架构师提供的文本描述。纳尼亚是一个幻想空间创造的想象中的土地。当生动的故事与真实的地方重叠时，纳尼亚节目盒里的史诗般的风景让人想起现实中出现的空间，就像一种幻想。正如鲍德里亚所说，也许超现实正被用作掩盖现实世界的一种策略。就像迪斯尼乐园的存在，模仿儿童，把成年人的孩子气变成幻想一样，我们梦想着在一个由超现实创造的想象世界中的不熟悉的日常生活，这感觉比现实更真实。

Text description provided by the architects. Narnia is an imaginary land created by a space of fantasy. As vivid stories overlap with actual places, the epic scenery of Narnia's program box makes one remember the space that appears in reality, as a fantasy. Like Jean Baudrillard said, perhaps hyper-reality is being used as a strategy to conceal reality in the real world. Just as Disneyland exists, imitating children, to turn adults' childishness into fantasy, we dream of unfamiliar routines in an imaginary world created by hyperreality, which feels more real than reality.

Text description provided by the architects. Narnia is an imaginary land created by a space of fantasy. As vivid stories overlap with actual places, the epic scenery of Narnia's program box makes one remember the space that appears in reality, as a fantasy. Like Jean Baudrillard said, perhaps hyper-reality is being used as a strategy to conceal reality in the real world. Just as Disneyland exists, imitating children, to turn adults' childishness into fantasy, we dream of unfamiliar routines in an imaginary world created by hyperreality, which feels more real than reality.

 © Shin Kyungsub

3.Shin Kyungsu

就像具有讲故事本能的同性恋叙事一样，人类根据自己不同的无意识模式，在同一个空间里创造不同的事件和故事。只有当我自己的记忆玷污了叙事的风景时，我才有可能创造我自己的故事，而不是编织飘过的风景如画的场景。

Like homo narrans with storytelling instincts, humans create different events and stories out of the same space, based on their own different modes of unconsciousness. And it is only possible to create my own story when my own memories stain the narrative scenery, rather than a weaving of picturesque scenes that float by.

Like homo narrans with storytelling instincts, humans create different events and stories out of the same space, based on their own different modes of unconsciousness. And it is only possible to create my own story when my own memories stain the narrative scenery, rather than a weaving of picturesque scenes that float by.

为了形成一个单一的身体，纳尼亚的房间不被分割成一个整体，而是由事件箱组成，里面有自己的风景，堆叠和纠缠在一起，形成一个风景集合，从而创造了一个地方。如果这些不同的事件程序盒能够单独强调或削弱每个特征的现实，并控制气氛，那么这个空间将作为一个选择性均衡器，用于调整和生成个人场景，如音乐。

In order to form a single body, Narnia's rooms are not divided pieces within a whole; rather, it is made up of event boxes containing scenery of their own, stacked and tangled to form a scenery collection, thus creating a place. If these various event program boxes are able to emphasize or weaken the reality of each characteristic on their own and control the ambiance, this space will serve as a selective equalizer for tuning and generating individual scenes, like music.

In order to form a single body, Narnia's rooms are not divided pieces within a whole; rather, it is made up of event boxes containing scenery of their own, stacked and tangled to form a scenery collection, thus creating a place. If these various event program boxes are able to emphasize or weaken the reality of each characteristic on their own and control the ambiance, this space will serve as a selective equalizer for tuning and generating individual scenes, like music.

 © Shin Kyungsub

3.Shin Kyungsu

现在，那些喜欢独自旅行的人可以通过一次性、偶然和不熟悉的邂逅来分享个人的社交.换句话说，现代游牧民族自己成为孤独的人，他们希望通过私人分享来建立日常关系。纳尼亚梦想的现实偏差旅行者通过重叠的“好奇的房间”。

Those who enjoy traveling solo nowadays enjoy personal social sharing through one-off, accidental and unfamiliar encounters. In other words, modern, nomadic people themselves become the loners of life, wanting to establish a daily relationship through private sharing with each other. Narnia dreams of realistic deviation of travelers through the overlapping 'curious room'.

Those who enjoy traveling solo nowadays enjoy personal social sharing through one-off, accidental and unfamiliar encounters. In other words, modern, nomadic people themselves become the loners of life, wanting to establish a daily relationship through private sharing with each other. Narnia dreams of realistic deviation of travelers through the overlapping 'curious room'.

 © Shin Kyungsub

3.Shin Kyungsu

 © Shin Kyungsub

3.Shin Kyungsu

Architects Dongjin Kim (Hongik University), L'eau design

Location Seogwipo-si, Jeju-do, South Korea

Area 860.24 m2

Photographs Shin Kyungsub

Category Restaurant