Casa R Felipe Lagos

2018-08-10 13:00

 Cortesía de Felipe Lagos

Cortesía de Felipe Lagos

架构师提供的文本描述。卡萨R是一个极端气候的假日避难所，位于安第斯山脉的一半，特别是在维尔奇镇，七，智利南部地区。附近的主要景点是Pehuenge过境小径、Maule泻湖、Colbún湖以及一系列自然保护区和国家公园。这地是一个很明显的峡谷，北边有科雷尔河，东边有山。该地区的另一个优点是，该地区没有近邻，而且该地区有一系列用于徒步旅行和户外运动的小径。

Text description provided by the architects. Casa R is a holiday refuge for extreme climates located halfway up the Andes mountain, specifically at the town of Vilches, VII Southern Region of Chile. The main nearby attractions are the Pehuenche Border Crossing Trail, the Maule Lagoon, the Colbún Lake and a series of nature reserves and national parks. The land is a pronounced ravine which limits, on the north with Corel River, and on the east with the mountains. Another virtue of the area is that the place does not have close neighbors, and the land has a series of trails for trekking and outdoor sports.

 Exploded Axonometric

爆炸轴测

机舱在陆地上的位置，就是把它插入森林的中间，望着北谷。这所房子有两层，以抢救树木枝叶和景观上方山谷的景色。该决定还必须在一楼占用土地，以避免生态破坏或砍伐树木。因此，房屋放置并不影响任何类型的天然树木或植物。

The placement of the cabin in the land, is to insert the it in the middle of the forest looking towards the northern valley. This house has two floors, in order to rescue the views of the valley above the trees foliage and landscape. This decision also, has to do with occupying the ground on the first floor to avoid the ecological damaging or removing trees. Because of this, the house placement didn't affect any type of native tree or plant.

 Cortesía de Felipe Lagos

Cortesía de Felipe Lagos

 Cortesía de Felipe Lagos

Cortesía de Felipe Lagos

这个小木屋是从地面上高架起来的，在露台上有斜坡，有两层楼。斜坡与地形的自然度对话，以减少地基和散热器的费用。屋顶也有一个陡峭的斜坡，以保护它免受冬季雪的侵袭。

This cabin is elevated from the ground, has slopes on the terraces and two floors. The slopes dialogue with the naturalness of the terrain, in order to reduce costs in foundations and radiers. The roof also has a steep slope to protect it from snowfals in the winter.

 Axonometric

计划对2x4和3x4mT的设计和预制体积进行调整，以响应铁(6mT)的尺寸，并且这样做不会造成材料损失。这些模块是在开放的平面或开放空间中并排添加的，因此它们连接到主模块上，这是浴室和小厨房等服务的一部分，但没有墙壁。这间小木屋使用的单元有4个，其中一些是重复使用的；A舱为卫生服务关闭；B单元为露台和木屋开放；C单元为卧室开放；D单元为楼梯或补充居住空间开放。

It was planed to modulate designed and prefabricated volumes of 2x4 and 3x4 mt, in response to the dimension of the iron (6 mt) and this way not having material losses. These modules are added side by side in open plan or open space, so they are attached to the main module that is the one of services like bathrooms and kitchenette, but without walls. The modules used in this cabin are 4, and some are repeated; Module A closed for Sanitary Services; Module B open for leisure on terraces and for woodshed; Module C open for bedrooms; and Module D for stairs or complement living spaces.

 Cortesía de Felipe Lagos

Cortesía de Felipe Lagos

该住宅的具体方案，将模块分两层，在一楼是木屋和“基弗罗内拉”进入小屋，然后是服务，如小厨房，浴室和结束生活-就餐平台。二楼是主卧室、客厅和办公桌。这是一个度假之家，冬天有屋顶的露台，夏天开放。应该指出，在房子的周边，可以从1间到3间卧室分发。

The specific program of this house, distributing the modules in two floors is the following: On the first floor is the woodshed and 'chiflonera' for accessing the cabin, then come the services such as kitchenette, bathroom and ends in the living-dining-terraces. On the second floor is the master bedroom, the living room and a work desk. As this is a holiday home, it has roofed terraces for winter and open for summer. It should be mentioned that in the perimeter of the house, it could be distributed from 1 to 3 more bedrooms.

 Cortesía de Felipe Lagos

Cortesía de Felipe Lagos

结构重要性是钢材，例如所有其他保护产品（主要是由于对火灾和水的阻力）。通常也是松木，主要类似于单片涂层，是用Carbiloo(2x5"，1x2"，1x3"和1x4")涂覆的松树的表。将铝、混凝土板、经典槽胶合板板作为饰面，以黑色电镀锌作为覆盖层，所有这些都是作为将建筑集成到环境中的一种方式进行研究的。

The structure materiality is steel, such as all other protection products (mainly because of the resistance to the fire and water). Also pine woods in general, and mainly like monolithic coating was used tables of pine coated with carbonileo (2x5 ", 1x2 ", 1x3" and 1x4 "). Aluminum, concrete slab, classic grooved plywood plates were used as a finish, and black electroplated zinc was used as cover, all of which was studied as a way of integrating the architecture into the context.