一个10平方英尺的小屋-通过观察一个微观的世界，看到一个宏观的宇宙，宇宙甚至存在于最小的世界中，而测量宇宙的单位只是时间和空间。

A 10-foot square hut - Through observing a micro world, seeing a macro universe The universe exists even in the tiniest world, and the unit that measures the universe is only time and space.

A 10-foot square hut - Through observing a micro world, seeing a macro universe The universe exists even in the tiniest world, and the unit that measures the universe is only time and space.

 Facade. Image Courtesy of C+ Architects

正面。C建筑师的形象礼貌

你有没有经历过完整的日本茶道？在将近半天的时间里，人们通过喝一碗茶来感受宇宙。更重要的是，在一个很小的空间里，通过茶汤、餐具和一系列的行为来反映和观察一个人的内心世界。

Have you ever experienced a complete Japanese tea ceremony? For nearly half a day, people felt the universe by drinking a bowl of tea. More importantly, in a small space, reflect and observe one’s inner world through tea soup, utensils and a series of behavioral action.

Have you ever experienced a complete Japanese tea ceremony? For nearly half a day, people felt the universe by drinking a bowl of tea. More importantly, in a small space, reflect and observe one’s inner world through tea soup, utensils and a series of behavioral action.

 Courtesy of C+ Architects

C建筑师提供

由C建筑师团队设计的“时空洞穴”将是一个可容纳2至3人的流动茶馆。在这个2.4x2.4x2.4米的“洞穴”里，人们通过光线、空气甚至雨水的变化体验时间和空间。

Designed by the C+ Architects team, the “Space-time Cave” is set to be a mobile tea house that can accommodate 2 to 3 people. In this small “cave” of 2.4x2.4x2.4 meters, people experience time and space through changes in light, air and even rain.

Designed by the C+ Architects team, the “Space-time Cave” is set to be a mobile tea house that can accommodate 2 to 3 people. In this small “cave” of 2.4x2.4x2.4 meters, people experience time and space through changes in light, air and even rain.

 Exhibition Corridor. Image Courtesy of C+ Architects

展览走廊。C建筑师的形象礼貌

 Facade. Image Courtesy of C+ Architects

正面。C建筑师的形象礼貌

与传统的茶房不同，该设施陈列在现代艺术博物馆的走廊里，可以说是一个“架构内的架构”。设计者在很大程度上避免了建筑构件的外观，并实现了各种洞口对建筑语言中门窗功能进行归档，使整体更加抽象、更简洁。同时，通过细长的孔，观众也可以欣赏艺术家LeandroErlich在博物馆的中心庭院创作的艺术品。

Unlike the traditional tea room, the installation is displayed in the corridor of the Echigo-Tsumari Satoyama Museum of Contemporary Art, which can be said to be an “architecture within architecture”. The designer avoids the appearance of building components to the greatest extent, and realizes various openings to archive the function of windows and doors in architecture language, making the whole more abstract and purer. At the same time, through the slender hole, viewers can also enjoy the artwork created by the artist Leandro Erlich in the central courtyard of the museum.

Unlike the traditional tea room, the installation is displayed in the corridor of the Echigo-Tsumari Satoyama Museum of Contemporary Art, which can be said to be an “architecture within architecture”. The designer avoids the appearance of building components to the greatest extent, and realizes various openings to archive the function of windows and doors in architecture language, making the whole more abstract and purer. At the same time, through the slender hole, viewers can also enjoy the artwork created by the artist Leandro Erlich in the central courtyard of the museum.

 Facade. Image Courtesy of C+ Architects

正面。C建筑师的形象礼貌

设计人员使用传统的榫和榫接合，用单一的材料和结构建造了一个可移动的“小屋”。这些组件被切割成便于运输和安装的尺寸。材料的纹理和截面用原始的方式表达。当“小屋”不再发挥任何作用时，就可以将其拆卸和加工成其他木制品，以实现材料的回收利用。

Mortise and Tenon / Assembly Using traditional Mortise and Tenon joint, the designer built a movable “hut” with a single material and construction. The components are cut into dimensions that are easy to transport and install. The texture and the section of the material are expressed in the original way. When the “hut” no longer assumes any function, it can be dismantled and processed into other wood products to achieve the recycling of the material.

Mortise and Tenon / Assembly Using traditional Mortise and Tenon joint, the designer built a movable “hut” with a single material and construction. The components are cut into dimensions that are easy to transport and install. The texture and the section of the material are expressed in the original way. When the “hut” no longer assumes any function, it can be dismantled and processed into other wood products to achieve the recycling of the material.

 View From Corner. Image Courtesy of C+ Architects

从角落看。C建筑师的形象礼貌

家具的升级/建筑的缩小-“小屋”是安装与建筑之间的一种模糊的存在。它就像一个扩大的家具，和一所具有建筑特色的房子。这和中国传统四合院的床是一样的。

Scaling Up of Furniture / Scaling Down of Architecture The “hut” is an ambiguous existence between installation and architecture. It is like an enlarged piece of furniture, and a house with architectural features. This is the same as the bed in traditional Chinese courtyard house.

Scaling Up of Furniture / Scaling Down of Architecture The “hut” is an ambiguous existence between installation and architecture. It is like an enlarged piece of furniture, and a house with architectural features. This is the same as the bed in traditional Chinese courtyard house.

 Inside Corner. Image Courtesy of C+ Architects

在拐角内。由C建筑师提供的图像

立方体的四个角落被切断，形成窗户和门的开口，让光线从不同的方向进入空间，形成一盒光。当人们在“小屋”内时，从不同的洞口可以看到不同的天空和风景的角度。

The four corners of the cube are cut away, forming windows and door openings, letting light entering the space from different directions, forming a box of light. When people are inside the “hut”, different angles of sky and scenery can be seen through various openings.

The four corners of the cube are cut away, forming windows and door openings, letting light entering the space from different directions, forming a box of light. When people are inside the “hut”, different angles of sky and scenery can be seen through various openings.

 Detail. Image Courtesy of C+ Architects

细节。C建筑师的形象礼貌

Interiors Designers C+ Architects

Location Tokamachi, Niigata Prefecture, Japan

Lead Architect Yanchun Cheng

Design Team Chen Bo, Liyuan Xu

Area 5.76 m2

Project Year 2018

Category Store