架构师提供的文本描述。太阳升起，时间在进化。当传统的形式变得毫无意义时，光线和曲线定义了空间的尺度。

Text description provided by the architects. The sun rises and time evolves. Light and curve define the scale of space when the traditional form becomes meaningless.

Text description provided by the architects. The sun rises and time evolves. Light and curve define the scale of space when the traditional form becomes meaningless.

机械园总部位于临港经济开发区。这座六层楼的建筑总面积为12000平方米.它通过曲线布局和膨胀形状来拥抱入口方。有了幕墙系统，它创造了一个简单和体面的形象。光线倾泻而入，带来一种精致舒适的工作氛围。

The headquarter office of Machinery Park is located at Lingang economic development zone. The six-floor building has a total area of 12000 square meters. It embraces the entrance square by its curve layout and expanding shape. With the curtain wall system it creates an image of simplicity and decency. Light pours in to bring a delicate and comfortable working atmosphere.

The headquarter office of Machinery Park is located at Lingang economic development zone. The six-floor building has a total area of 12000 square meters. It embraces the entrance square by its curve layout and expanding shape. With the curtain wall system it creates an image of simplicity and decency. Light pours in to bring a delicate and comfortable working atmosphere.

 Modern Style three-section Facade Proportion. Image © Yijie Hu

现代风格三段式立面比例。形象：胡一杰

我们试图以特殊的形式通过光线和空间来呈现建筑。我们的灵感来自黎明的光明与黑暗的侧面之间的曲线，并被灯光的力量所吸引，以雕塑形式。

We try to present the building with a special form by light and space. We are inspired by the curve between bright and dark sides of dawn, and fascinated by the power of light to sculpture the form.

We try to present the building with a special form by light and space. We are inspired by the curve between bright and dark sides of dawn, and fascinated by the power of light to sculpture the form.

这座建筑体现了公司的开放态度。在光线流畅的情况下，曲线形式静止不动，这使得建筑作为一种抽象的变化和一种变化的体验而存在。正如“易根”所说：必要时停止，需要时也行动。要么停止，要么在正确的时间采取行动，这样我们就有了光明的未来。

The building embodies an open attitude of the company. The curve form stands still while the light is fluent, which makes the building an existence as an abstract change and an experience of variation. As  says: stop when needed and act also when needed. Either stop or act at the right time thus we have bright future.

The building embodies an open attitude of the company. The curve form stands still while the light is fluent, which makes the building an existence as an abstract change and an experience of variation. As  says: stop when needed and act also when needed. Either stop or act at the right time thus we have bright future.

 Building Under Reflection. Image © Yijie Hu

建筑在倒影下。形象：胡一杰

光是一种透明的媒介，曲线是一种形式的表达，而建筑是一个巨大的主题。我们试着把它们连接起来。

Light is a transparent media, curve is an expression of form, and building is a massive subject. We try to connect all of them.

Light is a transparent media, curve is an expression of form, and building is a massive subject. We try to connect all of them.

一楼高2米，强调建筑物的垂直规模。它与入口方由草坡连接，创造不同层次的现场体验。地面和顶层的轮廓相抵，带来了灰色空间的两条走廊，这鼓励了交流，增加了空间的趣味性。外观丰富，形成了一个经典的“三段”比例。

The ground floor is lifted 2 meters higher to emphasis the vertical scale of the building. It is connected with entrance square by grass slopes to create different layers of site experience. The outline of both ground and top floors are offset to bring two corridors of grey space, which encourages communication and increases interestingness of space. The façade is enriched to form a classic ‘three-segment’ proportion.

The ground floor is lifted 2 meters higher to emphasis the vertical scale of the building. It is connected with entrance square by grass slopes to create different layers of site experience. The outline of both ground and top floors are offset to bring two corridors of grey space, which encourages communication and increases interestingness of space. The façade is enriched to form a classic ‘three-segment’ proportion.

我们倾向于通过它的外部形式感觉自己的内部空间，要么是旁观者，要么是内部人。基本的设计语言被限制在非常简单和精致的地方。

We tend to feel the interior space by its exterior form, either as a spectator or an insider. The basic design language is limited to the very simplicity and delicacy.

We tend to feel the interior space by its exterior form, either as a spectator or an insider. The basic design language is limited to the very simplicity and delicacy.

 Lobby. Image © Yijie Hu

大厅。形象?益杰胡

形式侧重于布局和功能的核心问题，而材料则应反映建筑的特点。

Form focuses on the core issue of layout and function, while materials are supposed to reflect the characteristic of the building.

Form focuses on the core issue of layout and function, while materials are supposed to reflect the characteristic of the building.

石头是一种天然材料，每一件都有细微的差别和完整性。它以一个像样的形象作为总部办公室，创造了大楼的主题。

Stone is a natural material with both slight differences and integrality of each piece. It creates the main theme of the building with a decent image as a headquarter office.

Stone is a natural material with both slight differences and integrality of each piece. It creates the main theme of the building with a decent image as a headquarter office.

 Side of the Building. Image © Yijie Hu

大楼的一侧。形象：胡一杰

无论在黎明还是黄昏，阳光在晴天或阴天都有其不同的心情。大面积的玻璃幕墙和水平铝窗用于过滤光线，使其与灯光和阴影的理性建筑相融合。

The light has its various moods on either sunny or cloudy days, either at dawn or dusk. A large area of glass curtain wall and horizontal aluminum louvers are used to filter the light to bring romance to the rational building with light and shadow.

The light has its various moods on either sunny or cloudy days, either at dawn or dusk. A large area of glass curtain wall and horizontal aluminum louvers are used to filter the light to bring romance to the rational building with light and shadow.

 Overlook View. Image © Yijie Hu

俯瞰风景。形象：胡一杰