© Rockburger

© Rockburge

架构师提供的文本描述。1644年，在介绍水银气压计时，伊万吉斯塔·托里切利写道：“我们生活在元素空气的海底，毫无疑问的实验证明它有重量。”这可能是早期大气科学史上最具戏剧性的说法之一。不仅是，这也是一个戏剧性的建筑声明。事实上，在托里切利发现之后，我们被“淹没”在一个具有属性的元素中。最重要的是，这些特性-我们称之为气候-可以影响我们居住的方式。因此，由于今天我们可以人工控制气候，墙壁不再是建筑中唯一重要的元素。

Text description provided by the architects. In 1644, while introducing the mercury barometer, Evangelista Torricelli wrote: “We live submerged at the bottom of an ocean of the element air, which by unquestioned experiments is known to have weight.” Probably, this is one of the most dramatic statements in the early history of atmospheric science. Not only, this is a dramatic statement for architecture, too. Indeed, following Torricelli discovery, we are “submerged” in an element that has properties. Most important, these properties –that we call climatic- can influence the way we inhabit. So, since today we can artificially control the climate, the walls are no more the only important element of architecture.

Text description provided by the architects. In 1644, while introducing the mercury barometer, Evangelista Torricelli wrote: “We live submerged at the bottom of an ocean of the element air, which by unquestioned experiments is known to have weight.” Probably, this is one of the most dramatic statements in the early history of atmospheric science. Not only, this is a dramatic statement for architecture, too. Indeed, following Torricelli discovery, we are “submerged” in an element that has properties. Most important, these properties –that we call climatic- can influence the way we inhabit. So, since today we can artificially control the climate, the walls are no more the only important element of architecture.

 © Rockburger

© Rockburge

 Visual guidance

 © Rockburger

© Rockburge

但是，在气候结构中，有可能扩大学科工具的范围。气候和植物一样适合我们。今天，我们必须发展新的可持续性，我们需要开始与自然共享我们的空间，这种气候结构是我们必须掌握的。

But, in a climatic architecture, there is much more than the possibility to expand the range of disciplinary tools. Climate conditions us as well as the plants. Today, a time when we must develop a new sustainability, a time when we need to start sharing our space with nature, this climatic architecture is what we have to master.

But, in a climatic architecture, there is much more than the possibility to expand the range of disciplinary tools. Climate conditions us as well as the plants. Today, a time when we must develop a new sustainability, a time when we need to start sharing our space with nature, this climatic architecture is what we have to master.

 © Rockburger

© Rockburge

 Ground floor plan

 © Rockburger

© Rockburge

偏差是一家致力于测试和扩展建筑学科边界的架构和管理公司。统筹工作是这种目标的首要结果。实际上，这与将程序作为架构的一个组成部分的尝试相对应。直接参与气候变化，特别是考虑到当代可持续性问题。

BIAS is an architecture and curating firm devoted to test and expand the boundaries of the architectural discipline. The integration of curating was the first consequence of such objective. Indeed, this corresponded to the attempt of engaging programs as an integral part of the architecture. Engaging the climate directly follows, especially in the light of the contemporary issues of sustainability.

BIAS is an architecture and curating firm devoted to test and expand the boundaries of the architectural discipline. The integration of curating was the first consequence of such objective. Indeed, this corresponded to the attempt of engaging programs as an integral part of the architecture. Engaging the climate directly follows, especially in the light of the contemporary issues of sustainability.

 Environmental control system

 Space, Forms, Functions and Activities

空间、形式、功能和活动

在2018年桃园农业博览会的背景下，BIAS开发了一个名为““作为家的温室。””的实验架构，人类的生活空间与植物的空间交织在一起，并根据气候带组织，而不是传统的建筑领域。温室建筑材料和结构被安排在单独的气候区域，而水和能量流动的分布在技术上是管理的。

In the context of Taoyuan Agriculture Expo 2018, BIAS has developed an experimental architecture called “Greenhouse as a Home.” Here, the human living space is intertwined with that of the plants and organized according to climatic zones, rather than traditional architectural areas. Greenhouses building materials and structures are arranged to separate climatic areas, while the distribution of water and energy flows is technologically managed.

In the context of Taoyuan Agriculture Expo 2018, BIAS has developed an experimental architecture called “Greenhouse as a Home.” Here, the human living space is intertwined with that of the plants and organized according to climatic zones, rather than traditional architectural areas. Greenhouses building materials and structures are arranged to separate climatic areas, while the distribution of water and energy flows is technologically managed.

 © Rockburger

© Rockburge

此外，还开展了一项将种植和项目结合起来的研究，其结果是，人们可以体验气候、景观和活动的综合变化，同时也可以跨越“温室为家”。它们还可以对各自的相互关系形成某种意义，这对于触发和发展一种可持续性文化非常重要。

A study for to integrate planting and programs has been developed, too, and the outcome is that the people can experience an integrated variation of climate, landscape, and activities, while they cross “Greenhouse as home.” They can also develop some sense for the respective interdependences, that is important for to trigger and develop a culture of sustainability.

A study for to integrate planting and programs has been developed, too, and the outcome is that the people can experience an integrated variation of climate, landscape, and activities, while they cross “Greenhouse as home.” They can also develop some sense for the respective interdependences, that is important for to trigger and develop a culture of sustainability.

 Elements of construction

施工要素

第一个区域是阴暗的，潮湿的，新鲜的。这里住着挂在钢网架上的蕨类植物。这种组合创造了模糊不清的墙壁和森林般的空间体验，引入了“温室为家”的概念。第二个区域仍然潮湿，但风很大，是主要活动区域的所在地。在这里，一张大桌子使集体就餐成为可能。第三个区域气候稳定，由一个垂直的水培农场和厨房共同占用。在这里，每天采摘新鲜蔬菜，然后为游客的利益实时烹饪。第四个区域更热、更干燥，可以像传统的四合院那样为蔬菜烘干，但也能让游客晒日光浴。第五个也是最后一个区域终于又热，又湿，又黑。它有一个真菌农场和一个感官剧院，在那里游客可以享受光和声音的表演。

The first zone is shadowy, humid, and fresh. It is inhabited by ferns hanged in a steel grid structure. This assemblage creates ambiguous walls and a forest-like spatial experience that introduces to “Greenhouse as home.”  The second zone is still humid but windy and hosts the main activity area. Here, a large table enables the collective dining. The third zone is climatically stabilized and occupied by a vertical hydroponic farm together with the kitchen. Here, fresh vegetables are picked every day and then cooked in real time for the benefit of the visitors. The fourth zone is hotter and drier, and serves to desiccate vegetable as in traditional courtyard houses, but enables the visitors to sunbath, too. The fifth and last zone is finally hot, humid, and dark. It hosts a fungus farm together with a sensorial theatre where the visitors can enjoy light and sound performances.

The first zone is shadowy, humid, and fresh. It is inhabited by ferns hanged in a steel grid structure. This assemblage creates ambiguous walls and a forest-like spatial experience that introduces to “Greenhouse as home.”  The second zone is still humid but windy and hosts the main activity area. Here, a large table enables the collective dining. The third zone is climatically stabilized and occupied by a vertical hydroponic farm together with the kitchen. Here, fresh vegetables are picked every day and then cooked in real time for the benefit of the visitors. The fourth zone is hotter and drier, and serves to desiccate vegetable as in traditional courtyard houses, but enables the visitors to sunbath, too. The fifth and last zone is finally hot, humid, and dark. It hosts a fungus farm together with a sensorial theatre where the visitors can enjoy light and sound performances.

 © James Teng

(C)邓文雄(James Teng)

Architects BIAS Architects

Location Xinwu District, Taoyuan City, Taiwan

Lead Architects Hanju Chen, Tammy Liou and Alessandro Martinelli

Area 336.0 m2

Project Year 2018

Photographs Rockburger, James Teng

Category Installation

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