Synode mmArchitects

2018-08-24 23:00

 © Lim Jaesun

林佳君

架构师提供的文本描述。这座房子位于一座俯瞰汉江的新城，最初建在居民区。客户是一位年轻的建筑音响专家，是一对年轻夫妇，有一个1岁的婴儿和一个单身男子。他们想在新的汉江市买一块地，计划两户人家和一间五米高的录音室。他们有室内施工经验和建筑知识，所以设计问题通常可以通过电子邮件或电话来讨论。

Text description provided by the architects. The house is located in a new city overlooking the Han River and was first built in a residential area. The client is a young architectural sound expert who is a young couple with a 1-year-old baby and a single man. They wanted to purchase a piece of land in the new Han River city and plan two household and a five-meter-high recording room. They had experience in interior construction and had knowledge of construction, so the issues of design could usually be discussed by e-mail or telephone.

Text description provided by the architects. The house is located in a new city overlooking the Han River and was first built in a residential area. The client is a young architectural sound expert who is a young couple with a 1-year-old baby and a single man. They wanted to purchase a piece of land in the new Han River city and plan two household and a five-meter-high recording room. They had experience in interior construction and had knowledge of construction, so the issues of design could usually be discussed by e-mail or telephone.

 Ground Floor Plan

他们最关心的是公共庭院和两栋房子之间的大型工作室空间，为他们的未来服务。地下演播室的使用范围很广，不包括法律上的限制，许多游客和派对之间还计划了一个花园。相反，他们想要公共空间，车库，阁楼，和自行车修理空间的爱好，而不是居住空间，因为少数居民。因此，考虑了最低居住空间，并从公共部门和外部空间之间的关系来探讨设计。

They cared most about the communal courtyard and the large-scale studio space between the two houses for their future. The underground studio was used on a ground-wide scale, excluding legal restrictions, and a garden was planned between many visitors and parties. On the contrary, they wanted public space, garage, loft, and bike repair space for hobbies rather than residential space because of the small number of residents. Thus, the minimum residential space was considered and the design was approached from the relationship between the public sector and the external space outside.

They cared most about the communal courtyard and the large-scale studio space between the two houses for their future. The underground studio was used on a ground-wide scale, excluding legal restrictions, and a garden was planned between many visitors and parties. On the contrary, they wanted public space, garage, loft, and bike repair space for hobbies rather than residential space because of the small number of residents. Thus, the minimum residential space was considered and the design was approached from the relationship between the public sector and the external space outside.

 © Lim Jaesun

林佳君

内部庭院由两个体量封闭，仅通过一条小巷连接到邻居和行人路径上。地面大约比周围区域高1米，并将被用作草和石两栋房屋的会议空间。这两栋房子的一楼有客人和厨房的房间，所以他们可以在院子里服务，私人空间也可以私密空间，门和窗户都没有互相干扰。

The inner courtyard is closed from the outside by two masses and connected only by an alley to a neighbor and a pedestrian path. The ground is about one meter higher than the surrounding area and will be used as a meeting space for the two houses with grass and stone. The first floor of the two houses had rooms for guests and kitchens so they could serve in the inner yard, private spaces for privacy, and doors and windows were arranged without interference from each other.

The inner courtyard is closed from the outside by two masses and connected only by an alley to a neighbor and a pedestrian path. The ground is about one meter higher than the surrounding area and will be used as a meeting space for the two houses with grass and stone. The first floor of the two houses had rooms for guests and kitchens so they could serve in the inner yard, private spaces for privacy, and doors and windows were arranged without interference from each other.

在设计过程中，我们考虑了以下四个问题：1.-你将如何保护两个密友家庭在一块土地上的隐私？2.-网站的四面中有三面朝马路，这是对隐私的侵犯。3.-两幢房屋的照明及通风情况如何？4.-我们将如何处理住宅区之间的关系？

During the design process, we considered the following four issues:        1.-  How would you protect the privacy of two intimate families on a plot?        2.-  Three of the four sides of the site face the road, which is a violation of privacy.        3.-  How is the lighting and ventilation of the two houses?        4.-  How will we approach the relationship between the residential area?

During the design process, we considered the following four issues:        1.-  How would you protect the privacy of two intimate families on a plot?        2.-  Three of the four sides of the site face the road, which is a violation of privacy.        3.-  How is the lighting and ventilation of the two houses?        4.-  How will we approach the relationship between the residential area?

第一，两栋房子上下或并排排列的方式，客户不想要。由于产权的原因，同样的住房要求是完全由不同的单位组成的。第二，房子的外墙被三条路环绕着，这需要行人的视觉障碍。这提高了一楼的高度一米，并放置了公共(或半)空间，如车库，客厅，厨房，同时增加了窗户的位置和缩小了尺寸。

First, the way two houses were arranged up and down or side by side, was not wanted by the client. The same housing requirements were required and wanted to be composed entirely of different units due to property rights. Secondly, the exterior walls of the house were bordered by three roads, which required blocking of vision from pedestrians. This raised the height of the first floor by one meter, and placed public(or semi-) spaces such as garage, living room, kitchen while increasing the location of windows and reducing the size.

First, the way two houses were arranged up and down or side by side, was not wanted by the client. The same housing requirements were required and wanted to be composed entirely of different units due to property rights. Secondly, the exterior walls of the house were bordered by three roads, which required blocking of vision from pedestrians. This raised the height of the first floor by one meter, and placed public(or semi-) spaces such as garage, living room, kitchen while increasing the location of windows and reducing the size.

 © Lim Jaesun

林佳君

因此，不同的高度差异在网站内作出。地下室录音室的一些天花板自然是在地面以上一米高的地方升起的，允许通风和局部照明。前部和后座的设计是为了方便不同高度和位置的照明和通风。后面的非灯光区域被放置在车库、自行车修理空间和仓库里。

Thus, various height differences were made within the site. Some of the ceiling in the basement recording room was naturally raised one meter above the ground, allowing ventilation and partial lighting. The front and the rear housing has been designed to facilitate lighting and ventilation to different heights and locations. And the non-light areas in the back were placed in the garage, bike repair space, and warehouse.

Thus, various height differences were made within the site. Some of the ceiling in the basement recording room was naturally raised one meter above the ground, allowing ventilation and partial lighting. The front and the rear housing has been designed to facilitate lighting and ventilation to different heights and locations. And the non-light areas in the back were placed in the garage, bike repair space, and warehouse.

 © Lim Jaesun

林佳君

最令人担忧的是外部封闭的人群是如何想象住房的。这所房子面向四合院向内，没有道路或人行道。因此，游客必须经过小巷才能看到小院和两个入口。通往庭院的一条小巷想要与住宅建筑群、社区连接起来，并想象许多故事。想象一下，孩子们的声音、美味食物的味道、邻居之间的交谈，以及小巷里柔和的音乐会发生怎样的变化。

And the most worrisome part was how the externally closed mass had the imagination of housing. The house faces inward around its courtyard, with no access to roads or sidewalks. Therefore, visitors must go through the alley to see the small yard and the two entrances. An alleyway leading to the courtyard wanted to connect with the housing complex, with the neighborhood, and to imagine many stories.  Imagine how children's voices, the smell of delicious food, the conversation between neighbors, and the soft music would change over the alley.

And the most worrisome part was how the externally closed mass had the imagination of housing. The house faces inward around its courtyard, with no access to roads or sidewalks. Therefore, visitors must go through the alley to see the small yard and the two entrances. An alleyway leading to the courtyard wanted to connect with the housing complex, with the neighborhood, and to imagine many stories.  Imagine how children's voices, the smell of delicious food, the conversation between neighbors, and the soft music would change over the alley.