负责工程师爱迪生·费尔南德斯·达席尔瓦建筑公司EFS Engenharia e constru es Text Fernando Paal，Fernanda Dobal Wood Working Status Marcenaria Metalwork Geraldo Azevedo混凝土长椅Robson Ferreira照明公司

Responsible engineer Edison Fernandes da Silva Construction company EFS engenharia e construções Texts Fernando Paal, Fernanda Dobal Wood Work Status Marcenaria Metal Work Geraldo Azevedo Concrete Benches Robson Ferreira Lighting Companhia da Iluminação e Lumini More Specs Less Specs

 © Ricardo Bassetti

里卡多·巴塞蒂

架构师提供的文本描述。这套公寓是20世纪50年代圣保罗众多被遗忘的顶层公寓之一。这套公寓吸收了圣塞西利亚(Santa CEcília)这座小建筑每层两套公寓的平面图，每一套都有60平方米，并以一种好奇的方式组织了这个空间，让人们对它的建造时间感到好奇。

Text description provided by the architects. This apartment is one of the many forgotten penthouses of 1950s São Paulo. The apartment absorbs both floor-plans of the two apartments per floor of this small building in Santa Cecília, each one with 60 square meters, and organizes the space in a fashion that is curious for the time in which it was constructed.  

 © Ricardo Bassetti

里卡多·巴塞蒂

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 © Ricardo Bassetti

里卡多·巴塞蒂

经过20年的关闭，业主们不仅购买了公寓，而且承诺要争取必要的翻修，这将是结构性的，需要耐心和规划。大楼的所有水管都在墙壁上(没有管道记录，因此有必要追踪它)，为了满足业主的要求，这条管道需要更新和移动，这样公寓的空间才能相互作用。

After being closed for 20 years, the owners bought not just the apartment, but the promise of a fight for the necessary renovations, which would be structural and require much patience and planning. All the building's water piping was in the walls (and there was no record of the piping, so it was necessary to track it down) and to meet the requirements of the owners, this piping needed to be updated and moved, so that the apartment's spaces could interact. 

 © Ricardo Bassetti

里卡多·巴塞蒂

除了工程中这一非常重要的流动性外，还保留了一些原始材料，如楼梯上的花岗岩和旧木地板，这两种材料都得到了修复。其他细节也被重新设计，比如带有静电油漆的铁窗和赤褐色地板，它们抽象地反映了在那里发现的原始形式。

Besides this very important fluidity in the project, some of the original materials were kept, such as the granilite in the staircase and the old wooden floors, which were both restored. Other details were remade, such as the iron windows with electrostatic paint and the terracotta cementile flooring, which, in an abstract way, reflects the original forms found there.

 Diagram - Before

图前

木匠和大理石工作客串钻石白色，斑点灰色花岗岩，并在美国橡木。这些确实是这套公寓的原始珍宝。一个奇怪的发现是拆除的外墙翻了一番。他们被暴露在外面，漆成白色。通过这个过程，我们发现这是因为它使屋顶板更容易成为混凝土。

The carpentry and marble work guest star in diamond white, speckled grey granite, and in American oak. These are truly the original treasures of the apartment. A curious discovery of the demolition was that the external walls were doubled. They were left exposed and painted white. Through the process we discovered this was because it made it easier for the roof slabs to be concrete.

 © Ricardo Bassetti

里卡多·巴塞蒂

原拆除前的梁被处理，但其乡土的一面被保持，以显示它们过去是墙，现在属于不同的空间，结果是一个干净的空间，线条简单，组织清晰；没有空间层次，光线传播到各个角落，以显示建筑的原始特征。

The original pre-demolition beams were treated but their rustic aspect was maintained to show that they used to be walls and now belong to distinct spaces. The result is a clean space, with simple lines and clear organization; without spacial hierarchy, the light spreads to all corners, which serves to show the original characteristics of the building. 

 © Ricardo Bassetti

里卡多·巴塞蒂

Architects Estúdio Paralelo

Location Santa Cecilia, São Paulo, Brazil

Architect in charge Fernando Paál

Collaborating architects Laura Peters, Julia Park

Area 150.0 m2

Project Year 2018

Photographs Ricardo Bassetti

Category Apartments

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