© Kyungsub Shin

c KyungsubShin

架构师提供的文本描述。比利时的布鲁日，也被称为“北方的威尼斯”，是一座被联合国教科文组织指定为世界遗产的城市，仍然展示了中世纪美丽的老城区。穿过这座城市的运河，连同保存完好的建筑，是布鲁日独特的元素，提供了美丽的景观。

Text description provided by the architects. Brugge in Belgium, also known as ‘Venice of the North’, is a city designated as a UNESCO World Heritage still showing the beautiful old section of the city in the Middle Age. The canal going through the city, along with the well-preserved structure, is the unique element of Brugge providing beautiful landscapes.

 © Kyungsub Shin

c KyungsubShin

 © Kyungsub Shin

c KyungsubShin

在2018年的布鲁日(Triennale Brugge，2018年)，Obba打算对这些美丽的风景做一个小小的改变。通过安装“浮岛”，一个长流线型的亭子漂浮在水面上，奥巴试图模糊运河的刚性边界，并引导人们到水边。这样，通过把运河规划成一个游客可以在水上散步、休息、反射和享受的地方，而不仅仅是借来的风景，奥巴试图把他们的关系更多地从三个方面联系起来。

In TRIENNALE BRUGGE 2018, OBBA intends to make a small change in these beautiful landscapes. By installing “The Floating Island”, a pavilion in long streamlined shape floating on the water, OBBA tries to blur the rigid boundary of the canal and guide people to the waterside. In this way, by planning the canal as a place where visitors can walk, rest, reflect, and enjoy on the water, not just as a borrowed scenery, OBBA attempts to connect their relationships more in three dimensions.

 © Kyungsub Shin

c KyungsubShin

 Axonometric

 © Kyungsub Shin

c KyungsubShin

展馆包括水上的浮筒、金属框架、甲板板、金属支柱、连接支柱的上金属轨道和包围轨道的绳索帘。绳帘和它们的阴影产生了不明确的空间，这些空间似乎同时打开和关闭。此外，窗帘和阴影与灯光反应，风模糊边界，反复打开和关闭访客“景点，再让他们熟悉的风景。”

The pavilion consists of pontoons on the water, metal frames, deck plates, metal pillars, upper metal rails connecting the pillars, and rope curtains embracing the rails. The rope curtains and their shadows create ambiguous spaces that seem to be opened and closed at the same time. In addition, the curtains and shadows reacting to the lights and winds blur the boundary, repeatedly open and close visitors’ sights, and make familiar landscapes fresh again.

 © Kyungsub Shin

c KyungsubShin

在直线轨迹的中间有各种不同形状和形状的空间，人们可以安静地休息。游客们可以享受日光浴，斜靠在倾斜的绳索上，或者休息在宽大的绳索上，看着天空中的云朵。另外，他们可以坐在边上，减轻他们的压力，欣赏平静流水，看书，或独自坐在圆形空间里，或者有时在秋千上玩得很开心。

There are various spaces with different shapes and forms in the middle of the linear trail where people can rest quietly. Visitors can enjoy sunbathing leaning to the tilted ropes or rest on the wide rope hammocks looking at the clouds in the sky. In addition, they can sit on the edge and relieve their stress appreciating the quietly flowing water, read books or reflect on themselves sitting in the circular space alone, or sometimes have a great time playing on the swings.

 © Kyungsub Shin

c KyungsubShin

这样，“浮岛”给了公民欢乐和反思的时间，扩大了他们行为和观念的界限。此外，它模糊了生活(日常生活)和艺术之间的界限，使布鲁日熟悉的风景发生了平静的变化。运河回到市民的乳房，与他们形成新的关系，并不断流动。

In this way, “The Floating Island” gives the time of joy and reflection to the citizens and extends the boundary of their acts and perceptions. Further, it blurs the boundary between life (daily life) and art, making a calm change in the familiar landscapes of Brugge. The canal returns to the breasts of the citizens, forms new relationships with them, and flows constantly.

 © Kyungsub Shin

c KyungsubShin

Architects Dertien12, OBBA

Location Bruges, Belgium

Lead Architects Sojung Lee& Sangjoon Kwak(OBBA), Tom Gantois(Dertien12)

Project Team Hwangjong Yeo(OBBA), Jason Slabbynck(Dertien12)

Project Year 2018

Photographs Kyungsub Shin

Category Public Space

Manufacturers Loading...