架构师提供的文本描述。这座微型谷仓位于萨格港主街的一栋宏伟的老房子后面，是一个被安置起来的修缮好的车库，它是一个艺术家工作室，也是萨格港蓬勃发展的艺术舞台的活动空间。设计在一个新的口袋鹅卵石花园与一棵陈年榆树，谷仓与它的角度滑动玻璃门和一个附加的迷你甲板允许艺术家进入自然和私人沉思，独立于附近的活动停车场。

Text description provided by the architects. A tucked-away rehabilitated garage set behind one of the grand old houses on Sag Harbor’s Main Street, the Micro-barn serves as an artists studio and events space for Sag Harbor’s burgeoning art scene. Designed to communicate on a new pocket pebble garden with an aged elm tree, the barn with its angled sliding glass doors and an attached mini deck allows artist occupants access to nature and private contemplation, separate from the active parking lot adjacent.

Text description provided by the architects. A tucked-away rehabilitated garage set behind one of the grand old houses on Sag Harbor’s Main Street, the Micro-barn serves as an artists studio and events space for Sag Harbor’s burgeoning art scene. Designed to communicate on a new pocket pebble garden with an aged elm tree, the barn with its angled sliding glass doors and an attached mini deck allows artist occupants access to nature and private contemplation, separate from the active parking lot adjacent.

 © Attic Fire

(三)阁楼火

原来的木框车库遭到了极大的忽视，即将倒塌，后来被承包商拉回正方形，重新钉在了它的地基上。一个附属的翻倒棚被拆除，但在一个新的附加外部甲板的几何感觉到以前的结构暗示，放置在相同的狗腿角度与原始结构。

The original stick-framed garage which had suffered extreme neglect and was about to collapse was first yanked back into square and re-pinned to its foundation by the contractor. An attached tumble-down shed was demolished, but a hint of that former structure is felt in the geometry of a new attached exterior deck, placed at the same dogleg angle as the original structure.

The original stick-framed garage which had suffered extreme neglect and was about to collapse was first yanked back into square and re-pinned to its foundation by the contractor. An attached tumble-down shed was demolished, but a hint of that former structure is felt in the geometry of a new attached exterior deck, placed at the same dogleg angle as the original structure.

 © Attic Fire

(三)阁楼火

 © Attic Fire

(三)阁楼火

这座微型谷仓的材料适中，成本低，但能让人联想到汉普顿地区-一种棘手的雪松板和板条灯芯绒壁板，是对聚碳酸酯屋顶和牧师的补充，用于照明室内。在袖珍花园和停车场之间，一个雪松板条屏与灯芯绒壁板交织在一起。以白漆为导向的钢绞线板作为室内画廊的墙壁.保留了车库屋顶原来的对角线结构支撑和几何形状，并在内部空间的后方创建了一个凸起的地板，以便为艺术家居住者提供一个住宅或表演区，以及设计团队未设想的其他临时和非正式用途。

The Micro-barn features modest materials of low cost but evocative of the Hamptons locale - a knotty cedar board-and-batten corduroy siding assembly complements a polycarbonate roof and clerestory, used for daylighting the interior. A cedar slat screen for privacy between the pocket garden and the parking lot interleaves with the corduroy siding. Panels of white-painted oriented strand board serve as interior gallery walls. The original diagonal structural braces and geometry of the garage roof were preserved, and a raised floor at the rear of the interior space was created to allow a domestic or performance zone for the artist occupant, as well as other temporary and informal uses not envisioned by the design team.

The Micro-barn features modest materials of low cost but evocative of the Hamptons locale - a knotty cedar board-and-batten corduroy siding assembly complements a polycarbonate roof and clerestory, used for daylighting the interior. A cedar slat screen for privacy between the pocket garden and the parking lot interleaves with the corduroy siding. Panels of white-painted oriented strand board serve as interior gallery walls. The original diagonal structural braces and geometry of the garage roof were preserved, and a raised floor at the rear of the interior space was created to allow a domestic or performance zone for the artist occupant, as well as other temporary and informal uses not envisioned by the design team.

 © Attic Fire

(三)阁楼火