建筑师提供的文字说明。TrueHole是在2018年6月30日至9月2日在法国城镇举行的一个由文化中心BonnetNationaleD"Annecy主办的23个艺术设施中的一个。

Text description provided by the architects. Trutheholeis one of the 23 art installations participating in Annecy Paysage, a festival organized by the cultural center Bonlieu Scène Nationale d'Annecy, held in the French town from 30 June to 2 September 2018.

Text description provided by the architects. Trutheholeis one of the 23 art installations participating in Annecy Paysage, a festival organized by the cultural center Bonlieu Scène Nationale d'Annecy, held in the French town from 30 June to 2 September 2018.

 © Andrea Bosio

C.Andrea Bosio

 © Andrea Bosio

C.Andrea Bosio

Truthe孔是一种人类尺度的相机，人们可以在其中进入。在内部，通过照相机遮光罩的光学原理，游客可以看到围绕着装置的投影-在这里是一个美丽的公园，阿内西湖，上萨沃伊山脉；这些投影是由面向不同方向的两个针孔产生的，代表了真实的生动和动态的图像，由一束光子组成，它不断地将观察者与现实联系在一起。为了实现完全的黑暗，因此，更生动的投影，所有的内部表面是黑色的，除了白色的面板，以显示最有趣的部分的投影。事实上，任何一个带着白纸进入的人都可以他喜欢的姿势和倾向截取投影，测试不同的效果，并可能以这种方式追踪捕捉到的图像，就像卡纳莱托(Canaletto)这样的画家过去为了描绘建筑物和风景而做的事情一样。

Truthehole is as a human scale camera, in which people can enter. Inside, through the optical principle of camera obscura, visitors can see projections of what surrounds the installation – in this case a beautiful park, the lake of Annecy, the mountains of the Haute Savoie; these projections, generated by two pinholes oriented in different directions, represent a living and dynamic image of reality,consisting of a beam of photons that continuously connects the observer to reality. In order to achieve complete darkness and, consequently, more vivid projections, all the internal surfaces are black, except for the white panels arranged to bring out the most interesting parts of the projections. In fact anyone who enters equipped with a white sheet can intercept the projection in the position and with the inclination that he prefers, testing different effects and possibly tracing the images captured in this way, similarly to what painters like Canaletto did in the past in order to paint buildings and landscapes.

Truthehole is as a human scale camera, in which people can enter. Inside, through the optical principle of camera obscura, visitors can see projections of what surrounds the installation – in this case a beautiful park, the lake of Annecy, the mountains of the Haute Savoie; these projections, generated by two pinholes oriented in different directions, represent a living and dynamic image of reality,consisting of a beam of photons that continuously connects the observer to reality. In order to achieve complete darkness and, consequently, more vivid projections, all the internal surfaces are black, except for the white panels arranged to bring out the most interesting parts of the projections. In fact anyone who enters equipped with a white sheet can intercept the projection in the position and with the inclination that he prefers, testing different effects and possibly tracing the images captured in this way, similarly to what painters like Canaletto did in the past in order to paint buildings and landscapes.

 © Andrea Bosio

C.Andrea Bosio

 © Andrea Bosio

C.Andrea Bosio

真理洞融合了科学兴趣、审美吸引力-从外部投射、倒转-倒转和左-光学定律-由于截取它们的面板的方向而变形-以及一些象征性和概念性的建议：从我们与光明和黑暗的自然关系的倒置(在这里，黑暗成为感知的必要条件)，根据柏拉图的“洞穴寓言”，世界的知识最初是由阴影、模糊的、不完全可靠的现实本身投射而来的。

Truthehole blends scientific interest, aesthetic appeal – the projections from outside, reversed upside-down and left-right by laws of optics, are deformed by the orientation of the panels by which they are intercepted – and some symbolic and conceptual suggestions: from the inversion of the natural relationship that we have with light and darkness (here darkness becomes a necessary condition for perception), up to the reference to Plato's Allegory of the cave, according to which the knowledge of the world is initially mediated by shadows, faint and not entirely reliable projections of reality itself.

Truthehole blends scientific interest, aesthetic appeal – the projections from outside, reversed upside-down and left-right by laws of optics, are deformed by the orientation of the panels by which they are intercepted – and some symbolic and conceptual suggestions: from the inversion of the natural relationship that we have with light and darkness (here darkness becomes a necessary condition for perception), up to the reference to Plato's Allegory of the cave, according to which the knowledge of the world is initially mediated by shadows, faint and not entirely reliable projections of reality itself.

 © Andrea Bosio

C.Andrea Bosio

展馆的外表面是完全反射的。因此，如果里面的刻面形状暗示着一个黑色的洞穴，那么它的外部就像一个水晶碎片；因此，在它所在的空间的零碎图像中，真洞就消失了。从概念的角度来看，内部的黑暗可以被认为是外壳充分反射的结果，它切断了每束光，除了那些透过针孔窥视的光束，因此产生了图像：如此一小部分的光，承载着如此广阔的外层空间的图像。

The external surface of the pavilion is completely reflecting. So if the faceted shape inside suggests a black cave, on the outside it resembles a crystal shard; Truthehole thus disappears in the fragmented image of the space in which it is located. From a conceptual point of view the internal darkness can be considered as the result of the outer shell’s full reflection, that cuts out every beam of light but the ones peeping through the pinholes and so originating the pictures: such a little portion of light, carrying the image of such a wide outer space.

The external surface of the pavilion is completely reflecting. So if the faceted shape inside suggests a black cave, on the outside it resembles a crystal shard; Truthehole thus disappears in the fragmented image of the space in which it is located. From a conceptual point of view the internal darkness can be considered as the result of the outer shell’s full reflection, that cuts out every beam of light but the ones peeping through the pinholes and so originating the pictures: such a little portion of light, carrying the image of such a wide outer space.

 © Andrea Bosio

C.Andrea Bosio

Truthe孔是用4毫米厚的铝-聚乙烯-铝叠层板建造的，四面折叠起来就像刚性的单元；这些单元组装在一起，形成了一个自给的外壳。

Truthehole is built with 4 mm thick aluminum-polyethylene-aluminum laminated panels, which folded on the four sides behave like rigid elements; these elements assembled together constitute a self-supporting shell.

Truthehole is built with 4 mm thick aluminum-polyethylene-aluminum laminated panels, which folded on the four sides behave like rigid elements; these elements assembled together constitute a self-supporting shell.

 © Andrea Bosio

C.Andrea Bosio

展馆在可调节的底座上安装了一个凸起的地板，可以吸收地面上任何可能的不规则现象。

The pavilion is equipped with a raised floor on adjustable pedestals that absorb any possible irregularities of the ground.

The pavilion is equipped with a raised floor on adjustable pedestals that absorb any possible irregularities of the ground.