© Héctor Santos Diez / Manuel Vicente

c.Héctor Santos Diez/Manuel Vicente

在石头盒子里建个水疗中心。目前位于莱罗的圣克鲁迪奥酒店是加利西亚修道院最重要的建筑之一。布景的附件是马厩和地窖的废墟。一种巨大的石头沉箱，上面有盖在底层的拱顶的遗骸。这个充满重力和时间的废墟是起点。

Build a spa in a stone box. The current Hotel Monumento de San Clodio in Leiro is one of the most important pieces of Galician monastic architecture. Annex to the set were the ruins of the stables and cellar. A large stone caisson with remains of the vaults that covered the ground floor. This ruin, impregnated with gravity and time, was the starting point.

Build a spa in a stone box. The current Hotel Monumento de San Clodio in Leiro is one of the most important pieces of Galician monastic architecture. Annex to the set were the ruins of the stables and cellar. A large stone caisson with remains of the vaults that covered the ground floor. This ruin, impregnated with gravity and time, was the starting point.

 © Héctor Santos Diez / Manuel Vicente

c.Héctor Santos Diez/Manuel Vicente

Galia的旅游机构于2013年决定，将其康复作为一个水疗中心，并完成整个活动。该计划是这些设施的经典：更衣室、接待处、按摩房、放松室、土耳其浴室、桑拿和游泳池。这些都是前提，这是结果。

The Tourism Agency of Galicia decided in 2013, undertake its rehabilitation as a spa and complete the whole. The program is the classic of these facilities: changing rooms, reception, massage rooms, relaxation rooms, Turkish bath, sauna and swimming pool. These were the premise and this is the result.

The Tourism Agency of Galicia decided in 2013, undertake its rehabilitation as a spa and complete the whole. The program is the classic of these facilities: changing rooms, reception, massage rooms, relaxation rooms, Turkish bath, sauna and swimming pool. These were the premise and this is the result.

 Refurbished Plans

翻新计划

 © Héctor Santos Diez / Manuel Vicente

c.Héctor Santos Diez/Manuel Vicente

这个项目最初的记忆是非常短暂的，因为我们想象应该插入的架构是赤裸裸的。以电报和直接的方式，这项工作的思想被展示和暴露：-不要触摸现存的，1.50米宽的砖墙，花岗岩拱顶，壁龛和洞穴的遗骸。-在不改变周长的情况下采取行动，插入碎片以供使用。-认识到废墟是一种价值，并阅读时间的推移和继承的建筑的重量。-插入碎片以收集光线。-为游泳池插入一个挖掘的石板。-强调继承的气氛，并将其用于新的用途。

The original memory of the project sought to be very brief, as bare we imagined the architecture that should be inserted. In a telegraphic and direct way, the ideas of this work were exhibited and exposed: - Do not touch the existing, masonry walls of 1.50m wide, remains of granite vaults, niches, and hollows. - Act without altering the perimeter, insert pieces to house the uses. - Recognize the ruin as a value and read the passage of time and the weight of the inherited architecture. - Insert pieces to collect light. - Insert an excavated stone plane for the pool. - Emphasize the inherited atmosphere and take it to its new use.

The original memory of the project sought to be very brief, as bare we imagined the architecture that should be inserted. In a telegraphic and direct way, the ideas of this work were exhibited and exposed: - Do not touch the existing, masonry walls of 1.50m wide, remains of granite vaults, niches, and hollows. - Act without altering the perimeter, insert pieces to house the uses. - Recognize the ruin as a value and read the passage of time and the weight of the inherited architecture. - Insert pieces to collect light. - Insert an excavated stone plane for the pool. - Emphasize the inherited atmosphere and take it to its new use.

 © Héctor Santos Diez / Manuel Vicente

c.Héctor Santos Diez/Manuel Vicente

总之，创造一个新的用途，认识到什么是一个稳定的和一个地窖摇篮的里贝罗。这项工作的实际情况使我们简化了插入的体系结构，总体上改进了预测。内部被划分的6个隔间中的每一个都有不同的用途和物化方式。从接入片到水疗片的光线变暗了。每个空间都会产生光，并为每一种用途提供所插入的内容的正规化以产生大气和不同的场景。轻建筑在上层，石质在底层。

In short, create a new use recognizing what was a stable and a cellar cradle of the Ribeiro. The reality of the work led us to simplify the inserted architecture, something that, in general, improves the projected. Each of the 6 compartments in which the interior is divided hosts a different use and materializes differently. The light is dimmed from the access piece to the spa piece. Each space graduates its light and accommodates the formalization of what is inserted to generate atmospheres and different scenarios for each use. Light architecture on the upper floor, stony on the ground floor.

In short, create a new use recognizing what was a stable and a cellar cradle of the Ribeiro. The reality of the work led us to simplify the inserted architecture, something that, in general, improves the projected. Each of the 6 compartments in which the interior is divided hosts a different use and materializes differently. The light is dimmed from the access piece to the spa piece. Each space graduates its light and accommodates the formalization of what is inserted to generate atmospheres and different scenarios for each use. Light architecture on the upper floor, stony on the ground floor.

 © Héctor Santos Diez / Manuel Vicente

c.Héctor Santos Diez/Manuel Vicente

这个提议是在这个石头盒子里休息的旅行。建筑被撤回以供回忆。室内力求清晰和响亮，只有当你到达水池，木结构上升成为天窗。你的形式是一种欲望。不同的光(自然和人工)，不同的材料，不同的纹理，不同的路面，不同的颜色和不同的尺度为沉默和感官服务。

The proposal is a tour for rest inside this stone box. The architecture was withdrawn for recollection. The interior seeks to be clear and resounding, only explodes when you reach the pool where the wooden structure rises to become a skylight. Your form is a desire. Different light (natural and artificial), different materials, different textures, different pavements, different colors and different scales at the service of silence and the senses.

The proposal is a tour for rest inside this stone box. The architecture was withdrawn for recollection. The interior seeks to be clear and resounding, only explodes when you reach the pool where the wooden structure rises to become a skylight. Your form is a desire. Different light (natural and artificial), different materials, different textures, different pavements, different colors and different scales at the service of silence and the senses.

 © Héctor Santos Diez / Manuel Vicente

c.Héctor Santos Diez/Manuel Vicente

Architects OLAestudio

Location Calle San Clodio, S/N, 32420, Ourense, Spain

Author Architects Óscar López Alba

Area 629.24 m2

Project Year 2017

Photographs Héctor Santos Diez / Manuel Vicente

Category Restoration

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