© Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

架构师提供的文本描述。干预包括对现有建筑进行内部改革，将其改造成一些小型旅游公寓。在一个经过的地块中，我们发现了一个两倍的建筑：一层加一层，朝大海看，旁边是一层门廊；另一层加两层，看后街。因此，这两卷的形式，是一个交错的建筑物，在下降的意义上，向大海。

Text description provided by the architects. The intervention consists of the interior reform of an existing building, to transform it into some small tourist apartments. In a passing plot, placed in front of the sea, we find a two-volume construction: one of ground floor plus one, which looks towards the sea and that is accompanied by a ground floor porch; and another one of ground floor plus two, which looks at the back street. This two-volume form, therefore, is a staggered building in descending sense towards the sea.   

Text description provided by the architects. The intervention consists of the interior reform of an existing building, to transform it into some small tourist apartments. In a passing plot, placed in front of the sea, we find a two-volume construction: one of ground floor plus one, which looks towards the sea and that is accompanied by a ground floor porch; and another one of ground floor plus two, which looks at the back street. This two-volume form, therefore, is a staggered building in descending sense towards the sea.   

 © Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

在初始状态下，访问和楼梯以及分布都呈现出混乱无序的状态。所有的努力，项目集中在开放空间的纵向方式，这样是可能的视觉连接的海洋和后街。这一战略包括在党墙上安排和精简所有的服务。楼梯、壁橱、厨房和浴室排成一排，靠墙堆积。所以服务就像厚厚的聚会墙。

In an initial state, both the accesses and stairs, as well as the distributions were appearing chaotically untidy. All the effort of the project centers on opening the space in a longitudinal way, so that is possible to visually connect the sea and the back street. The strategy consists in arranging and condensing all the services against the party walls. Stairs, closets, kitchens, and bathrooms line up and accumulate against these walls. So the services appear as thick party walls.

In an initial state, both the accesses and stairs, as well as the distributions were appearing chaotically untidy. All the effort of the project centers on opening the space in a longitudinal way, so that is possible to visually connect the sea and the back street. The strategy consists in arranging and condensing all the services against the party walls. Stairs, closets, kitchens, and bathrooms line up and accumulate against these walls. So the services appear as thick party walls.

 © Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

 Floor Plan 3

平面图3

 © Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

一个人所用的材料倾向于手工制品的不完美.或者我们应该说完美？粘土作为一种卑微而平常的材料。一系列不同的部分对不同的建设性需求作出了准确的反应。放置在边缘的“Termoarcilla”显示了它的状况：它既不是轴承墙，也不是声学墙。“Termoarcilla”以一种简单的方式来调节、刻画和穿衣，这是主要的空间。

The materials with which one responds tend to the imperfection of handmade things... or should we have said perfection? The clay as a humble and usual material. A range of different pieces gives a precise response to the different constructive needs. The “Termoarcilla”, placed on edge, shows its condition: it’s not a bearing wall, nor an acoustic one. “Termoarcilla” modulates, characterizes and dresses in a simpering manner, the main space. 

The materials with which one responds tend to the imperfection of handmade things... or should we have said perfection? The clay as a humble and usual material. A range of different pieces gives a precise response to the different constructive needs. The “Termoarcilla”, placed on edge, shows its condition: it’s not a bearing wall, nor an acoustic one. “Termoarcilla” modulates, characterizes and dresses in a simpering manner, the main space. 

 © Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

 © Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

瓷砖覆盖，有时是路面，有一个很宽的接缝，有时是墙，还有一个较窄的缝。釉面砖有时也能保护水面。在某些地方，瓷砖保护来自铁轨的氧化物。碎屑“colombrins”的残渣可用作粘土砾石。还有很长的等等。由于小块和不同块的堆积，以及黏土色调的轻微变化，我们认为物化缩小了规模，并设法定义了更多的家庭空间和人的空间。

The tile covers, sometimes the pavement, with a very wide joint, sometimes the walls, with a narrower joint. The glazed tile sometimes also protects the water surfaces. In some points, the tile protects of the oxide coming from the iron rails. The residue of crushed “colombrins” can be used as clay gravel. And a long etcetera. Due to the accumulation of small and different pieces, as well as the slight changes in the tone of the clay, we think that the materialization reduces the scale and manages to define a more domestic and human space.

The tile covers, sometimes the pavement, with a very wide joint, sometimes the walls, with a narrower joint. The glazed tile sometimes also protects the water surfaces. In some points, the tile protects of the oxide coming from the iron rails. The residue of crushed “colombrins” can be used as clay gravel. And a long etcetera. Due to the accumulation of small and different pieces, as well as the slight changes in the tone of the clay, we think that the materialization reduces the scale and manages to define a more domestic and human space.

 © Luis Díaz Díaz

路易斯·迪亚斯·迪亚斯

Architects TEd’A arquitectes

Location Carrer de Felicià Fuster, 37, 07006 Palma, Illes Balears, Spain

Author Architects Irene Pérez, Jaume Mayol

Area 398.5 m2

Project Year 2017

Photographs Luis Díaz Díaz

Category Interiors Architecture