© Peter Bennetts

(Peter Bennetts)

架构师提供的文本描述。太阳城大厦是一个紧凑的2卧室，173 SQM住宅，位于一个陡峭的，西面的街区在莫尔兹比港附近，俯瞰一个以前的货物码头。房子是一座现浇混凝土建筑，部分覆盖在波浪状的木材包装中，为主套房提供遮阳、隐私和通风。包装扁平，因为它继续在建筑物周围成为一个全高度可操作的屏幕，为上层画廊，以控制西方的太阳，并捕捉到珊瑚海以外的看法。

Text description provided by the architects. The Brise Soleil House is a compact 2-bedroom, 173SQM dwelling situated at the top of a steep, west-facing block near Port Moresby Harbour overlooking a former cargo terminal. The house is a cast-in-situ concrete building partially clad in an undulating wave-like timber wrapper which provides shading, privacy, and ventilation to the master suite. The wrapper flattens as it continues around the building to become a full-height operable screen for the upper level gallery to control the western sun and capture views to the Coral Sea beyond.

Text description provided by the architects. The Brise Soleil House is a compact 2-bedroom, 173SQM dwelling situated at the top of a steep, west-facing block near Port Moresby Harbour overlooking a former cargo terminal. The house is a cast-in-situ concrete building partially clad in an undulating wave-like timber wrapper which provides shading, privacy, and ventilation to the master suite. The wrapper flattens as it continues around the building to become a full-height operable screen for the upper level gallery to control the western sun and capture views to the Coral Sea beyond.

 © Peter Bennetts

(Peter Bennetts)

 © Peter Bennetts

(Peter Bennetts)

从设计的角度来看，包装是对低地高楼和精雕细琢的独木舟(Lakatoi)所看到的当地木材工艺传统的致敬，使用的是一个复杂的关节系统和高度的表面清晰度，但它是通过一个数字镜头来实现的；更新，以解决当代软件和硬件工具的能力和他们的能力管理复杂的系统和大规模定制复杂的几何与嵌入式装配逻辑。此外，包装的设计涉及到更广泛的讨论屏幕和面纱赤道建筑发现在现代和20世纪的经典作品奥斯西波夫，费里，鲁道夫等。

From a design perspective, the wrapper pays homage to local traditions of timber craftsmanship seen in the lowland stilt houses and intricately carved canoes (lakatoi), utilizing a system of complex joints and a high degree of surface articulation.  But it does so though a digital lens; updated to address the capabilities of contemporary software and hardware tools and their ability to manage complex systems and to mass-customize intricate geometries with embedded assembly logics. Furthermore, the design of the wrapper engages a broader discussion of screens and veils in equatorial architecture found in the canon of Modern and 20th century works by Ossipoff, Ferrie, Rudolf, and others.

From a design perspective, the wrapper pays homage to local traditions of timber craftsmanship seen in the lowland stilt houses and intricately carved canoes (lakatoi), utilizing a system of complex joints and a high degree of surface articulation.  But it does so though a digital lens; updated to address the capabilities of contemporary software and hardware tools and their ability to manage complex systems and to mass-customize intricate geometries with embedded assembly logics. Furthermore, the design of the wrapper engages a broader discussion of screens and veils in equatorial architecture found in the canon of Modern and 20th century works by Ossipoff, Ferrie, Rudolf, and others.

 © Peter Bennetts

(Peter Bennetts)

 Screen digital process

屏幕数字处理

包装和门是由50x50毫米粗锯乙酰化松材制成的，这些木材是在数字执行的复杂半搭接处粘合和钉住的。包装和门的总面积超过80平方米，总共包含2200件，以及700多个单独的数控铣削半搭接件，通常两端都有。所有的铣削、连接、修整和组装都是在澳大利亚黄金海岸的设计师车间进行的，并通过集装箱运往巴布亚新几内亚进行安装。整个装配被组织成一个由1200 mm无缝面板和门组成的系统，不仅有助于运输和安装，同时，为了尽量减少现场对熟练工人的需求，虽然每个面板都是独一无二的，但安装方法是相同的，这大约需要3名工人在脚手架上单独工作约2天。8扇门板在一天内也同样安装。

The wrapper and doors are constructed from 50x50 mm rough-sawn acetylated pine timber which is glued and doweled at digitally-executed complex half-lap joints.  The wrapper and doors, with a total area of over 80 square meters, contain over 2200 pieces in total and over 700 unique pieces with CNC milled half-lap joints, often on both ends. All milling, joining, finishing, and assembly into panels took place at the designers' workshop on the Gold Coast of Australia, and was shipped via container to Papua New Guinea for installation.  The entire assembly has been organized as a system of seamless 1200mm panels and doors which serves not only to aid in transportation and erection, but also to minimize the need for skilled labor on-site.  Though each panel was unique the installation method was identical, which took approximately 2 days for a crew of 3 laborers working exclusively by hand on scaffolding.  The 8 door panels were similarly installed in one day.

The wrapper and doors are constructed from 50x50 mm rough-sawn acetylated pine timber which is glued and doweled at digitally-executed complex half-lap joints.  The wrapper and doors, with a total area of over 80 square meters, contain over 2200 pieces in total and over 700 unique pieces with CNC milled half-lap joints, often on both ends. All milling, joining, finishing, and assembly into panels took place at the designers' workshop on the Gold Coast of Australia, and was shipped via container to Papua New Guinea for installation.  The entire assembly has been organized as a system of seamless 1200mm panels and doors which serves not only to aid in transportation and erection, but also to minimize the need for skilled labor on-site.  Though each panel was unique the installation method was identical, which took approximately 2 days for a crew of 3 laborers working exclusively by hand on scaffolding.  The 8 door panels were similarly installed in one day.

 © Peter Bennetts

(Peter Bennetts)