© Prasanth Mohan, Running Studios

Prasanth Mohan，运营工作室

架构师提供的文本描述。由于印度城市的快速城市化和绅士化，房屋的建造和设计类型根据当地流行趋势而变得越来越公式化，从而失去了与邻居和自然的联系。这所房子位于Coimbatore的一个拥挤的居民区，位于一个典型的住宅区内。这个设计试图在房子之间创造对话。

Text description provided by the architects. On account of rapid urbanization and gentrification of Indian cities, construction and design typologies of houses have become more and more formulaic based on the locally prevailing trends and thus losing their connection with the Neighbour and the Nature. The house is located in a crowded residential neighborhood of Coimbatore within a typical residential block. The design tries to create dialogues between, the house & its neighborhood and the spaces in-between: built and unbuilt. Within the precinct; the dialogue of the inhabitants and spaces.

 Ground Floor Plan

这座房子从街道上吓到了，把一个景观变成了拥挤的街道，让房子一目了然。住宅的每个功能被识别为单独的体积，然后被引入到扭曲、堆叠和互锁创建空间的游戏中，所述空间与内部满足外部的点在空间上和会聚的角度重叠。由于不规则的角度形成的空间让居民每次发现使用相同的空间。这些AllowSchanging方程定义了住宅的所有组成部分之间的生活行为。

The house is set aback from the street breathing a landscape into congested street making the house perceivable at a glance. Each function of the house is identified as individual volumes and then introduced to a game of twisting, stacking and interlocking creating spaces that overlap spatially and converging angles to a point where the inside meets the outside. The spaces formed due to the irregular angles let the inhabitants discover the use of the same space differently every time. These allowschanging equations between all the components of the house defining the act of living.

 © Prasanth Mohan, Running Studios

Prasanth Mohan，运营工作室

中心块的扭曲产生了一个庭院，围绕着这个庭院，块的其余部分枢转，庭院在视觉上将所有的空间结合在一起，因此正确地变成了神的房屋(pooja房间)，具有神圣的外观在房子上的想法。16英尺高的炭化木自由立墙形成了一个背景，起居室和楼梯在这一背景下将相互关联的卷合并在一起。

The twisting of the central block creates a courtyard around which the rest of the block is pivoted, the courtyard visually binds all the spaces together and hence rightly becomes the house of the deity( Pooja room), the idea of having the divine look over the house. A 16ft high charred wood free standing wall forms a backdrop around which the living room and stairs are phrased spilling conterminous volumes into each other.

 Surreal Illustration

超现实插图

空间上的天窗提供了一种日新月异的光线运动，产生了不同的情绪和体验。天然木材，烧焦的木材，暴露的混凝土天花板与深色的乡村色调是平衡的素白墙和绿色的植物马刺。一种形式、体积、光、景观和涌动领域的融合创造了一种氛围来发现和体验我们从一天到另一天过去的时间。

Skylights over spaces provide an ever-changing movement of light through the day rendering different moods and experiences. Natural wood, charred wood, exposed concrete ceiling with dark rustic tones are balanced by plain white walls and green spurs of plants. An amalgamation of forms, volumes, light, landscape, and in-surging territories creates an ambiance to discover and experience as we go past time from one day to the next.

 © Prasanth Mohan, Running Studios

Prasanth Mohan，运营工作室

这两幅插图将设计放置在对比环境中，改变其等式及其在每个场景中的近似值：1。第一个例子是它在实际城市环境中的设计和它在城市编织中创造的对话。重复模式的打破给局部性及其上下文增加了一层新的复杂性。2.第二个例子是在一个孤立的超现实环境中的设计，城市的自然轮廓形成了背景，否认了城市环境的错综复杂的网格，推动了更大范围的预测。

The two illustrations place the design in contrasting environments changing its equation with its proximities in each scenario: 1. The first illustration is the design in its actual urban context and the dialogues it creates in the urban knit. The breaking of the repetitive pattern adds a new layer of complexity to the locality and its context. 2. The second illustration is the design in an isolated surreal context with the city’s natural silhouette forming the background denying the daedal mesh of urban context impelling projections at a larger scale.

 © Prasanth Mohan, Running Studios

Prasanth Mohan，运营工作室

Architects WARP architects

Location Coimbatore, India

Lead Architects Pradeep Arumugam & Shanil Riyaz

Area 3850.0 ft2

Project Year 2017

Photographs Prasanth Mohan, Running Studios

Category Houses Interiors

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