© Sandra Pereznieto

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架构师提供的文本描述。房子周围的风景是一个独特的地方，每一个角落都可以庆祝。该项目采用双重策略：在构建一个中心、节点、受保护但对外部开放的中心节点的同时，为彼此之间的三个特定点建立观察站，使其完全暴露在不同的环境中，而这些环境是由自己的体系结构划分的。建筑策略也是通过项目的重要性来制定的：一方面是与维护、结构和热行为有关的决策；另一方面是通过考虑建筑在建筑所占景观中的视觉重量而做出的材料决定。

Text description provided by the architects. The landscape surrounding the house is a unique place, where each and every one of its corners can be celebrated. The project works with a double strategy: to build lookouts towards three specific points distant from each other while building a central, nodal, protected but open to the outside, and that has a total exposure to different environments that the own architecture delimits. The architectural strategy is also developed through the materiality of the project: on the one hand with decisions that have to do with maintenance, structure and thermal behavior; and on the other, by material decisions that result from considering the visual weight that architecture must have in landscapes as recondite as the one the house occupies.

 © Sandra Pereznieto

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 Floor Plan

 © Sandra Pereznieto

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混凝土无疑将是一个起点，因为它具有很高的结构性能，能够抵抗房屋一侧地形的变化；它多年来的良好行为也是无可争议的，而且它对维修的需求也很低。由于该地区的热跃迁，材料的热质量是正的；交叉窗户的大开口的加入使得能够产生准时交叉的通风，使项目在一天中的不同时刻以及全年都具有很高的热舒适性。

Concrete will undoubtedly be a starting point, due to its high structural performance against a changing topography on one side of the house; It is also indisputable its good behavior over the years and its low need for maintenance. The thermal mass of the material is positive due to the thermal jumps in the area; and the incorporation of large openings of crossed windows allow to generate punctually crossed ventilations that grant the project a high thermal comfort throughout the different moments of the day, as well as throughout the year.

 © Sandra Pereznieto

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然而，CDLR项目的不同成分是承诺在整个地区重新利用从倒下或枯死的树木中获得的大量木材，房子的屋顶将用这种木材和木材建造，它确定了所有居住空间的界限，无论是内部还是外部。在这些梁之间，一个陶瓷片作为一个丢失的模板放置，它巩固了屋顶的平面。

However, the differential ingredient of the CDLR project is the commitment to the reuse of the huge amount of wood obtained from fallen or dead trees throughout the area, the roof of the house, which defines the limits of all living spaces, both interior and exterior, will be built with that wood, and that wood. Between these beams, a ceramic piece is placed as a lost formwork, which consolidates the plane of the roof. 

 © Sandra Pereznieto

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 Constructive Section A

建设性A组

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以这种方式出现了一种伟大的个性材料，它构建了一个单一的平面，木材建立了一个非常突出的、有方向的节奏，这将使项目有序进行，同时它也为空间的定义了一个基本的工作模块。房子漆成黑色。它是油漆(而不是染料)，因为它反过来，是另一层材料保护配置的房子；它是油漆，因为房子是非常暴露在严酷的时间，染料往往失去其质量多年来；它是黑色的，响应与景观融合的愿望，在植被和茂盛的景色面前寻求一定的匿名性。

A material of great personality appears in this way, which constructs a single plane, with the wood establishing a very emphatic and directional rhythm that will order the project, at the same time that it defines a basic work module for the definition of the spaces. The house is painted black. It is painted (and not dye), as it is, in turn, another layer of material protection that configures the house; it is painting, because the house is very exposed to the inclemency of time, and the dye tends to lose its qualities over the years; and it is black, responding to the desire to blend in with the landscape, seeking a certain anonymity in front of the vegetation and exuberant views.

 © Sandra Pereznieto

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Architects Cadaval & Solà-Morales

Location Valle de Bravo, Mexico

Author Eduardo Cadaval & Clara Solà-Morales

Local Architect Alejandro Filloy

Area 300.0 m2

Photographs Sandra Pereznieto

Category Houses