架构师提供的文本描述。从技术上讲，Elering‘s(全国电力天然气传输系统运营商)办公楼是一项改造，是一项延伸。虽然一切都是新的，小部分的前结构框架来确定建筑物的位置，以及它的整体高度和宽度。它实际上是一座三倍的老建筑，一个简单的长方形，两个好奇的岛屿在办公室的中间，位于周边。前中庭已成为一个与世隔绝的内部庭院，平衡的第二个封闭和高度安全的控制中心在中间部分的延伸。

Text description provided by the architects. Technically, Elering’s (national transmission system operator for electricity and natural gas) office building is a reconstruction, an extension. Although everything is new, the small remaining part of the former structural frame came to define the building’s location as well as its overall height and width. It is actually the old building extended by three times, a simple rectangle with two curious islands in the middle of the offices located along the perimeter. The former atrium has become a secluded inner courtyard balanced by the second enclosed and highly secured control centre in the middle part of the extension.

Text description provided by the architects. Technically, Elering’s (national transmission system operator for electricity and natural gas) office building is a reconstruction, an extension. Although everything is new, the small remaining part of the former structural frame came to define the building’s location as well as its overall height and width. It is actually the old building extended by three times, a simple rectangle with two curious islands in the middle of the offices located along the perimeter. The former atrium has become a secluded inner courtyard balanced by the second enclosed and highly secured control centre in the middle part of the extension.

 © Kalle Veesaar

C.Kalle Veesaa

从街道上看，这座建筑被小心地藏在另一栋房子后面，还有一个警惕的护栏。它与城市结构没有联系，而是连接到另一个基础设施-覆盖全国的电力线网络。这是大脑对电力线结构的监控和管理，是至关重要的循环。

Viewed from the street, the building is carefully hidden behind another house and a vigilantly protective fence. It has no connection with the urban fabric, instead it links to another infrastructure – the powerline network covering the entire country. This is the brain of the powerline structure monitoring and administrating the vitally important circulation.

Viewed from the street, the building is carefully hidden behind another house and a vigilantly protective fence. It has no connection with the urban fabric, instead it links to another infrastructure – the powerline network covering the entire country. This is the brain of the powerline structure monitoring and administrating the vitally important circulation.

 Ground Floor Plan

 First Floor Plan

一层平面图

 Second Floor Plan

二层平面图

它就像一个奇怪的变电所，与在随机街角上看到的样本有着分离的相似之处。尽管它是一个载人的结构，它基本上是一个独立的世界，不可接近和内向，它不寻求与周围环境的空间接触，也不需要进一步的理由来证明它的存在。

It is like a curious electrical substation with detached resemblance to the specimens seen on random street corners. Albeit a manned structure, it is basically a separate world, unapproachable and inward-looking, that seeks no spatial contact with its surroundings and needs no further justifications for its existence.

It is like a curious electrical substation with detached resemblance to the specimens seen on random street corners. Albeit a manned structure, it is basically a separate world, unapproachable and inward-looking, that seeks no spatial contact with its surroundings and needs no further justifications for its existence.

 © Tõnu Tunnel

T nu隧道

这个体系结构被蒙蔽了，它变成了一个技术上的旁人，几乎完全撤销了它自己。因此，主体建筑的美学特征是整体性，具有深刻的技术性和严肃性，其主导要素包括在三角形中突出的稀疏垂直部分，这些三角形作为被动式元素来保护其免受阳光的照射。在他们的身后，有一个黑色单调的混凝土长方形，有一种单调乏味的窗户图案-Mustam e现代主义住宅区的超级变压器。

The architecture is masked and it becomes a technological aside almost revoking itself. Thus, the main building’s aesthetics is marked by totality with a profoundly technical and stern exterior where the dominating elements include sparse verticals protruding in triangles that function as passive elements to protect from sunlight. And behind them, there is a black and monotonous concrete rectangle with a somewhat boring pattern of identical windows – the super transformer of Mustamäe modernist residential district.

The architecture is masked and it becomes a technological aside almost revoking itself. Thus, the main building’s aesthetics is marked by totality with a profoundly technical and stern exterior where the dominating elements include sparse verticals protruding in triangles that function as passive elements to protect from sunlight. And behind them, there is a black and monotonous concrete rectangle with a somewhat boring pattern of identical windows – the super transformer of Mustamäe modernist residential district.

 © Tõnu Tunnel

T nu隧道

与之形成鲜明对比的是，室内展示了人类的规模，在那里，一个超过两层楼的娱乐区将室内庭院用遮阳植物装饰起来。连接楼层的宽阔台阶创造了一种开放的气氛，并为不确定的活动提供了空间。有木材，木材模板混凝土表面，吊灯由回收绝缘子，以及管道和电缆牢固地填充天花板。

In stark contrast, the human scale is revealed in the interior where a recreational area extending over two floors comes to frame the inner courtyard decorated with shade plants. The wide steps connecting the floors create an air of openness and provide the space for undefined activities. There is wood, timber formwork concrete surfaces, pendant lamps made of recycled insulators as well as pipes and cables firmly padding the ceilings.

In stark contrast, the human scale is revealed in the interior where a recreational area extending over two floors comes to frame the inner courtyard decorated with shade plants. The wide steps connecting the floors create an air of openness and provide the space for undefined activities. There is wood, timber formwork concrete surfaces, pendant lamps made of recycled insulators as well as pipes and cables firmly padding the ceilings.

 Longitudinal Section

外部的刚性整体也隐藏着一些半音，肋的透明度随着静止状态的角度而变化，显示出意想不到的生命力。被种植的登山者加强了时间维度，这些登山者有望接替建筑，并逐渐地将淡蓝色的绿色浸泡在绿色中。在停车场的另一边的地块的西北角，有一些自主的步行路径。看来，在这里，基础设施的分离和整体偶尔会与人类和自然因素交叉，尽管有保留，而不是寻求对话或谦卑。

The rigid totality of the exterior conceals also some semitones – the transparency of the ribbing varies by angle with the static state displaying unexpected vitality. The temporal dimension is enhanced by the planted climbers that will hopefully take over the building and gradually dip the flashy blue in green. In the north-west corner of the plot on the other side of the car park, there is a somewhat autonomous walking path. It seems that here the detachment and totality of the infrastructure occasionally intersect the human and natural elements, albeit with reservations, not seeking for dialogue or humbleness. 

The rigid totality of the exterior conceals also some semitones – the transparency of the ribbing varies by angle with the static state displaying unexpected vitality. The temporal dimension is enhanced by the planted climbers that will hopefully take over the building and gradually dip the flashy blue in green. In the north-west corner of the plot on the other side of the car park, there is a somewhat autonomous walking path. It seems that here the detachment and totality of the infrastructure occasionally intersect the human and natural elements, albeit with reservations, not seeking for dialogue or humbleness. 

 © Kalle Veesaar

C.Kalle Veesaa