© Pedro Kok

(c)PedroKok

架构师提供的文本描述。Loggia d‘Ombra是由Ulrika Karlsson策划的Serra dei Giardini展览地块、版画和投影的一部分。展览所展示的是一系列大型空间设施，这些设施是对当代和具有挑战性的建筑表现及其对建筑形式的翻译的研究的结果，在与动态材料、木材和制造业的会议上。Loggia还将作为一系列关于建筑、建筑环境和2030年议程全球目标的研讨会和讲习班的舞台，以及建筑和木材如何成为其中的一部分。

Text description provided by the architects. The Loggia d´Ombra is part of the exhibition Plots, Prints, and Projections at Serra dei Giardini curated by Ulrika Karlsson. The exhibition house a series of large-scale spatial installations that are the result of an investigation of the contemporary and challenging role of architectural representations and their translations to built form, in the meeting with the dynamic material wood and the manufacturing industry. The Loggia will also act as the stage for a series of seminars and workshops on architecture, the built environment and the global goals of Agenda 2030, as well as how architecture and wood can be part of it.

 © Pedro Kok

(c)PedroKok

罗格舞厅和瑞典传统舞厅的类型在设计中具有重要的参考价值。原木作为一种建筑类型出现在威尼斯，作为一个私人或半公共空间，基本上是一个地板，一个屋顶和柱子，以使他们分开创造一个空间。舞蹈馆虽然在一个非常不同的背景下，但在结构上是相似的。洛贾和舞厅都提供了内部空间聚集的双重功能，以及提供非正式互动、观看和被看到的机会同样重要的周界。

The typologies of the loggia and the traditional Swedish dance pavilions have been important references in the design. The loggia as an architectural typology is present in Venice as a private or semi-public space, basically a floor, a roof and pillars to keep them apart creating a space. The dance pavilion, although in a very different context, is similar in its structure. Both the loggia and the dance pavilion provide the double function of an inner space to gather in and a perimeter that is just as important providing the opportunity of informal interaction, viewing and being seen.

 Axonometric

现有温室的计划几何形状是为了优化内部的太阳辐射，以捕捉太阳。为了形成温室的圆木，我们倒置了这个几何图形，挡住太阳而不是收集它，把咖啡厅前面有一个阴影的空间围起来。绿屋褶皱的角度在平面、断面和立面上重复，形成具有中央变形的重复结构，形成平面折皱。V柱倾斜在部分，允许屋顶比地板更大，以提供庇护，也为周边的洛贾，那里的地板成为一个座位的情况。

The plan geometry of the existing greenhouse is there to optimise the solar radiation inside, for catching the sun. To form a loggia for the Greenhouse we inverted this geometry , blocking the sun instead of collecting it, enclosing a shaded space here in front of the café. The angle of the green house fold is repeated in plan, section and elevation, It creates a repetitive structure with a central distortion to create the fold in plan. The V-pillars leaning in section allowing the roof to be larger than the floor to provide shelter also for the perimeter of the Loggia where the floor becomes a seating situation.

 © Pedro Kok

(c)PedroKok

 © Pedro Kok

(c)PedroKok

材料与结构的关系在一个历史语境中是非常复杂的，石材结构模仿木结构，木结构模仿石头。此外，铸铁在一开始经常被用来模仿木材和有一个长期的传统材料作为其他东西的建筑。作为对这些关系的探讨，给出了一种薄的金属银激光。它指的是温室里的铁，也是一种保护，可以让木头在油漆磨损时变成灰色。

The relation between materials and structure is in a historic context very complex, Stone structures mimicked wooden, wooden mimicking stone. Also Cast iron at the outset was often used to mimic wood and there is a long tradition of materials acting as something else in architecture. As an investigation in these relations the wooden structure of the Loggia d’Ombra is given a thin metallic silvery lasure. Its a reference to iron of the Greenhouse as well as a protection that serves to let the wood turn grey as the paint is worn off.

 © Pedro Kok

(c)PedroKok

我们和K llemo一起开发了一系列家具，一张长椅，一张桌子和一个橱柜。几何是在对话与几何的洛贾，他们都是建立在松木和铸铁。两腿成对，并与一块巨大的木头相连，将它们锁在一起，形成一张桌子和一张长凳。我们研究了铸造过程中的内在可能性，即从原来的铸造过程中产生的指纹，以及用喷砂法在铸铁表面形成木材的木质印记的可能性。

Together with Källemo we have developed a serie of furniture pieces, a bench, a table and a cabinet. The geometry is in dialogue with the geometry of the Loggia and they are all built in pine-wood and cast iron. The legs are paired and connected with a massive piece of wood that lock them together creating a table and a bench. We investigated the possibility inherent with the process of casting to create prints from the original and having the wooden originals sandblasted created wooden imprints of the wood in the surface of the cast iron.

 © Pedro Kok

(c)PedroKok

Architects In Praise of Shadows

Location Venice 16th International Architecture Exhibition, Venice, Metropolitan City of Venice, Italy

Lead Architects Fredric Benesch, Katarina Lundeberg

Area 50.0 m2

Project Year 2018

Photographs Pedro Kok

Category Temporal Installations

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