架构师提供的文本描述。这所房子位于一个老街区，那里的建筑物已经有40多年的历史了。

Text description provided by the architects. The house is located in an old neighbourhood where buildings are more than 40 years old. 

Text description provided by the architects. The house is located in an old neighbourhood where buildings are more than 40 years old. 

场地的特殊条件和建筑条例导致了项目的非典型组织，房屋面向地块的背面，远远低于其邻居的水平。

The particular conditions of the site and the building regulations led to an atypical organization of the program, with the house facing the back of the lot and well below the level of its neighbors. 

The particular conditions of the site and the building regulations led to an atypical organization of the program, with the house facing the back of the lot and well below the level of its neighbors. 

 © Maíra Acayaba

c.Maíra Acayaba

这片土地距圣保罗的一条重要大道50米远，但海拔较高，对面有一个保存下来的绿地。这使得，尽管中心和城市的情况，该地段似乎是插入在一个绿色的地区。

The land is 50 meters from an important avenue of São Paulo but at a higher elevation and on the opposite side there is a preserved green area. This makes that despite the central and urban situation of the lot appear to be inserted in a green area. 

The land is 50 meters from an important avenue of São Paulo but at a higher elevation and on the opposite side there is a preserved green area. This makes that despite the central and urban situation of the lot appear to be inserted in a green area. 

 © Maíra Acayaba

c.Maíra Acayaba

 © Maíra Acayaba

c.Maíra Acayaba

因此，该方案的组织结构发生了逆转，房间位于街道一级，而社交区则位于一级以下。一楼的项目是把厨房和餐厅，而不是客厅与花园联系起来。业主的社交生活往往围绕着食物展开，因此这种安排让每个人都能聚集在同一个空间。

Thus the program's organization was reversed with the rooms on the street level and the social areas one level below. The ground floor program places the kitchen and dining room, rather than the living room, in contact with the garden. The social life of the owners often develops around food and therefore this arrangement allows everyone to gather in the same space. 

Thus the program's organization was reversed with the rooms on the street level and the social areas one level below. The ground floor program places the kitchen and dining room, rather than the living room, in contact with the garden. The social life of the owners often develops around food and therefore this arrangement allows everyone to gather in the same space. 

 © Maíra Acayaba

c.Maíra Acayaba

 First Floor Plan

一层平面图

 © Maíra Acayaba

c.Maíra Acayaba

与40年前执行的相邻房屋不同，目前的立法要求建筑的最高高度与地面的坡度有关。新的建筑，因此，远低于邻居，并特别注意阳光到达较低的水平。为此，我们开发了两卷房间的程序，用完全透明的空隙隔开，使光线穿透房子。

Current legislation, unlike the neighboring houses that were executed at 40 years, requires that the maximum height of the construction relates to the slope of the ground. The new construction, therefore, lies far below the neighbors and special care has been taken for the sunlight to reach the lower level. For this we developed the program of the rooms in two volumes separated by a void with total transparency so that the light penetrated the house.

Current legislation, unlike the neighboring houses that were executed at 40 years, requires that the maximum height of the construction relates to the slope of the ground. The new construction, therefore, lies far below the neighbors and special care has been taken for the sunlight to reach the lower level. For this we developed the program of the rooms in two volumes separated by a void with total transparency so that the light penetrated the house.

 © Maíra Acayaba

c.Maíra Acayaba

最初的想法是开发一种带有激光切割金属片的雨幕覆盖层，为玻璃建筑围护结构创造一个阴影元素。但是第一次的测试显示了供应商的困难，我们决定用传统的技术开发同样的概念。

The initial idea was to develop a rain-screen cladding with laser-cut designs on a metal sheets creating a shading element for a glass building envelop. But the first tests showed difficulties with suppliers and we decided to develop the same concept with a traditional technique.

The initial idea was to develop a rain-screen cladding with laser-cut designs on a metal sheets creating a shading element for a glass building envelop. But the first tests showed difficulties with suppliers and we decided to develop the same concept with a traditional technique.

我们在普通粘土砖上创建了一个规则的图案，几乎是一种纹理，并根据内部程序在这个矩阵中创建不透明或透明的区域。这使我们能够在不失去隐私的情况下，调和光线的入口和开放的视觉线条。

We created a regular pattern on ordinary clay brick, almost a texture, and worked inside this matrix to create opaque or transparent zones according to the internal program. This allowed us to reconcile the entrance of light and open visual lines without the loss of privacy.

We created a regular pattern on ordinary clay brick, almost a texture, and worked inside this matrix to create opaque or transparent zones according to the internal program. This allowed us to reconcile the entrance of light and open visual lines without the loss of privacy.

 © Maíra Acayaba

c.Maíra Acayaba