Lost Villa · Valley Land Boutique Hotel Interior Design DAS Lab

2018-08-07 01:00

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C.Schran Studio

架构师提供的文本描述。柿子森林古村，具有浙东峡谷地貌特征。同时，日照和雨水丰富，土地植被多样化，覆盖度高。柿子、苦瓜、竹笋、茶是古村重要的经济作物。环绕群山，得天独厚的地理位置，使这座有八百多年历史的古村更加神秘。该村有着深厚的文化内涵和发展路径，希望通过精品酒店的建成带动旅游业的发展。

Text description provided by the architects. The Ancient Village of Persimmon Forest, has the features of eastern Zhejiang canyon landform. Meanwhile it has abundant sunshine and rainwater, diversified land vegetation and high coverage. Persimmon, sakura, bamboo shoots and tea are important economic crops in the ancient village. Surrounded by mountains, the unique geographical location makes this ancient village, which has eight hundred years of history, more mysterious. The village enjoys the profound cultural connotations and development paths and hopes to drive its development of tourist industry through the completion of boutique hotels.

 © Schran Studio

C.Schran Studio

 Axon Diagram

轴突图

 © Schran Studio

C.Schran Studio

位于柿子森林古村，“失落山庄·山谷地精品酒店”由DAS实验室设计。这个项目的地形是一个典型的山台，周围是高山和山谷，小丘与中间的平坦山坡相连。当你俯瞰整个景观时，独特的地理位置使它更加丰富和多样。建筑集团的布局与卫城有着相似的设计，确保人们在活动空间中感到安全。22间客房的窗户全部面向周边景观，将外部自然景观直接留给内部。

Located in the Ancient Village of Persimmon Forest, Lost Villa · Valley Land Boutique Hotel is designed by DAS Lab. The terrain of this project is a typical mountain platform, surrounded by high mountains and valleys, and hillock isattached to flat slopes in the center. When you overlook the whole landscape, unique geographical location makes it richer and more varied. The layout of building group has a similar design as the Acropolis, which ensures that people feel safe in activity space inside. Windows of 22 guest rooms all face the peripheral landscapes, which leaves the external natural landscape directly to interior.

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C.Schran Studio

餐厅是这个项目中最复杂的空间，包括作为投掷派对的功能，有餐饮、入住和商务会议。它由三个不同的建筑物组成，中间部分的高度为10米，两侧都有8米高的法国窗。在繁茂的植被和非常图形的自然景观的面前，我们希望通过材料的物理特性创造出高强度的人造工作与自然的冲突，以及直觉、潜意识和身体的平衡。我们也希望在内部创建与外部相同的开放性，并在瞬间提供令人印象深刻的休息环境。

Dining room is the most complex space in this project, including functions as throwing parties, having meals, check-in and business meetings. It is made up of three various buildings and the middle section has a height of 10 meters and both sides have French windows of 8 meters high. In the face of luxuriant vegetation and very graphic natural landscapes, we hope to create high-intensity clashes of artificial work and nature, and a balance of intuition, subconscious and body through the physical properties of materials. We also want to internally create openness same as exterior and provide an impressive rest environment in an instant.

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C.Schran Studio

对于我们来说，空间呈现出一种躁动和宁静的双向场景：一方面，它扮演着一个娱乐和复杂功能的餐饮空间。另一方面，它整合了山林的多样性、偶然性和随机性。当活动进行的时候，它会引起能见度、活力、兴奋和噪音，而山林则是一个隐蔽的、孤立的、孤独的、宁静的景象。空间中对立面的平衡。

As for us, the space shows a bidirectional scene of restlessness and quiet: On the one hand, it acts a dining space of entertaining and complex function. On the other it integrates diversity, serendipity and randomness of mountain and forest. As where activities process, it arouses the visibility, liveliness, excitement and noises, meanwhile the mountain forest is in a covert, isolated, lonely and tranquil scene. A balance in opposites in the space.

 © Schran Studio

C.Schran Studio

 © Schran Studio

C.Schran Studio

我们认为，酒店作为从视觉、情感、思维到日常生活的媒介，在空间和场景中都给了我们时间的启示。我们把自然部分和人工部分结合在一起，尽可能地在酒店房间里保持克制。这是我们对环境、场地和业主的诠释，为客人提供了一个简单而温馨的休息氛围。

We believe that hotel as the medium of pulling away from vision, emotion and thinking to daily life gives us an enlightenment of time through both space and scene. We keep restrained as much as possible at the hotel room by integrating the natural and the artificial parts. That is our interpretation of the environment, site and owner, providing guests a simple and warm atmosphere to rest.