© Onnis Luque

欧尼斯·卢克

 © Cielito Drone

.Cielito无人驾驶飞机

架构师提供的文本描述。墨西哥音乐宫的建筑设计可以被定义为一座对其具有重大历史价值的物理环境敏感的现代建筑。这不仅是因为它在城市内的位置，而且主要是因为它的项目的性质是公开的，它的构想具有振兴和更新它所在的历史市中心的部分的潜力。

Text description provided by the architects. The architectural design for the palace for Mexican music can be defined as a modern building sensible to its physical context of great historical value. Due not only because its location within the city but mainly because the nature of its program is public, it was conceived with the potential to revitalize and regenerate the part of the historical downtown where it is located.

Text description provided by the architects. The architectural design for the palace for Mexican music can be defined as a modern building sensible to its physical context of great historical value. Due not only because its location within the city but mainly because the nature of its program is public, it was conceived with the potential to revitalize and regenerate the part of the historical downtown where it is located.

 © Onnis Luque

欧尼斯·卢克

这座建筑将成为国家资助的公共建筑项目的基准.它的设计被概念化为一个催化剂的公共空间，同时承认周围的建筑遗产背景。为了实现这一目标，这座建筑充当了一个天井、一个铰链和一个露台，它不仅吸引行人穿过建筑物的公共空间，还将原先所知的“国会小巷”与希达尔戈广场(Hidalgo Plaza)连接起来，并将相邻的石墙和17世纪建造的第三神殿的穹顶集中起来。最后，屋顶作为一个绿色的平台，揭示了周围的宏伟和规模的遗产建筑，如大教堂和三级寺。

The building is set to become a benchmark for state-funded public architectural projects. Its design is conceptualized as a catalyst for public space while recognizing the surrounding architectural heritage context. To achieve this, the building serves as a patio, a hinge and a terrace, which not only draws pedestrians to cross through the public space of the building, articulating the formerly known ‘Congress Alleyway’ with the Hidalgo Plaza, as well as focusing the adjacent stone wall and the dome of the Third Order Temple built in 17th Century. Finally, the rooftop works as a green terrace that reveals the magnificence and scale of the surrounding heritage buildings such as the Cathedral and the Third Order Temple.

The building is set to become a benchmark for state-funded public architectural projects. Its design is conceptualized as a catalyst for public space while recognizing the surrounding architectural heritage context. To achieve this, the building serves as a patio, a hinge and a terrace, which not only draws pedestrians to cross through the public space of the building, articulating the formerly known ‘Congress Alleyway’ with the Hidalgo Plaza, as well as focusing the adjacent stone wall and the dome of the Third Order Temple built in 17th Century. Finally, the rooftop works as a green terrace that reveals the magnificence and scale of the surrounding heritage buildings such as the Cathedral and the Third Order Temple.

 © Cielito Drone

.Cielito无人驾驶飞机

 © Onnis Luque

欧尼斯·卢克

该建筑物由4个故事（1个地下和3个以上）组成，相应地划分为三个主要目的用途。地下一层为墨西哥音乐互动博物馆，陈列空间1200平方米，划分为六个房间，每个房间都有一个特殊的主题，讲述墨西哥民间音乐从其起源到今天的发展和演变，突出了它的主要流派。补充博物馆，此级别包括商店、存储区和公用房间。在街道层面，建筑主要是一个开放的平面布局，行人可以穿过。

The building is comprised of 4 stories (1 underground and 3 above) divided accordingly for the three principal intended uses. The underground level has the interactive museum for Mexican Music, with 1200 sqm of exhibition space divided among six rooms, each with a particular theme, narrating the development and evolution of Mexican folk music from its origins to present day, highlighting its main genres. Complementing the museum, this level includes a shop, storage areas and utility rooms. At street level, the building is mostly an open plan layout where pedestrians can walk through. 

The building is comprised of 4 stories (1 underground and 3 above) divided accordingly for the three principal intended uses. The underground level has the interactive museum for Mexican Music, with 1200 sqm of exhibition space divided among six rooms, each with a particular theme, narrating the development and evolution of Mexican folk music from its origins to present day, highlighting its main genres. Complementing the museum, this level includes a shop, storage areas and utility rooms. At street level, the building is mostly an open plan layout where pedestrians can walk through. 

 © Onnis Luque

欧尼斯·卢克

 Outline patio opening

轮廓露台的开口

 © Onnis Luque

欧尼斯·卢克

此外，这一级别的特色是博物馆入口、音乐厅和墨西哥城外国家唱片和音乐图书馆(Fonoteca Nacional)最大的录音收藏档案，用户也可以查阅这些资料。该图书馆有650平方米的储存和实物档案原始无线电和视频记录收集了多年。除了入口处，街道上还有一个名为“弦乐广场”的中央庭院，作为一个音乐表演空间，向公众和街道开放，可容纳400人。这个庭院允许单独的表演场地与主音乐厅同时运行，允许室内和室外的最大表演空间。主音乐厅可容纳450个座位，并具有高性能的声音可调面板，以适应不同风格的音乐。它还为残疾人提供所有设施，包括后台和专业录音室。

Additionally, this level features the entrance to the museum, the Concert Hall and the archive for the largest collection of recordings from the National Record and Music Library (Fonoteca Nacional) outside Mexico City, to which users will also have access digitally. The library has 650 sqm for storage and physical archive of original radio and video recordings collected throughout the years. Aside from the entrance, on street level also has a central courtyard named “Patio of Strings” intended as a music performance space, open to the public and to the street, with the capacity of 400 people. This courtyard allows separate performance venues to operate simultaneously with the main Concert Hall, allowing maximum performance space, indoors and outdoors. The main Concert Hall has the occupation capacity of 450 seats and features high-performance acoustic adjustable paneling to suit different styles of music. It also has all the facilities for people with disabilities, including the backstage and a professional recording studio.

Additionally, this level features the entrance to the museum, the Concert Hall and the archive for the largest collection of recordings from the National Record and Music Library (Fonoteca Nacional) outside Mexico City, to which users will also have access digitally. The library has 650 sqm for storage and physical archive of original radio and video recordings collected throughout the years. Aside from the entrance, on street level also has a central courtyard named “Patio of Strings” intended as a music performance space, open to the public and to the street, with the capacity of 400 people. This courtyard allows separate performance venues to operate simultaneously with the main Concert Hall, allowing maximum performance space, indoors and outdoors. The main Concert Hall has the occupation capacity of 450 seats and features high-performance acoustic adjustable paneling to suit different styles of music. It also has all the facilities for people with disabilities, including the backstage and a professional recording studio.

 © Onnis Luque

欧尼斯·卢克

最后，屋顶被设计成带有花园的露台，可以俯瞰周围的景观，如大教堂、三级圣殿，因此，从城市的角度和梅里达市中心一座建筑的第五立面，创造了对该项目周围遗产遗址的新记忆。

Lastly, the rooftop is designed as a terrace with gardens to overlook all around sights like the Cathedral, the Third Order Temple, therefore creating a new memory of the heritage sites surrounding the project, from an urban perspective and from the fifth façade in a building standing in Downtown Merida.

Lastly, the rooftop is designed as a terrace with gardens to overlook all around sights like the Cathedral, the Third Order Temple, therefore creating a new memory of the heritage sites surrounding the project, from an urban perspective and from the fifth façade in a building standing in Downtown Merida.

 © Onnis Luque

欧尼斯·卢克

室内和室外的空间品质，如作曲、建筑和城市关系，是墨西哥音乐宫设计的必要前提。

The spatial quality of indoors and outdoors like the composition and the architectural and urban relationship are essential premises for the design of the Palace for Mexican Music.

The spatial quality of indoors and outdoors like the composition and the architectural and urban relationship are essential premises for the design of the Palace for Mexican Music.

 © Pim Schalkwijk

Pim Schalkwijk

在处理这些专题方面，该项目力求为公共建筑创造一个新的先例，以促进其周围城市空间的振兴，便利行人的自由流动，并改善城市连通性，从而提高人们对城市中心和墨西哥音乐宫的地位感。

Tending to these topics the project seeks to establish a new precedent for a public building to contribute to the revitalization of its surrounding urban space, facilitating the free circulation of pedestrians and improving city connectivity, therefore improving the sense of place of the people for the heart of the city and with the Music Palace of Mexican Music.

Tending to these topics the project seeks to establish a new precedent for a public building to contribute to the revitalization of its surrounding urban space, facilitating the free circulation of pedestrians and improving city connectivity, therefore improving the sense of place of the people for the heart of the city and with the Music Palace of Mexican Music.

 © Onnis Luque

欧尼斯·卢克

Architects Alejandro Medina Arquitectura, Muñoz arquitectos, Quesnel arquitectos, Reyes Ríos + Larraín arquitectos

Location Calle 59 & Calle 58, Centro, 97000 Merida, Yuc., Mexico

Constructor Constructora PROSER S.A de C.V.

Structural Calculation ESSSA Ingeniería Estructural, Ing. Mario Gomez Mejía, Danstek S.A.

Design Team Mariana Ríos C., Natalia Ávila O., Carlos Fleischer, Manolo Rejón, Jonathan Álvarez

Museography Exhibiscopio S.A. de C.V

Area 8840.0 m2

Project Year 2018

Photography Onnis Luque, Cielito Drone, Pim Schalkwijk

Category Music Venue

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