© James Brittain Photography

詹姆斯·布里顿摄影

 © James Brittain Photography

詹姆斯·布里顿摄影

架构师提供的文本描述。位于山腰的一个大型房地产开发项目的中心，这座住宅的遗址基本上被开发商拆除，以促进圣劳伦斯河的景观，从而刺激项目地段的销售。矛盾的是，这破坏了自然景观，使土地过度暴露的情况下，用于住宅用途的土地占用更加复杂。由此产生的巨大景观是一样壮观的，因为它是难以适当的住宅规模。

Text description provided by the architects. Located on the mountainside in the heart of a large real estate development project, the site of this residence essentially had been stripped by the developer to promote views of the St. Lawrence River and thus stimulate sales of the project lots. Paradoxically, this destructured the natural landscape, rendering appropriation of the site for residential purposes more complex, given the overexposure of the land. The resulting monumentality of the landscape is as spectacular as it is difficult to appropriate on a residential scale.

 © James Brittain Photography

詹姆斯·布里顿摄影

这就是为什么该项目试图适应这一景观，同时寻求一种关系，它可以提供一个家庭生活的环境。奇怪的是，这种情况与查尔维奥瓦地区(魁北克)的长期定居传统无关，其特点是，相对于圣劳伦斯河的辽阔和起伏的景观，住宅规模不大。“La Charbonnière”就是围绕这一“融入”景观的问题而设计的，这是一种既正式又文化的考虑。

That is why the project attempts to fit into this landscape while seeking a relationship it can offer in a context of domesticity. Curiously, this situation is not unrelated to the long tradition of settlement in the Charlevoix region (Québec), characterized by the modest scale of the dwellings set against the immensity of the St. Lawrence River and the rolling landscape. “La Charbonnière” was designed around this problem of “fitting” into the landscape, a consideration that is both formal and cultural.

 Basement Plan

地下室平面图

我们认为，该地区传统农村综合体的实施模式已经转化了过去的乡村文化，这种文化在今天几乎消失了。如今，村民们根据小规模住宅或外围建筑的精确布置，攫取土地的微妙之处，已被一种更为郊区而非乡村的住宅类型统一部署所取代。该项目计划在圣劳伦斯河(St.LawrenceRiver)的正面划出一个内部庭院，就像拥抱和保护居民免受广阔景观影响的手臂一样。

We believe the mode of implementation of the region’s traditional rural complexes has translated the rustic culture of yesteryear, which has almost disappeared today. The subtlety with which the villagers appropriated their territory according to a precise arrangement of small volumes of homes or outbuildings, has today been supplanted by a uniform deployment of a residential typology that is much more suburban than rustic. The project plan plots an interior yard fronting on the St. Lawrence River, like an arm that hugs and protects the inhabitants from the immensity of the landscape.

 © James Brittain Photography

詹姆斯·布里顿摄影

外部容量法是抽象和耐人寻味的。它从土壤中浮现出来，就像一个雕塑物体，面对着河流的不朽。尺度是模棱两可的，在周围景观的形象中。烧焦的雪松墙，由“寿司禁令”技术生产，是没有窗户的侧面面对道路，并贡献了这种形式的奇怪，这种形式分开景观，而不气势本身。空间的部署拥抱了场地的轮廓，清理了两层适合居住的楼层，但在整个周边保持了地面水平的直接进入。这允许直接占用户外网站，同时允许用户有一些隐私。

The exterior volumetry is abstract and intriguing. It emerges from the soil, like a sculptural object, facing the river’s monumentality. The scale is ambiguous, in the image of the surrounding landscape. The charred cedar walls, produced by the “shou-sugi-ban” technique are free of windows on the side facing the road and contribute to the strangeness of this form, which divides the landscape without imposing itself. The deployment of the spaces hugs the contours of the site, clearing two habitable stories but maintaining direct access at ground level over the entire perimeter. This allows direct appropriation of the outdoor site while allowing some privacy for the users.

 © James Brittain Photography

詹姆斯·布里顿摄影

膳食准备空间广阔，构成住宅的居住中心，通往室内庭院。起居室的设计就像沉思的静修所，通向河畔。本着同样的精神，一个干燥的桑拿浴室，很大程度上打开了院子，也提供了一个放松的地方，在中心的住宅，面向圣劳伦斯。室内空间的美学有着乡土的印记。物质性指的是我们的根，比现代主义更乡土，更接近地球。它的内部组织是有机的，就像我们美丽的没有建筑师设计的乡村住宅.

The meal preparation spaces are vast and constitute the residence’s living center, opening onto the inner yard. The living room is designed like a contemplative retreat, opening onto the riverscape. In the same spirit, a dry sauna, largely opening onto the yard, is also offered as a place of relaxation in the heart of the dwelling, facing the St. Lawrence. The aesthetics of the indoor spaces have a rustic stamp. The materiality refers to our roots, more rustic than modernist, closer to the earth. Its internal organization is organic, like our beautiful rural homes designed without an architect...

 © James Brittain Photography

詹姆斯·布里顿摄影

Architects Alain Carle Architecte

Location Cap-à-l'Aigle, Canada

Conception Team Alexandre Lemoyne, assistant

Area 225.0 m2

Project Year 2016

Photographs James Brittain Photography

Category Houses

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