Printemps Haussmann Verticalité UUfie

2018-08-22 01:00

 © Michel Denance

(米歇尔·德南斯)

架构师提供的文本描述。建筑工作室UUfie在法国巴黎的著名百货公司printemps Haussmann设计了新的垂直流通空间。该项目是振兴Haussmann王子项目的一部分，目的是从底层到9楼开始循环。始建于1865年的普林特普斯，在改变购物方式方面有着悠久的历史。原来的内部有一个中庭，里面有一个巨大的螺旋楼梯。可悲的是，在建筑物现代化的过程中，许多这些都从灾难性的火灾中被摧毁，并被移除。从那时起，王子修复了新艺术建筑外墙和彩色玻璃穹顶，这两座建筑都被认为是巴黎的历史遗迹。展望未来，一个新的项目开始重新引进一个新的大中庭，以达到其里程碑的地位。

Text description provided by the architects. The architectural studio, UUfie, designed the new vertical circulation space in the renowned department store Printemps Haussmann in Paris, France. The project was a part of the revitalization of Printemps Haussmann to introduce a circulation from the lower ground floor up to the 9th floor. Founded in 1865, Printemps has had a long history in revolutionizing the ways of shopping. The original interior had featured an atrium with a massive spiral staircase. Sadly, much this was destroyed from disastrous fires and removed during the modernization of the building. Since then, Printemps has restored the Art Nouveau building façade and the stained glass dome, which are both recognized as historical monuments in the city of Paris. In looking forward, a new project was commenced to re-introduce a new grand atrium to equal its landmark status.

这个空间以一个垂直穹顶的概念为基础，也叫面纱，是一种精细的三维形式。这是对1894年商店标志性彩色玻璃圆顶的缅怀和敬意。它重达24吨，但似乎漂浮在垂直循环的前面，上面有玻璃地板和镜子天花板。它有25.5米高，12.5米宽。由白漆铝片叠层而成，以形成花卉浮雕。该图案是对原来彩色玻璃中的图像的解释，将其转换成重复的图案。它尊重在自然界中发现的新艺术主题的传统。然后随机形成大约17200瓣形的开口.这揭示了一个转变的颜色阵列通过二色玻璃的影响。作为当代对彩色玻璃的一种诠释，它具有与表面类似的闪光性质，就像一束焰火或落下的花朵。

The space features a delicate three-dimensional form based on a concept of a vertical dome, also called a veil.  It is reminiscent and an homage to the store’s iconic stained glass domes seen in 1894.  It weighs 24 tons but appears to float in front of the vertical circulation with a glass floor and mirror ceiling.  It is 25.5 meters high and 12.5 meters wide, consisting of white-painted aluminum sheets laminated to create a floral relief.  The pattern is an interpretation of images found in the original stained-glass transposed into a repetitive pattern.  It respects the tradition of Art Nouveau motif found in nature.  It is then randomized to form approximately 17200 petal-shaped opening.  This revealing a transformative array of colors through the effect of dichroic glass.  As a contemporary interpretation of stain glass, it has the similar iridescent quality to the surface and appears like a burst of fireworks or falling blossoms.

 © Michel Denance

(米歇尔·德南斯)

它被认为是一个公共的室内空间，可以通过体验深度和层次感来解读。游客通过一个昏暗的前厅进入，通向新安装的自动扶梯。在隐藏自动扶梯的单向镜墙后面，透过有色的玻璃视图，露出面纱。当人们垂直穿过这个空间时，单面镜子打开，可以让人畅通无阻地看到面纱。它的向上和向下提供了不同的视角和瞬间来体验色彩的转变。

Conceived as a public interior space that is read through experiencing the depth and layering.  Visitors approach through a darkened vestibule leading to the newly installed escalators.  Behind the one-way mirror wall that conceals the escalators, reveals the veil through the tinted glass view.  As people move vertically through the space, the one-way mirror opens to give an unobstructed view of the veil.  The progression up and down provides a different perspective and moments to experience the transformation of colors.

 © Michel Denance

(米歇尔·德南斯)

 Geometry. Image Courtesy of UUfie

几何学。UUfie的形象礼貌

 © Michel Denance

(米歇尔·德南斯)

面纱的几何学，是通过将空出的四个角落与平面和高度上的纯曲线连接起来而构想出来的。二维曲面板的组合给出了整体的三维形状.当从虚空中观看时，单面镜子创造了一个迷人的瞬间。面纱被反射出来，形成了一个双凸几何空间的图像，这是一个完整的对称，可以从侧面、顶部和下面看到。在零售内部，面纱被穿孔以允许室内照明的转移。透明的二向色玻璃充满每一个开口，创造出无限级化的表面，其效果敏感而逼真，其能量转化为每一层的零售概念。

The geometry of the veil conceived by connecting the four corners of the void with pure curves in plan and elevation.  The combination of two-dimensional curved panels gives the overall three-dimensional shape.  The one-way mirror, when viewed from the void creates a moment of fascination.  The veil is mirrored to create the image of a bi-convex geometric space, a completed symmetry that can be seen from the side, top and below.  On the retail interior, the veil is perforated to allow interior lighting to transfer.  The transparent dichroic glass fills each opening and creates a surface with infinite gradation.  The effect is sensitive and scenographical, and its energy is translated into the retail concepts on each floor.

 © Michel Denance

(米歇尔·德南斯)

 © Michel Denance

(米歇尔·德南斯)

该项目始于2013年，与雅布·普希尔伯格(Yabu Pushelberg)的团队合作，通过谈判解决了现有建筑的制约因素和严格的消防法规，同时展示了建筑和工程方面的独创性。该项目仅用了8个月就完工了，而商店仍能继续运营。结果是一个象征着王子的空间，就像法语中春天的意义一样。

Started as a competition in 2013 with the team produced by Yabu Pushelberg, the project negotiated the constraints of the existing building and strict fire regulation, while exhibiting both ingenuity in architecture and engineering.  The construction was completed in only eight months while the stores were able to remain in operation.  The result is a space that is symbolic of Printemps, as is in the meaning of spring in French.