House in the Air TechnoArchitecture

2018-09-21 20:00

 © Shamanth Patil

萨曼斯·帕蒂尔

架构师提供的文本描述。这份简报要求在位于南班加罗尔的2400平方英尺的土地上为一个四口之家建造一所房子。客户渴望一个现代设计，标志性的房子，在当地，不仅是一个居住单位，而且工作和娱乐区在不同的层次。

Text description provided by the architects. The brief required a House for a family of four on a 2,400 square feet site, located in South Bangalore. The clients aspired for a Contemporary design, iconic house in the locality that housed not only a living unit but also work and entertainment zones on different levels.

Text description provided by the architects. The brief required a House for a family of four on a 2,400 square feet site, located in South Bangalore. The clients aspired for a Contemporary design, iconic house in the locality that housed not only a living unit but also work and entertainment zones on different levels.

 © Shamanth Patil

萨曼斯·帕蒂尔

同时，他们想要景观的想法，可以相互作用的所有空间内部和外部。客户倾向于一种巧妙的现代主义词汇，这种词汇将宜居空间与景观融为一体。与客户密切合作-一个简短的出现，试图仔细创建一个当代的房子，一个更流畅的空间安排，而不仅仅是一个功能设计。

At the same time they wanted Landscape ideas that could interact between all spaces internally and externally. The client’s penchant was towards a slick modernist vocabulary that amalgamated the habitable spaces with the landscape. Working closely with the client – a brief emerged which sought to carefully create a Contemporary house, with a more fluid arrangement of spaces, rather than just a functional design.

At the same time they wanted Landscape ideas that could interact between all spaces internally and externally. The client’s penchant was towards a slick modernist vocabulary that amalgamated the habitable spaces with the landscape. Working closely with the client – a brief emerged which sought to carefully create a Contemporary house, with a more fluid arrangement of spaces, rather than just a functional design.

第一步是建筑受到遮荫条件的影响，使用盛行的风(东北)，提升2.4米的空间是重新思考更好的客户空间发展的关键。意识到这种情况几乎揭示了自己，我们想到的房子，不再是一个自我的工具，我们实际上画在一个神圣的箱子里，他们将保持他们的笑声，哭泣，欲望，梦想和更美好的未来的愿望。

The first move was the architecture is subjected to the shade conditions to the use of prevailing wind (North-East).Elevating the space at +2.4 meters was the key to re-think a better space for the integral development of the client. Aware of this situation almost revealing in itself, we think of a house that is no longer an instrument of ego, we actually draw in a sacred chest where they will keep their laughs, cries, desires, dreams and aspirations of an even better future.

The first move was the architecture is subjected to the shade conditions to the use of prevailing wind (North-East).Elevating the space at +2.4 meters was the key to re-think a better space for the integral development of the client. Aware of this situation almost revealing in itself, we think of a house that is no longer an instrument of ego, we actually draw in a sacred chest where they will keep their laughs, cries, desires, dreams and aspirations of an even better future.

 © Shamanth Patil

萨曼斯·帕蒂尔

底层主要由公共和半公共活动组成，可俯瞰通向街道的公共景观区。内部和外部空间在同一平台上无缝地融合在一起。私人房间位于上层，可以看到前景观花园，位于入口台阶上，悬臂式结构支撑，因此是名称“空气中的房子”。

The ground floor essentially consists of public and semi-public activities which overlooks into a common landscape area which overhangs towards the street. The interior and the exterior spaces blend seamlessly into each other on the same platform. The private room are placed in the upper levels with ample view of the front landscape garden, positioned right on the entry steps, cantilevered structural support and hence the name “HOUSE IN THE AIR”.

The ground floor essentially consists of public and semi-public activities which overlooks into a common landscape area which overhangs towards the street. The interior and the exterior spaces blend seamlessly into each other on the same platform. The private room are placed in the upper levels with ample view of the front landscape garden, positioned right on the entry steps, cantilevered structural support and hence the name “HOUSE IN THE AIR”.

 © Shamanth Patil

萨曼斯·帕蒂尔

自然光穿过家庭，有战略定位的天窗。家庭的主要特征之一是抛物线型弯曲楼梯，其将上层与露台区域的娱乐区域连接，进而可以俯瞰双重高度的客厅。此卷微妙地改变了空间的形状和深度。

Natural light floods through the home with strategically positioned skylights. One of the key features of the Home is the parabolic curved staircase which connects the upper levels with the entertainment zone in the terrace area, in turn overlooking the double height living room. This volume subtly changes the shape and depth of the space.

Natural light floods through the home with strategically positioned skylights. One of the key features of the Home is the parabolic curved staircase which connects the upper levels with the entertainment zone in the terrace area, in turn overlooking the double height living room. This volume subtly changes the shape and depth of the space.

 © Shamanth Patil

萨曼斯·帕蒂尔

该建筑要求气候和美学对其背景，同时也是可持续的反应。这座建筑将雨水全部吸收到采收坑中。建筑的特点，如木材覆层，巨大的悬垂和悬臂不仅增加了设计词汇，但有助于减少热量的建筑物。

The architecture has required to respond climatically and aesthetically to its context and at the same time to be sustainable. The building captures all the rain water into the harvesting pit. Architectural features such as the timber cladding, huge overhangs and cantilevers not only add to the design vocabulary but assists in reducing the heat gain into the building.

The architecture has required to respond climatically and aesthetically to its context and at the same time to be sustainable. The building captures all the rain water into the harvesting pit. Architectural features such as the timber cladding, huge overhangs and cantilevers not only add to the design vocabulary but assists in reducing the heat gain into the building.