© Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

架构师提供的文本描述。在环境问题是主导社会头脑的主要问题之一的时代，创意产业开始出现一场辩论；设计师能否为如此重大的全球问题提供新的视角？作为2018年曼谷设计周的一个里程碑，“废物侧故事”展馆邀请人们质疑传统的设计和建筑方法，即材料被消耗和浪费，并提出了一种替代方法，包括考虑回收材料和探索建筑物以外的材料寿命。

Text description provided by the architects. In the era where the environmental concern is one of the major issues that dominate the mind of the society, a debate began to rise in a creative industry; whether designers can offer a new outlook to such a significant global issue? As a landmark for the 2018 Bangkok Design Week, the ‘Waste Side Story’ Pavilion invites the questioning of the conventional design and construction method where materials are consumed and wasted and proposes an alternative approach which involves a consideration of recycled material and an exploration of the material life beyond the building.

Text description provided by the architects. In the era where the environmental concern is one of the major issues that dominate the mind of the society, a debate began to rise in a creative industry; whether designers can offer a new outlook to such a significant global issue? As a landmark for the 2018 Bangkok Design Week, the ‘Waste Side Story’ Pavilion invites the questioning of the conventional design and construction method where materials are consumed and wasted and proposes an alternative approach which involves a consideration of recycled material and an exploration of the material life beyond the building.

 © Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

 © Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

这座六米高的展馆由专门设计的回收塑料砖和轻尼龙屏风组成.每个体系结构组件都是从产品设计的角度来考虑的：每个元素的规模和比例来自于它们打算在事件发生后产生的产品。该结构设计了一种模块化的构造技术，其中元素被排列成一个重复的模式，在结构内产生韵律。

The six-meter-high pavilion comprises of, specifically designed, recycled plastic bricks and light nylon screens. Each architectural components are being thought in terms of products design: the scale and proportion of each element derived from the products they are intended as after the event. The structure devises a modular construction technique where the elements are arranged into a repetitive pattern, creating rhythms within the structure.

The six-meter-high pavilion comprises of, specifically designed, recycled plastic bricks and light nylon screens. Each architectural components are being thought in terms of products design: the scale and proportion of each element derived from the products they are intended as after the event. The structure devises a modular construction technique where the elements are arranged into a repetitive pattern, creating rhythms within the structure.

 © Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

 Mesh Panel Detail

网格面板细节

 © Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

在设计周之后，砖块和屏风将被拆卸成2500多个椅子和1500个手提包。虽然这个展馆的目的是为了短期的存在，但它超越了它的时间建筑的功能。该结构将庆祝设计的创造性、创新性和社会价值。它将作为一个展馆的一个例子，它可以激发对话，创新想法，并简单地激发灵感。

Following the design week, the bricks and screens will be dismantled into over 2500 chairs and 1500 tote bags. Although intended for a short-term existence, the pavilion goes beyond its function of a temporal architecture. The structure will celebrate the creative, innovative and social value of design. It will stand as an example of a pavilion that can stimulate conversations, innovate ideas, and simply inspire.

Following the design week, the bricks and screens will be dismantled into over 2500 chairs and 1500 tote bags. Although intended for a short-term existence, the pavilion goes beyond its function of a temporal architecture. The structure will celebrate the creative, innovative and social value of design. It will stand as an example of a pavilion that can stimulate conversations, innovate ideas, and simply inspire.

 © Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

 © Ketsiree Wongwan

c.凯西里·王湾(Ketsiree Wongwan)

Architects Cloud-floor

Location Central Post Office, Khwaeng Bang Rak, Khet Bang Rak, Krung Thep Maha Nakhon 10500, Thailand

Area 180.0 m2

Project Year 2018

Photographs Ketsiree Wongwan

Category Pavillion

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