架构师提供的文本描述。北京之乐是最接近天安门广场的中式生活体验区。2018年7月，公共艺术作品朦胧的现实漂浮在北京东方广场上。该作品由IDEA公共艺术学院设计，并由中国国家画院CCPA组织。

Text description provided by the architects. Beijing Fun is the closest Chinese-style living experience area to Tiananmen Square. In July 2018, the public art work Obscure Reality floated above the East Square of Beijing Fun. The work was designed by Idea Latitude Public Art Institute and organized by the CCPA of China National Academy of Painting.

 Courtesy of Idea Latitude Public Art Institute

观念纬度公共艺术学院提供

漂浮朦胧的现实追求云的漂浮形象，紧跟广场不断变化的平台，呼应人们在广场和周围建筑上的活动。老子在“道德经”中提到“最高善如水”。朦胧的现实时刻都在调节着环境的气氛，在现场表现出水的流动状态。

Floating Obscure Reality Obscure Reality pursues the floating image of clouds, closely follows the changing platforms of the square, and echoes the activities of people on the square and surrounding buildings. In Lao Tzu’s Tao Te Ching, he mentions that “the highest good is like water”. Obscure Reality adjusts the atmosphere of the environment all the time, demonstrating the flowing state of water on the spot.

 Courtesy of Idea Latitude Public Art Institute

观念纬度公共艺术学院提供

 Courtesy of Idea Latitude Public Art Institute

观念纬度公共艺术学院提供

源于太湖石切削的2005年模糊现实源于作者的《太湖石切削系列》。模糊的现实与中国的“太湖石”有着相同的声音。它的目的是让传统的中国美学融入当代实践，集成环境元素，实现"无私、无符号、无限"。

Originating from Taihu Stone Cutting, 2005 Obscure Reality originated from the author's series of work Taihu Stone Cutting. Obscure Reality has the same sound with “Taihu Stone” in Chinese. It aims to involve traditional Chinese aesthetics into contemporary practice, integrate environmental elements, and achieve "selflessness, signlessness, infinite".

 Courtesy of Idea Latitude Public Art Institute

观念纬度公共艺术学院提供

 Courtesy of Idea Latitude Public Art Institute

观念纬度公共艺术学院提供

由于中国古代卷轴画中通常采用漫游者的视角，结合模糊的现实，这些绘画被观众用内心的感受而不是固定的视角来解读。观众也可以与晦涩的现实互动。

Integrating with Obscure Reality Since the cavalier perspective is usually applied in ancient Chinese scroll paintings, these paintings are interpreted by the audience with their inner feelings instead of a fixed perspective. The audience can interact with Obscure Reality as well. 

 Originating from Taihu Stone Cutting, 2005. Image Courtesy of Idea Latitude Public Art Institute

源于太湖石刻，2005年。观念纬度公共艺术学院的形象塑造

模糊的现实形态的变化推动着观众在它周围移动，发现了作品模式的变化。观众可以根据自己的意愿和视角与无限的滚动进行整合。这份工作的要素是在虚拟和现实的过渡过程中呈现的。人们可以进入、爬、坐和玩它。

The variations of the shapes of Obscure Reality push the audience move around it and discover the changes of the patterns of the work. The audience can integrate with the infinite scroll according to their own will and perspective. The elements of this work are presented during the transition between virtuality and reality. People can enter, climb, sit on and play with it.

 Courtesy of Idea Latitude Public Art Institute

观念纬度公共艺术学院提供