自然的穹顶，它是由树枝的邻接而成的。因此，松林补充了教堂的零碎状态，并从里面的树木中汲取了自然的特质：气味、新鲜空气、噪音和光线。这两种元素，建筑和植物，形成一个自然的清空，包括游客和创造一个地方停留。这是节奏的变化，呼吸的变化。

The forest. The chapel is presented as a wall parallel to the path. This wall has a door, offering the option to step aside from the common route and move into the forest, abandoning the known destiny offered by these lineal paths in favor of the unknown, at risk of disorientation. The chapel becomes a door to the forest, to the grander entity to which it belongs: a natural dome made out of the adjacency of tree branches. The fragmentary condition of the chapel is thus complemented by the pine forest, and borrows its natural qualities from the trees in it: the smell, the fresh air, the noises and the light. Both elements, built and vegetal, form a natural clearance that embraces the visitor and creates a place to stay. It is a change of rhythm, a change of breath.

 © Adrià Goula

(AdriàGoula)

一大早。选好的地点在岛上的东部，早晨从那里开始，礼拜堂可以捕捉到一天中的第一个太阳。这个礼拜堂是一个清晨的地方，在那里，第一缕阳光透过一束光线进入了它的墙壁上的一个圆形的洞。晨曦教堂，照耀着墙壁上的阳光，和岛上的森林，在黑暗中形成了一个连续的树冠，一起建立了一个安静的地方，一个人独自或集体地坐着的邀请。

Early morning. The chosen site is at the eastern part of the island, where the morning starts and the chapel can catch the first sun of the day. This chapel is an early morning place, where the first sunlight becomes visible through a ray of light that trespasses a circular hole in its wall. The Morning Chapel, catching the sunlight on its walls, and the island forest, a continuous canopy in darkness, together establish a quiet place, an invitation to sit alone or in a group.

 © Adrià Goula

(AdriàGoula)

紧凑。教堂被认为是墙壁上的挖掘物，它的厚度是向一边打开的，里面有水平和光线，有遮挡阳光和雨水的地方。它是一个紧凑的建筑，有一个连续的表面，以避免表达其建筑细节，而有利于其坚实的，原始的方面。这种古色古香的形式和完成，使它介于一个被遗忘的碎片从以前的建筑和一个开放的礼拜堂从一开始。它在阿德里亚纳别墅遗址的记忆之间移动到拉丁美洲开放的小教堂。

Compactness. The chapel is thought of as an excavation in a wall, a chamber in its thickness opened to one side, containing levels and light, a place to sit protected from the sun and the rain. It is a compact construction with a continuous surface, to avoid expressing its building details, favoring instead its solid, primitive aspect. This antique condition of its form and finishing makes it something in between a forgotten fragment from a previous construction and an open chapel from the beginning. It moves between memories of the ruins at Villa Adriana to the open chapels of Latin-America.

 © Adrià Goula

(AdriàGoula)

开会。一旦到了那里，你就会遇到和直线行走一样的终点。不同的是，晨间教堂建立了另一个视角和一个聚会场所。它的开放条件欢迎威尼斯这边的各种游客，不是强加一个精确的会面位置，而是允许不同的相遇。坐在这里，人们的注意力集中在两个方面：一个是在小岛和泻湖的边缘；另一个是在人们随意相聚的时候，所有的人都是因为威尼斯双年展的魅力来到这里的，有着共同的好奇心，这是庆祝的巧合。

Meeting. Once there, one is confronted with the same end that the lineal walk was leading to. The difference is that The Morning Chapel builds another perspective and a meeting place. Its open condition welcomes all kinds of visitors this side of Venice, not imposing a precise meeting position but allowing a variation of encounters. Sitting in this place there is a double focus of attention: one towards the edge of the island and the Lagoon; the other at the casual nature of people meeting around, all having arrived there due to magnetism of the Venice Biennale, sharing a common curiosity, a coincidence to celebrate.

 © Adrià Goula

(AdriàGoula)

Architects Flores & Prats

Location San Giorgio Maggiore Island, Venice, Italy

Author Architects Ricardo Flores y Eva Prats

Design Team Nina Andreatta, Inès Martinel and Jorge Casajús

Area 22.0 m2

Project Year 2018

Photography Adrià Goula

Category Pavillion

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