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Structural Engineering Halcrow Yolles Electrical Engineering Crossey Engineering Mechanical Engineering The Mitchell Partnership Civil Engineering Delcan Corporation Façade Engineering Halcrow Yolles Landscape Moriyama & Teshima Planners Lighting Suzanne Powadiuk Design Code Leber Rubes Acoustic Engineering Aercoustics Engineering Theater Consultants Theatre Consultants Collaborative AV Engineering Engineering Harmonics Planning Llyod Phillips & Associates Microclimate Gradient Microclimate Engineering Specification Spec Teknix General Contractor Carillion Canada Client Imara (Wynford Drive ) Limited Cost Curran McCabe Ravindran Ross More Specs Less Specs

 © Maki and Associates

Maki和Associates

架构师提供的文本描述。阿加汗博物馆是在6.8公顷(16.8英亩)的土地上开发的两座建筑之一，还有查尔斯·科雷亚设计的伊斯梅利中心和弗拉基米尔·朱洛维奇的正式花园。这些建筑坐落在一个小山丘上，在唐谷公园路和埃格林顿大道的交汇处，这是多伦多市中心以北两条重要的交通要道。从现场本身看，多伦多天际线的远景尽收眼底。

Text description provided by the architects. The Aga Khan Museum is one of two buildings developed in a 6.8 hectare (16.8 acre) site together with the Ismaili Centre designed by Charles Correa and Formal Gardens by Vladimir Djurovic. The buildings are perched upon a small hillock that is visually prominent at the intersection of the Don Valley Parkway and Eglinton Avenue, two significant heavily travelled arteries north of downtown Toronto. From the site itself, panoramic distant views of the Toronto skyline unfold.

 © Maki and Associates

Maki和Associates

Maki和Associates为整个现场组织了总体规划，围绕一个正式的花园组织了两座建筑，100米宽，受到了对伊斯兰庭院的当代解读-Charbag。花园是一个城市绿洲，位于不规则起伏的场地的中心，周围有一个非正式的园景公园。伊斯梅尔国际中心是伊斯梅尔社区的宗教、社会和精神建筑，面向麦加。博物馆是向公众开放的文化公民设施，与位于正式花园的中心轴上的伊斯梅尔中心建立了强烈的对话。两个建筑，神圣的和世俗的，通过花园和景观统一，目的是在整个场地的公园内实现和谐的感觉。

Maki and Associates carried out the Master Plan for the entire site organizing two buildings around a Formal Garden, 100 meter wide, inspired by a contemporary interpretation of the Islamic courtyard – the Charbaag. The Garden, an urban oasis, is positioned at the center of an irregular undulating site while creating an informal landscaped park around the periphery. The Ismaili Centre, a religious, social and spiritual building for the Ismaili Community is oriented toward Mecca. The Museum, a cultural civic facility open to the general public establishes a strong dialogue with the Ismaili Centre on a central axis across the Formal Gardens. The two buildings, sacred and secular, are unified through the gardens and landscape aimed at achieving a sense of harmony in a park setting throughout the entire site.

 1ft floor plan 1-500

1ft楼层平面图1-500

阿加汗博物馆是北美第一个致力于伊斯兰艺术和文化的博物馆，是伊斯马利穆斯林第49任世袭伊玛目阿加汗殿下的倡议。该项目旨在促进穆斯林社会内部以及这些社会与世界各地其他文化之间的知识和理解。该博物馆致力于概述伊斯兰文明对世界遗产所作的艺术、知识和科学贡献，是画廊、展览空间、教室、参考图书馆、礼堂和餐厅的所在地。它收藏了1000多件物品，其中包括代表十多个世纪人类历史和地理区域的各种艺术风格和材料的珍稀杰作。

The Aga Khan Museum, the first museum in North America devoted to Islamic art and culture is an initiative of His Highness the Aga Khan, the 49th hereditary Imam of the Ismaili Muslims. The project seeks to foster knowledge and understanding both within Muslim societies and between these societies and other cultures around the world. Dedicated to presenting an overview of the artistic, intellectual and scientific contributions that Islamic civilizations have made to world heritage, the Museum is home to galleries, exhibition spaces, classrooms, a reference library, auditorium and restaurant. It houses a permanent collection of over 1,000 objects including rare masterpieces of broad range of artistic styles and materials representing more than ten centuries of human history and geographic area.

 © Maki and Associates

Maki和Associates

博物馆的设计灵感来自阿加汗殿下的“光明”愿景声明。“光”的概念一直激励着无数的人类信仰，几十年的历史被称为启蒙运动。阿加汗曾希望，建筑和周围的空间将被看作是光的庆祝和光明的奥秘，这是大自然和人类灵魂在我们生命的每一个时刻所展示的。这一概念在伊斯兰文献和科学中得到了特别的验证，直线建筑是朝向太阳北面45度的方向，它的所有侧面都暴露在太阳下。该形状已被凿成一个凹形的角轮廓，这也是一个自然的表达两层建筑。这座建筑的表面被喷砂的巴西白色花岗岩覆盖，在光线和阴影中不断地与太阳相互作用。其效果类似于日晷。

The design of the Museum is inspired by a vision statement of “Light” by His Highness the Aga Khan. The notion of “Light” has been an inspiration for numerous human faiths and decades of history are referred to as the enlightenment. The Aga Khan had hoped that the building and the spaces around it will be seen as a celebration of light and the mysteries of light that nature and the human soul illustrate at every moment of our lives. The concept is particularly validated in Islamic texts and sciences The rectilinear building is oriented forty-five degrees to solar north where all its sides are exposed to the sun. The form has been chiseled to create a concaved angular profile that is also a natural expression of the two level building. Clad in sandblasted white Brazilian granite, the surfaces of the building are set in motion in a constant interplay with the sun in light and deep shadows. The effect is similar to a sun dial.

 © Maki and Associates

Maki和Associates

在这座建筑内，一个完全玻璃化的庭院被一层自由流动的公共空间包围着，形成了一个宏伟的修道院，构成了博物馆的中心。画廊、展览空间、教室、图书馆、礼堂门厅和餐厅/商店都是平等的，不分等级，可以从中心进入。这一中心公共空间与庭院相结合是不受禁止的，可以开展广泛的活动，如表演、装置、公共集会和招待会。

Within the building, a fully glazed courtyard encircled by a layer of free flowing public space in the form of a grand cloister establishes the hub of the Museum. The galleries, exhibition spaces, classrooms, library, auditorium foyer and restaurant / shop, are all equally, non-hierarchically, accessible from the hub. This central public space paired with the courtyard is non-proscriptive enabling a wide range of activities to unfold such as performances, installations, public gathering and receptions.

 © Maki and Associates

Maki和Associates

庭院是一个永久的和平避难所，创造自己的内部世界，远离外界的环境。它的玻璃壁在线条和空隙上压印有双层图案，以产生召回传统的伊斯兰JALI屏幕的三维效果。院子里的光线不断地把图案的阴影投射到华丽的修道院的墙壁和地板上，使内部空间充满了动画。在第二层次上，四个大的开口俯视着公共空间，通过铸造的锌网，以当代的Mushabiya，一个伊斯兰海湾的窗户的形式。在画廊里，大的铝制窗格玻璃带着小的六边形开口，向展览区域发出柔和的自然光。

The courtyard is intended as a permanent peaceful sanctuary creating its own internal world secluded from the outside environment. Its glass walls are imprinted with a double layered pattern in line and void to create a three dimensional effect recalling the traditional Islamic Jali screens. The light from the courtyard constantly cast moving patterned shadows on the soffits, walls and floor of the grand cloister animating the interior spaces. Up above on the second level, four large openings overlook the public spaces through a cast zinc screen in the form of a contemporary Musharabiya, an Islamic bay window. Within the galleries, large aluminum paneled skylights perforated with small hexagonal openings emit soft natural light into the exhibition areas.

 Section 1-500

Section 1-500

博物馆将继续代表穆斯林社会的活生生的传统，并了解伊斯兰教及其过去和现在的艺术和文化习俗。这些建筑，花园和公园，反映了阿加汗与加拿大的长期关系，以及他对加拿大致力于多元化和文化多样性的赞赏。

The Museum will live on to represent the living traditions of Muslim societies and to learn about the artistic and cultural practices across Islam and its civilizations, past and present. The Buildings, the Gardens and Park, reflect the Aga Khan’s long standing relationship with Canada and his appreciation for the country’s commitment to pluralism and cultural diversity.

 © Maki and Associates

Maki和Associates

Architects Maki and Associates

Location Toronto, Ontario, Canada

Team Fumihiko Maki, Principal / Gary Kamemoto, Director / Kota Kawasaki, Associate / Isao Ikeda, Associate / Masayuki Midorikawa, Associate / Jun Takahashi / Yukiko Kuwahara / Yoichi Honjo / Masaru Sasaki / Alvaro Bonfiglio / Ellen Kristina Krause

Architect of Record Moriyama Teshima Architects

Area 4049.0 m2

Project Year 2014

Photographs Maki and Associates

Category Cultural Center

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