© Javier Callejas

.Javier Callejas

建筑师提供的文字说明。如何面对一座房子的建造，小的一块土地被包围在墙之间，他们的唯一的栅栏面对着北方？这是一个项目的起点，由于其复杂的答案，该项目是以简单的房地为基础的。这个项目是通过与传统对话而开始的：建立一个具有当代风格和语言的庭院住宅的想法。这种类型的外壳的中心性允许空间和光的渗透性，给出与图的原始尺寸形成对比的振幅的感觉。庭院通过选择的材料、混凝土和芦苇来获得其当代的特性，这些材料、混凝土和芦苇使用光线来筛选它们的纹理和重要性。

Text description provided by the architects. How to face the construction of a home with a small plot of land enclosed between walls, whose only façade faces north? This is the starting point of a project which, due to its complex answer, is based on simple premises. The project begins by dialoguing with tradition: The idea of building a courtyard house with contemporary style and language arises. The centrality of this type of housing allows the permeability of space and light, giving a feeling of amplitude that contrasts with the original size of the plot. The courtyard acquires its contemporary nature thanks to the chosen materials, concrete and reed, which use light to sift their textures and materiality.

Text description provided by the architects. How to face the construction of a home with a small plot of land enclosed between walls, whose only façade faces north? This is the starting point of a project which, due to its complex answer, is based on simple premises. The project begins by dialoguing with tradition: The idea of building a courtyard house with contemporary style and language arises. The centrality of this type of housing allows the permeability of space and light, giving a feeling of amplitude that contrasts with the original size of the plot. The courtyard acquires its contemporary nature thanks to the chosen materials, concrete and reed, which use light to sift their textures and materiality.

 © Javier Callejas

.Javier Callejas

 © Javier Callejas

.Javier Callejas

房子被埋在土地上，它变成了一个大体积，用来容纳土地。此容器主体拥有两个可独立运行的程序。

The house is embedded in the land, and it becomes a large volume that serves to contain the land. This body of containment holds two programs that can function independently.

The house is embedded in the land, and it becomes a large volume that serves to contain the land. This body of containment holds two programs that can function independently.

 © Javier Callejas

.Javier Callejas

一方面，主要的住房方案是在项目的第一层、第二层和第三层制定的。楼梯和庭院成为这些空间的主角。内部空隙产生的正面是穿孔在多个点，以让光线通过，而这些房间失去了他们的亲密关系与街道。楼梯作为不同空间的雕塑和脊椎动物元素出现。因此，庭院和楼梯在空间和感知上将房子连接起来。

On the one hand, there is the main housing programme, which is developed on the first, second and third floors of the project. The stairs and the courtyard become the protagonists of these spaces. The interior void generates facades that are perforated in multiple points to let the light through, without these rooms losing their intimacy to the street. The staircase appears as a sculptural and vertebrating element of the different spaces. Thus, courtyard and staircase link the house spatially and perceptually.

On the one hand, there is the main housing programme, which is developed on the first, second and third floors of the project. The stairs and the courtyard become the protagonists of these spaces. The interior void generates facades that are perforated in multiple points to let the light through, without these rooms losing their intimacy to the street. The staircase appears as a sculptural and vertebrating element of the different spaces. Thus, courtyard and staircase link the house spatially and perceptually.

 © Javier Callejas

.Javier Callejas

另一方面，有一卷书更多地与构造联系在一起，与半影提供的避难所联系在一起。这卷书的目的是为了存储在房子的区域，以及入口大厅和客栈。这两个部分之间的对比是显而易见的方式，从天花板发芽，这是过滤由于双高度天窗。这所房子可以住在地下室，而不知道其中一间是在地下室里，当房客们享受他们的露台屋时，客人们享受着另一所房子，就像格拉纳丁山洞屋一样。

On the other hand, there is a volume which is more tied to tectonic, to the shelter offered by penumbra. This volume is intended for the storage areas in the house, as well as for the entrance hall and guest home. The contrast between the two parts is evident by the way the light from the ceilings sprouts, which is filtered thanks to the double height skylights. The house makes possible to inhabit a basement without being aware that one is in one, and while the tenants enjoy their patio house, the guests enjoy another house as Granadine as the cave house.

On the other hand, there is a volume which is more tied to tectonic, to the shelter offered by penumbra. This volume is intended for the storage areas in the house, as well as for the entrance hall and guest home. The contrast between the two parts is evident by the way the light from the ceilings sprouts, which is filtered thanks to the double height skylights. The house makes possible to inhabit a basement without being aware that one is in one, and while the tenants enjoy their patio house, the guests enjoy another house as Granadine as the cave house.

 © Javier Callejas

.Javier Callejas

利用经济手段，可以在85m2的这一地块中执行两个房屋，并且首先表现出这种不利的特征。

With economic means, it is possible to execute two houses in this plot of 85m2 and that at first showed such unfavourable characteristics.

With economic means, it is possible to execute two houses in this plot of 85m2 and that at first showed such unfavourable characteristics.

 © Javier Callejas

.Javier Callejas

房子的空间与他们的诚实形成鲜明对比。这种结构以平面的形式出现，产生主要的表面来形成这座房子的空间。与这种石质材料不同，芦苇被用来制造必要的辅助面-向外开口的格子和虚假的天花板面最后，地板是用一种高贵的材料，如木材。混凝土，与木头和芦苇形成对比。人工和自然的结合，当光线从天窗发出时，哪一个特征被强化，在这个时刻，出现语法和纹理的游戏，阴影线。

The spaces of the house contrast for their honesty. The structure appears in the form of planes, generating the main surfaces that serve to form the spaces of this house. In contrast to this stony material, the reed is used to create the necessary auxiliary planes -lattices in openings to the outside and false ceiling planes-. Finally, the floor is made with a noble material such as wood. Concrete, in contrast to wood and reed. The combination of artificial versus natural and which character is reinforced when the light emanates from the skylights, a moment in which games of grammages and textures appear, of shadow lines.

The spaces of the house contrast for their honesty. The structure appears in the form of planes, generating the main surfaces that serve to form the spaces of this house. In contrast to this stony material, the reed is used to create the necessary auxiliary planes -lattices in openings to the outside and false ceiling planes-. Finally, the floor is made with a noble material such as wood. Concrete, in contrast to wood and reed. The combination of artificial versus natural and which character is reinforced when the light emanates from the skylights, a moment in which games of grammages and textures appear, of shadow lines.

 © Javier Callejas

.Javier Callejas

最后，瓜尼翁是一座有着温暖的物质决定和南方光芒的空间的房子。

In the end, the Guarnón is a house with spaces sheltered by the warmth of material decisions, together with the light of the south.

In the end, the Guarnón is a house with spaces sheltered by the warmth of material decisions, together with the light of the south.

 © Javier Callejas

.Javier Callejas

Architects Fresneda & Zamora Arquitectura

Location Granada, Spain

Architects in Charge Antonio Luís García-Fresneda Hernández, Juan Manuel Zamora Malagón

Area 3539.17 ft2

Project Year 2017

Photographs Javier Callejas

Category Houses

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