© The fishy project, Ishita Sitwala

c渔业项目，Ishita Sitwala

工作空间位于一座新建的宁静建筑的第三层，周围有大量树木和洞口，允许充足的日光和通风。该设计位于城市最豪华的地区之一，通过它的形式和空间来证明精英环境是合理的，这些空间使室内保持与世隔绝，但又与外部环境相连接。

SITE BRIEF The workspace lies on the third storey of a newly built tranquil structure enveloped by a large number of trees and openings that allow ample of daylight and ventilation throughout the space. Located in one of the most posh areas of the city, the design justifies the elite surroundings through its forms and spaces that keep the interior isolated yet connected to the external environment.

SITE BRIEF The workspace lies on the third storey of a newly built tranquil structure enveloped by a large number of trees and openings that allow ample of daylight and ventilation throughout the space. Located in one of the most posh areas of the city, the design justifies the elite surroundings through its forms and spaces that keep the interior isolated yet connected to the external environment.

设计概念工作场所是指我们往往比在家里花费更多时间的单一空间。其核心理念集中在创造一种“宾至如归”的感觉，此外还有一个“有纪律的”空间，因为地板是由两位独特的专业人士-建筑师和拥护者共享的。所设想的空间既奇异又多样，既相连又相互分离，以使简单性和多样性并存。

DESIGN CONCEPT Workplace is that single space where we tend to spend more hours than we do in our homes. The core idea focused on creating a “feel at home” and in addition a “disciplined” space since the floor is shared by two unique professionals- architects and advocates. The spaces envisaged were both singular and diverse, connected yet separated synchronously to allow the simplicity and diversity to co-exist.

DESIGN CONCEPT Workplace is that single space where we tend to spend more hours than we do in our homes. The core idea focused on creating a “feel at home” and in addition a “disciplined” space since the floor is shared by two unique professionals- architects and advocates. The spaces envisaged were both singular and diverse, connected yet separated synchronously to allow the simplicity and diversity to co-exist.

 © The fishy project, Ishita Sitwala

c渔业项目，Ishita Sitwala

空间组织的通道进入正规的Kota门厅，在空间上增加美观的同时，使其成为自然的、良好的环境。该空间具有通过驱逐北东墙和结合穿孔GI滑动屏幕以实现安全和视觉的较大开口。主要的门厅还通向两个独立的办公室-建筑师的工作室和倡导者办公室。

SPATIAL ORGANIZATION The passage clears into regular Kota foyer with interiorscaping to make a natural, good environment while adding aesthetics to the space. The space is featured with bigger opening made by expelling north east wall and combined with perforated GI sliding screens for security and vision. The main foyer further leads to two separate offices - the architect’s studio and advocates office.

SPATIAL ORGANIZATION The passage clears into regular Kota foyer with interiorscaping to make a natural, good environment while adding aesthetics to the space. The space is featured with bigger opening made by expelling north east wall and combined with perforated GI sliding screens for security and vision. The main foyer further leads to two separate offices - the architect’s studio and advocates office.

代言人办公室的分区遵循严格的等级顺序，因为它要求更少的交互和更多的隐私，而位于北方的建筑师工作室则遵循一个空间组织，该组织诱导设计师之间进行更多的互动，以寻求更好的想法。

The zoning of advocate’s office follows a strict hierarchical order as it calls for less interaction and more privacy while the architect’s studio positioned in the north follows a spatial organization that induces more interaction among the designers to aspire better ideas.

The zoning of advocate’s office follows a strict hierarchical order as it calls for less interaction and more privacy while the architect’s studio positioned in the north follows a spatial organization that induces more interaction among the designers to aspire better ideas.

另外，元素的选择和详细设计是为了保持整体外观和泥土，并恢复当地的艺术性和建筑材料。材料的选择和混合、使用它们的方式、开口的测量、所有已经通过回顾Surat的潮湿气候来驱动，以便向用户提供令人愉快的环境，并重新唤起丢失的实践。生态友好材料的应用和进步以及自然采光和通风的优化是一种可持续的实践。

The choice and detailing of elements was additionally an endeavor to keep the overall look grounded and earthy and to revive the local artistry and building materials. The selection and blend of materials, the manner in which they have been utilized, the measure of the openings, all have been driven by recalling the humid climate of Surat, to make an agreeable environment to the user and re-arousing the lost practices. Application and advancement of eco- friendly materials and optimization of natural lighting and ventilation together structures a sustainable practice.

The choice and detailing of elements was additionally an endeavor to keep the overall look grounded and earthy and to revive the local artistry and building materials. The selection and blend of materials, the manner in which they have been utilized, the measure of the openings, all have been driven by recalling the humid climate of Surat, to make an agreeable environment to the user and re-arousing the lost practices. Application and advancement of eco- friendly materials and optimization of natural lighting and ventilation together structures a sustainable practice.

调色板由地板，石灰抹灰墙组成，提供热舒适，再生木材和周围的植物。北欧风格和褪色的细节技术随后被接受了现代和地方设计的混合。

The palette consists of terazzo flooring, lime plastered walls which provides thermal comfort, reclaimed wood and plants around. A Nordic style and fading detailing techniques were embraced subsequently mixing contemporary and local design.

The palette consists of terazzo flooring, lime plastered walls which provides thermal comfort, reclaimed wood and plants around. A Nordic style and fading detailing techniques were embraced subsequently mixing contemporary and local design.

 © The fishy project, Ishita Sitwala

c渔业项目，Ishita Sitwala

Architects Neogenesis+Studi0261

Location Surat, Gujarat, India

Lead Architects Ar.Chinmay Laiwala, Ar.Jigar Asarawala, Ar.Tarika Jigar Asarawala

Area 3600.0 ft2

Project Year 2018

Photographs The fishy project, Ishita Sitwala

Category Offices Interiors

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