结构Favero

Structure Favero & Milan Services Manens Intertecnica Acoustics Müller BBM Cost Consultants Austin Italia Fire Prevention Tecnocons + C.Manfreddo Planting E.Trabella Urban Planning Studio Ambiente Lithurgical Advisor lithurgical advisor Roof Drainage System HR Wallingford Lighting P.Castiglioni Graphic Design F. Origoni Stone Consultant D.Lagazzi Timber Consultant N.Albertani Art Consultant M.Codognato Site Supervision G. Muciaccia Client Provincia dei Frati Minori Cappuccini di Foggia General Contractor FABBRICA DELLA CHIESA s.c.a.r.l (P.Ciuffreda President, A.Paranzino, P.Capocasale, G.Capocasale, M.Corona with E.Ciuffreda, A.Guarino, O.Tibaldi, R.Capocasale, S.Marro, M.Binetti, A.Farano) Arnaldo Pomodoro Bronze cross hanging over the Altar Stone and bronze church altar Mrs Giovanna Canegallo Abside Decoration Mario Rosello Marble Eagles on the Parvis Wall Floriano Bodini Lavic Stone and Silver Tabernacle Giuliano Vangi Stone Ambo Mimmo Paladino Bronze doors of the Baptismal font and Liturgical entrance Capacity 6.500 seated places (inside), up to 30.000 persons Site Area 38.000 sq.m Landscape Area 17.600 sq.m Footprint area (including church, crypt, etc) 14.800 sq.mts Surface of the only Church 6.000 sq.mts More Specs Less Specs

Structure Favero & Milan Services Manens Intertecnica Acoustics Müller BBM Cost Consultants Austin Italia Fire Prevention Tecnocons + C.Manfreddo Planting E.Trabella Urban Planning Studio Ambiente Lithurgical Advisor lithurgical advisor Roof Drainage System HR Wallingford Lighting P.Castiglioni Graphic Design F. Origoni Stone Consultant D.Lagazzi Timber Consultant N.Albertani Art Consultant M.Codognato Site Supervision G. Muciaccia Client Provincia dei Frati Minori Cappuccini di Foggia General Contractor FABBRICA DELLA CHIESA s.c.a.r.l (P.Ciuffreda President, A.Paranzino, P.Capocasale, G.Capocasale, M.Corona with E.Ciuffreda, A.Guarino, O.Tibaldi, R.Capocasale, S.Marro, M.Binetti, A.Farano) Arnaldo Pomodoro Bronze cross hanging over the Altar Stone and bronze church altar Mrs Giovanna Canegallo Abside Decoration Mario Rosello Marble Eagles on the Parvis Wall Floriano Bodini Lavic Stone and Silver Tabernacle Giuliano Vangi Stone Ambo Mimmo Paladino Bronze doors of the Baptismal font and Liturgical entrance Capacity 6.500 seated places (inside), up to 30.000 persons Site Area 38.000 sq.m Landscape Area 17.600 sq.m Footprint area (including church, crypt, etc) 14.800 sq.mts Surface of the only Church 6.000 sq.mts More Specs Less Specs

 © Michel Denancé

(C)米歇尔·丹南斯(Michel Denancé)

架构师提供的文本描述。奉献给皮奥牧师的教堂是一座神圣的建筑，为公众提供了充足的开放空间，但它的线条却是刻意的非纪念碑性的，显然散发着热烈的欢迎。该项目基于两个基本原则：使用单一类型的石头作为与周围环境统一的象征，以及将教堂作为向所有人开放的家园的想法。广场自然通向教堂的主体，向前扫翼状的屋顶和宽敞的玻璃正面窗格-以及在彩色挂毯上揭露的故事-都是明确的包容信息。

Text description provided by the architects. The church dedicated to Padre Pio is a sacred building with ample open space for the public, yet it’s lines are deliberately non-monumental and clearly exude a warm welcome. The project was based on two fundamental principles: the use of a single type of stone as a symbol of oneness with its surroundings, and the idea of the church as a home open to all. The square leads naturally into the main body of the church, the forward-sweeping wing-shaped roof and the ample glass frontal panes – with the story of Revelations on great coloured tapestries – are clear messages of inclusion. 

Text description provided by the architects. The church dedicated to Padre Pio is a sacred building with ample open space for the public, yet it’s lines are deliberately non-monumental and clearly exude a warm welcome. The project was based on two fundamental principles: the use of a single type of stone as a symbol of oneness with its surroundings, and the idea of the church as a home open to all. The square leads naturally into the main body of the church, the forward-sweeping wing-shaped roof and the ample glass frontal panes – with the story of Revelations on great coloured tapestries – are clear messages of inclusion. 

 © Michel Denancé

(C)米歇尔·丹南斯(Michel Denancé)

每年前往圣乔瓦尼罗通多镇的朝圣者人数增加，需要建造一座新教堂，该教堂有一条通向教堂的宽阔道路，并有广阔的空地接待和组织大批朝圣者，这些朝圣者定期在加加诺地区的这片隆起的平原上居住，那里是皮奥牧师的家园。教堂建在寺院附近，尽管规模很大，但它的新建筑还是开辟了一个受保护的祈祷场所，这是一个与周围环境融为一体的共享空间，可以眺望远处的大海。

The yearly increase in flow of pilgrims to the town of San Giovanni Rotondo called for the construction of a new church, one with a wide path leading to it and vast open spaces to receive and organise the masses of pilgrims who periodically fill this raised plain of the Gargano region, home to Padre Pio. The church was built adjacent to the monastery and, its vast size notwithstanding, its novel architecture carved out a nonetheless protected place of prayer, a shared space which blended in with its surroundings and looked out into the distance at the sea.

The yearly increase in flow of pilgrims to the town of San Giovanni Rotondo called for the construction of a new church, one with a wide path leading to it and vast open spaces to receive and organise the masses of pilgrims who periodically fill this raised plain of the Gargano region, home to Padre Pio. The church was built adjacent to the monastery and, its vast size notwithstanding, its novel architecture carved out a nonetheless protected place of prayer, a shared space which blended in with its surroundings and looked out into the distance at the sea.

 © Michel Denancé

(C)米歇尔·丹南斯(Michel Denancé)

教堂的拱形结构是用米黄色杏石砌成的。决定使用这块石头作为新部件的唯一建筑材料是基本的，并使它成为一个统一的整体。教堂是在地震活跃的地区建造的，这进一步推动了探索新的和创新的结构解决方案。刚性也意味着脆弱，但由于采用了组装和预压缩巨大块体的技术，这个巨大的拱形建筑项目能够消散能量，吸收地震造成的压力。

The arched structure of the church was made out of blocks of beige Apricena stone. The decision to use this stone as the sole building material for the new part was fundamental and rendered it a homogenous whole. The fact that the church was being built in a seismically active region was further impetus to explore new and innovative structural solutions.  Rigidity also means fragility, but thanks to the techniques used to assemble and pre-compress the massive blocks, this monumental arched project is able to dissipate energy and absorb the stress created by earthquakes.

The arched structure of the church was made out of blocks of beige Apricena stone. The decision to use this stone as the sole building material for the new part was fundamental and rendered it a homogenous whole. The fact that the church was being built in a seismically active region was further impetus to explore new and innovative structural solutions.  Rigidity also means fragility, but thanks to the techniques used to assemble and pre-compress the massive blocks, this monumental arched project is able to dissipate energy and absorb the stress created by earthquakes.

 © Rpbw, Renzo Piano Building Workshop / Cross section showing arches and roof structure

(C)Rpbw、Renzo Piano大楼车间/展示拱门和屋顶结构的横截面

这22个支撑拱排列成两排(内部和外部)的径向模式，从祭坛向外流动，减小的大小和加快节奏，因为他们走得更远。拱门支持次级木结构的重叠屋顶板固定在一套钢支柱。即使这段距离，屋顶在看似空旷的空间中漂浮，也是各部分结构自主性的一个整体特征，允许它们在地震中独立运动，从而增加了它们的阻力系数。

The 22 supporting arches are lined up in two rows (interior and exterior) in a radial pattern that flows outwards from the altar, with decreasing sizes and an accelerated rhythm as they move further away. The arches support the secondary wooden structure for the overlapping roof panels secured onto sets of steel struts. Even this distance, this floating of the roof in seemingly empty space, is an integral feature of the structural autonomy of the parts, allowing them to move independently during an earthquake and thus increasing their resistance factor.

The 22 supporting arches are lined up in two rows (interior and exterior) in a radial pattern that flows outwards from the altar, with decreasing sizes and an accelerated rhythm as they move further away. The arches support the secondary wooden structure for the overlapping roof panels secured onto sets of steel struts. Even this distance, this floating of the roof in seemingly empty space, is an integral feature of the structural autonomy of the parts, allowing them to move independently during an earthquake and thus increasing their resistance factor.

 © Christian Richters

（二）基督教理查者

屋顶的圆形表面遵循结构的螺旋推力，彼此轻轻地靠在一起，让阳光透过内部。就像在17世纪的教堂和绘画中一样，一束光照射在祭坛上，祭坛是宗教庆典的中心。

The rounded surfaces of the roof follow the spiral thrust of the structure and lean on one another lightly, letting sunlight filter through to the inside. Just like in 17th-century churches and paintings, a single ray of light shines on the altar, the centre of the liturgical celebrations.

The rounded surfaces of the roof follow the spiral thrust of the structure and lean on one another lightly, letting sunlight filter through to the inside. Just like in 17th-century churches and paintings, a single ray of light shines on the altar, the centre of the liturgical celebrations.

Architects Renzo Piano Building Workshop

Location Viale Padre Pio, 5, 71013 San Giovanni Rotondo FG, Italy

Partner in Charge G.Grandi

Area 20400.0 m2

Project Year 2004

Photographs Michel Denancé, Gianni Berengo Gardin, Vittorio Grassi, Christian Richters

Category Churches

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