© Oliver Mint

(奥利弗薄荷)

架构师提供的文本描述。由纽约市的汞合金工作室完成的第一个地面住宅项目。这座占地5，000平方英尺(465平方米)的四卧室石材家庭住宅，被认为是一座现代化的谷仓，坐落在位于哈德逊谷烹饪和艺术复兴中心莱茵贝克镇附近的一处120英亩的乡村地产的山坡上。

Text description provided by the architects. The first ground-up residential project completed by emerging New York City-based Amalgam Studio. Conceived as a modern barn, the 5,000 sq ft (465 sqm), four-bedroom family residence of stone and wood, sits atop a hillside on a rural, 120-acre property located near the town of Rhinebeck, epicenter of the Hudson Valley’s culinary and artistic renaissance.

Text description provided by the architects. The first ground-up residential project completed by emerging New York City-based Amalgam Studio. Conceived as a modern barn, the 5,000 sq ft (465 sqm), four-bedroom family residence of stone and wood, sits atop a hillside on a rural, 120-acre property located near the town of Rhinebeck, epicenter of the Hudson Valley’s culinary and artistic renaissance.

 © Oliver Mint

(奥利弗薄荷)

“我们都喜欢住在谷仓里的想法。我们喜欢谷仓的慷慨的内部空间，外露的结构，所有的木材。但我们不喜欢缺少光，绝缘，舒适。或者是泥土！”说，家庭的建筑师本·阿尔伯里(BenAlbury)是汞合金工作室的创始人。

“We all love the idea of living in a barn. We love the barn’s generous interior space, the exposed structure, all that wood. But we don’t love the lack of light, insulation, comfort. Or the dirt!” says the home’s architect Ben Albury, Founder of Amalgam Studio.

“We all love the idea of living in a barn. We love the barn’s generous interior space, the exposed structure, all that wood. But we don’t love the lack of light, insulation, comfort. Or the dirt!” says the home’s architect Ben Albury, Founder of Amalgam Studio.

 © Oliver Mint

(奥利弗薄荷)

当地谷仓的形状-它的简单和诚实的结构，它的形式，和物质-推动了设计过程。研究导致了当地谷仓原型的丰富历史，从17世纪中叶的荷兰谷仓到英国或三湾，然后在19世纪最常见的乡村建筑新英格兰，恰如其分地命名为新英格兰。

The local barn shape - its simplicity and honesty in structure, its form, and materiality - drove the design process. Research led to a rich history of local barn archetypes, from the mid 17th Century Dutch Barn, through to the English or Three-Bay, then culminating in the most common building in rural 19th Century New England, aptly-named the New England.

The local barn shape - its simplicity and honesty in structure, its form, and materiality - drove the design process. Research led to a rich history of local barn archetypes, from the mid 17th Century Dutch Barn, through to the English or Three-Bay, then culminating in the most common building in rural 19th Century New England, aptly-named the New England.

对这些原型的调查表明，住宅设计包括：坚固的山墙形式，大教堂天花板，有阁楼空间，大滑动门，木质内外部，裸露的硬木结构框架，和-一个石头地下室。

The investigation into these archetypes suggested a house design comprising: - a strong gable form, - cathedral ceilings, with loft spaces, - large sliding doors, - wooden interior and exterior, - an exposed hardwood structural frame, and - a stone basement.

The investigation into these archetypes suggested a house design comprising: - a strong gable form, - cathedral ceilings, with loft spaces, - large sliding doors, - wooden interior and exterior, - an exposed hardwood structural frame, and - a stone basement.

就像该地区传统的公共谷仓饲养活动一样，双高的弯曲框架被抬高并固定在适当的位置，整个木结构在1天内完成。为了更新21世纪的谷仓标准，房屋采用超绝缘、密闭膜、壁上热回收通风装置和三层玻璃，以确保舒适的室内环境，全年保持新鲜空气。“从一开始，客户就想要一套舒适的房子。我认为，如果我不看，并最终遵循被动的房屋标准，那将是不负责任的。“阿尔伯里说。

Much like the traditional communal barn-raising events of the region, the double-height Bent Frames were raised and bolted into place, with the entire timber structure completed in 1 day. To update the barn for 21 century standards the house uses super-insulation, airtight membranes, in-wall heat-recovery ventilation units, and triple glazing to ensure a comfortable interior environment, with continuous fresh air, year round. “From the very beginning, the clients wanted a comfortable house. I believe it would have been irresponsible for me not to look at, and ultimately follow Passive House Standards,” said Albury.

Much like the traditional communal barn-raising events of the region, the double-height Bent Frames were raised and bolted into place, with the entire timber structure completed in 1 day. To update the barn for 21 century standards the house uses super-insulation, airtight membranes, in-wall heat-recovery ventilation units, and triple glazing to ensure a comfortable interior environment, with continuous fresh air, year round. “From the very beginning, the clients wanted a comfortable house. I believe it would have been irresponsible for me not to look at, and ultimately follow Passive House Standards,” said Albury.

 © Oliver Mint

(奥利弗薄荷)

 Exploded Axonometric

爆炸轴测

 © Oliver Mint

(奥利弗薄荷)

可操作的窗户和门被定位以鼓励交叉通风。加热可以设置有壁炉和木制炉子，或节能的多分裂热泵空调系统。所有的器具都是电的。照明是LED。采光是由多个天窗收获的。“据我所知，家庭是北美最长的三层玻璃被动住宅认证的住宅天窗，”笔记Albury。在冬季风暴期间，遮阳装置倾斜向上，以便在夏季和关闭时提供遮荫，以充当飓风百叶窗。

Operable windows and doors are positioned to encourage cross-ventilation. Heating can be provided with fireplaces and wood stoves, or energy-efficient multi-split heat-pump air-conditioning systems. All appliances are electric. Lighting is LED. Daylighting is harvested by multiple skylights.  “As far as I’m aware the home features the longest triple-glazed Passive House Certified residential skylight in North America,” notes Albury. Sunshading devices tilt up to provide shade to the south-facing deck in summer and close down to act as hurricane shutters during winter storms.

Operable windows and doors are positioned to encourage cross-ventilation. Heating can be provided with fireplaces and wood stoves, or energy-efficient multi-split heat-pump air-conditioning systems. All appliances are electric. Lighting is LED. Daylighting is harvested by multiple skylights.  “As far as I’m aware the home features the longest triple-glazed Passive House Certified residential skylight in North America,” notes Albury. Sunshading devices tilt up to provide shade to the south-facing deck in summer and close down to act as hurricane shutters during winter storms.

 © Oliver Mint

(奥利弗薄荷)

120英亩土地上特有的树种告诉室内材料的选择：白橡木作地板和衬里，胡桃作橱柜，山核桃为特色虚荣单位。当地的花岗岩，石板和家用采石板分别指导了烟囱壁炉、潮湿地区和地下室砌体的选择。整个房子都是木材覆盖的，包括屋顶，使用了一个独特的、创新的夹子系统来固定屋顶的接缝，这在北美是第一次。

Endemic tree species on the 120-acre property informed interior material selections: white oak for flooring and lining, walnut for cabinetry, hickory for feature vanity units. Local granite, slate and domestic quarried stone guided choices for the chimney hearth, wet areas, and basement masonry respectively.  The entire house is wood-clad, including the roof, by using a unique, innovative clip system to the standing seams of roof sheeting, a first in North America.

Endemic tree species on the 120-acre property informed interior material selections: white oak for flooring and lining, walnut for cabinetry, hickory for feature vanity units. Local granite, slate and domestic quarried stone guided choices for the chimney hearth, wet areas, and basement masonry respectively.  The entire house is wood-clad, including the roof, by using a unique, innovative clip system to the standing seams of roof sheeting, a first in North America.

 © Oliver Mint

(奥利弗薄荷)

 Ground Floor Plan

 © Oliver Mint

(奥利弗薄荷)

The family residence celebrates the ever-changing seasonal landscape, designed to exploit natural light throughout. The fully glazed entrance aligns with mid-distant pine trees. Its skylight and central stair of floating threads split the home between its public living and private bedroom areas. Private areas have variously controlled, framed views out to distant hills, a winding river, nearby woodlands, and across wildflower meadows. Living areas utilize large sliding glass doors onto decks delivering more expansive, 180-degree vistas. Upstairs is a bright, white, multi-purpose loft space, complete with skylights placed deliberately for optimal stargazing. “Ultimately, it’s a house that plays with light,” explains Albury. 

The family residence celebrates the ever-changing seasonal landscape, designed to exploit natural light throughout. The fully glazed entrance aligns with mid-distant pine trees. Its skylight and central stair of floating threads split the home between its public living and private bedroom areas. Private areas have variously controlled, framed views out to distant hills, a winding river, nearby woodlands, and across wildflower meadows. Living areas utilize large sliding glass doors onto decks delivering more expansive, 180-degree vistas. Upstairs is a bright, white, multi-purpose loft space, complete with skylights placed deliberately for optimal stargazing. “Ultimately, it’s a house that plays with light,” explains Albury. 

Architects Amalgam Studio

Location Columbia County, United States

Design Team Ben Albury (Project Leader), Lucas Leja, Vi Huynh, Nikki Drewett, Mostafa Osman

Area 5000.0 ft2

Project Year 2018

Photographs Oliver Mint

Category Renovation

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