Trampoline Cabin Lorena Troncoso

2018-09-07 11:00

 © Cristóbal Caro

·克里斯特·卡洛

架构师提供的文本描述。座舱位于一片蜿蜒的山脉森林的中间，似乎在模仿和矛盾之间发挥作用。作为一对明显的人工体积安装在他们的几何严谨，Ocher镶板完成指的自然材料旁边的相同的躯干围绕着它，虽然形式的高度和他们的轮廓交织重申了他们明显的当代建筑；其中一个卷高于另一个卷，它的主对角延伸和上对角线延伸相交，两者之间的水平和垂直格的细微差别被注意到：强调精心设计来安排它们。

Text description provided by the architects. The cabin, located in the middle of a swirling mountain range forest, seems to play between imitation and contradiction. Installed as a pair of clearly artificial volumes in their geometrical rigor, the ocher paneling finish refers to natural materials next to the same trunks that surround it, although the elevation of the forms and the interweaving of their profiles reiterate their markedly contemporary construction ; in which one volume rises above the other, its main and upper diagonal extensions intersect and the subtle difference of horizontal and vertical lattices between both is noticed: emphasizing the careful design that orders them.

Text description provided by the architects. The cabin, located in the middle of a swirling mountain range forest, seems to play between imitation and contradiction. Installed as a pair of clearly artificial volumes in their geometrical rigor, the ocher paneling finish refers to natural materials next to the same trunks that surround it, although the elevation of the forms and the interweaving of their profiles reiterate their markedly contemporary construction ; in which one volume rises above the other, its main and upper diagonal extensions intersect and the subtle difference of horizontal and vertical lattices between both is noticed: emphasizing the careful design that orders them.

通过更集中的比例的盒子暗示内部，暗示着一种特殊的日常生活。以这种方式，建筑对象被放置在一个令人陶醉的性质，作为一个永恒的和尊重的插入。从内部看，这一困境似乎被逆转了，景观似乎被框住了，从一个窗口跳到另一个窗口，在一个装饰极小的白色环境中。走向抽象化和沉思，在这里，家庭屈从于一个新的地方，它的价值被看到的片段所强调，但也因为它们的缺席而凸显出来。

Insinuating the interiors through boxes of more concentrated proportions, suggesting a particular daily life. In this way, the architectural object is placed in an intoxicating nature, as a timeless and respectful insertion. From within, the dilemma seems to be reversed, the landscape appears framed jumping from window to window, in a white environment of minimal decorations. Going for abstraction and contemplation, in which the domestic subjugates to settle in a new place whose value is highlighted by the pieces seen, but also by their absence.

Insinuating the interiors through boxes of more concentrated proportions, suggesting a particular daily life. In this way, the architectural object is placed in an intoxicating nature, as a timeless and respectful insertion. From within, the dilemma seems to be reversed, the landscape appears framed jumping from window to window, in a white environment of minimal decorations. Going for abstraction and contemplation, in which the domestic subjugates to settle in a new place whose value is highlighted by the pieces seen, but also by their absence.

 © Cristóbal Caro

·克里斯特·卡洛

为了留在这里，他必须在适宜居住的范围内回避和违背他的环境。这种把城市生活和舒适带到森林中间的矛盾要求室内空间的感知距离，它失去了木材的自然纹理，穿上一种人造的、几乎梦幻般的白色，这样当它出来的时候，自然就变得到处都是。它的辉煌与惊奇，集中在主窗与天台的本质联系：人为与自然的具体对话。

To remain he must withdraw and contradict his environment within the limits of habitability. This contradiction of bringing urban life and its comforts in the middle of the forest requires the perceptual distance of the interior space, which loses the natural texture of the wood to put on an artificial, almost dreamy white, so that when it comes out, the natural becomes everywhere. its splendor and surprise, concentrating in the main window and the terrace that essential interrelation: the concrete dialogue between the artificial and the natural.

To remain he must withdraw and contradict his environment within the limits of habitability. This contradiction of bringing urban life and its comforts in the middle of the forest requires the perceptual distance of the interior space, which loses the natural texture of the wood to put on an artificial, almost dreamy white, so that when it comes out, the natural becomes everywhere. its splendor and surprise, concentrating in the main window and the terrace that essential interrelation: the concrete dialogue between the artificial and the natural.

 © Cristóbal Caro

·克里斯特·卡洛

 Sections X and Z

第X和Z节

 © Cristóbal Caro

·克里斯特·卡洛

从这个意义上说，小木屋是作为一种偶然的停留而安装的，它被安置在一座专为特定时刻而建的建筑中，以一种轻微的方式插入，但却在庆祝这个地方的相遇和它独特的自然生活。具有现代宜居性所要求的物质抽象，但对景观的静谧和振动却有着很小的距离和崇敬。

In this sense, the cabin is installed as an occasional stay, housed in an architectural construction that is reserved for particular moments, inserting in a slight way, but celebrating the meeting of the place and its unique natural life. With the material abstraction required by contemporary habitability, but with a small distance and reverence for the stillness and vibration of the landscape.

In this sense, the cabin is installed as an occasional stay, housed in an architectural construction that is reserved for particular moments, inserting in a slight way, but celebrating the meeting of the place and its unique natural life. With the material abstraction required by contemporary habitability, but with a small distance and reverence for the stillness and vibration of the landscape.