Olivos House TATÚ Arquitectura

2018-08-09 13:00
客户是一对年轻夫妇,有两个小孩,订单:他们的第一套房子,自己建造,做测量,为生活服务。他们想要一座“独特空间”的房子,在底层综合灵活。一个很大的厨房,一个双高的起居室,一个有时可以用作办公桌的宽敞的空间,每天或者是客厅的投影,以扩大你在特殊活动中的空间。室内露台和一组独立的服务。楼上的私人房间突出主房高于其余,有套房浴室,更衣室和自己的露台。
Client The client is a young couple with two small children, the order: their first house built, own, made to measure and for life. They wanted a house of "unique space" integrated and flexible on the ground floor. A large kitchen, a living room with double height, a wild space that at times could operate as a desk, be daily or projection of the living room to expand your area in special events. An interior patio and an isolated battery of services. Upstairs the private rooms highlighting the main room above the rest, with en suite bathroom, dressing room and own terrace.
 © Marcos Guiponi
马科斯·吉波尼
对客户的前提空间性,我们决定增加一些调整,以增强空间序列,能够刺激使用,通过操作内部扩展的灵活性-分割没有困难和移除的结果过于几何的功能图式。第一种是通过第二层空间的投影,通过所包含的空间进行外部-内部过渡,产生两个接收屋檐-将室内空间延伸到遮阳和雨水的区域,一个有盖的入口,与街道互动,或者与露台和背景上的水池互动。半室内区域,大大扩大了​​使用面积的房子。
Spatiality To the client's premises we decided to add some adjustments that would enhance spatial sequences capable of stimulating the uses by manipulating the flexibility of interior expansion-segmentation without difficulties and moving away the result of a too geometrical functional schematism. The first incorporated the exterior - interior transition through the contained space by the projection of the volumes of the second level, generating two eaves of reception - extension of the interior space to areas sheltered from the sun and rain, a covered entrance to interact with the street, pergola and barbecue to interact with the patio and pool on the background. Semi-interior areas that considerably amplify the area of ​​use of the house.
 © Marcos Guiponi
马科斯·吉波尼
一旦进入内部四合院和楼梯围绕着房子的正门和后背,直接将楼上和起居室连接起来,同时也稀释了“通道空间”的感觉,入口处窗户的叠合确保了底层的全部厚度,并使其运行到物业的后期极限。
Once inside the circulations revolve around the inner courtyard and the staircase, which opposes the main entrance of the house with its back, to connect the upper floor with the living-dining room directly and thus dilute the perception of "passage space" " At the same time, the superposition of the windows that accompany the entrance ensure the full thickness of the ground floor and its operation to the later limit of the property.
 1st floor plan
一楼图则
第二对应于位于起居室上方的双重主高度,厨房和起居室通过能够隔离和展开社会空间的滑动外壳连接,以产生预期的灵活性。上地板通过一个内部阳台被结合到系统中,该内部阳台在小的入口大厅上结束它的循环到主房间。
The second corresponds to the double main height located above the living room, to which the kitchen and the living room are linked by means of sliding enclosures capable of isolating and unfolding the social spaces to generate the intended flexibility. The upper floor is incorporated into the system through an interior balcony that ends its circulation on a small entrance hall to the main room.
 © Marcos Guiponi
马科斯·吉波尼
材料在材料调色板的选择中,优先从纹理和自己的颜色中促进一种具有表现力和鲁棒性的语言,这就产生了不同表面之间的一致性。这样,暴露混凝土作为整个方案的一个共同因素,在直升机抛光、手工抛光混凝土和不同布置的暴露混凝土板之间存在差异。外壳是由双层砖墙组成的,它只在主双层高度的一部分揭开其成分,在那里决定保持轴承砖的质感而不被抹灰。白色大理石、木材和砖块的表面完成了最终的构图。
Material In the selection of the palette of materials, it was prioritized to promote a language of expressive and robust character from the textures and own colors, which generated coherence between the different surfaces worked. In this way, the exposed concrete was used as a common factor of the whole proposal, varying between polishing with a helicopter, hand-polished concrete and different arrangements of exposed concrete planked. The outer shell is composed of a double brick wall, which only unveils its composition in a portion of the main double height where it was decided to maintain the texture of the bearing brick in plain view without being plastered. Surfaces of white marble, wood and brick complete the final composition.
 © Marcos Guiponi
马科斯·吉波尼
对于这种结构,我们决定在最大程度上没有梁和柱子的情况下工作,以加强工厂所期望的流动感觉。裸露混凝土的屋檐达到4米,没有后花园的支撑,补充了外部空间的连续性。最后,底层的窗户脱去第二层,寻找一种形式上的错觉;第二层是大玻璃表面上的“莱维塔”。
For the structure we decided to work with the greatest absence of beams and pillars possible in favor of reinforcing the flow sensation expected in the plant. The eaves of exposed concrete that reach 4 m without support towards the backyard complement the spatial continuity towards the exterior. Finally, the windows on the ground floor take off the second level to look for a formal illusion; the second level "levita" on large glass surfaces.
 © Marcos Guiponi
马科斯·吉波尼
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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