结构工程Eduardo Duprat钢结构Eduardo Duprat MEP Eduardo Duprat Climatation Logitech自动化噪声顾问SC咨询Constructor-第一阶段Rogério Perez ConStrutor-第二阶段SC咨询更多规格更少的规格

Structure Engineering Eduardo Duprat Steel Structure Eduardo Duprat MEP Eduardo Duprat Climatation Logitech Automatization Noise Consultant Sc Consult Constructor - Phase 1 Rogério Perez Construtor - Phase 2 Sc Consult More Specs Less Specs

Structure Engineering Eduardo Duprat Steel Structure Eduardo Duprat MEP Eduardo Duprat Climatation Logitech Automatization Noise Consultant Sc Consult Constructor - Phase 1 Rogério Perez Construtor - Phase 2 Sc Consult More Specs Less Specs

 © Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。晚上十点。很热。我利用这难得的平静和孤独的时刻来画这座新房子。从收音机里，我将在十秒钟后关掉，这是关于最后一次绑架和囚犯叛乱。我读了第一次客户会议的笔记，几个广告商。

Text description provided by the architects. Ten o'clock at night. Very hot. I take this rare moment of calm and solitude to draw the new house. From the radio, which I'll turn off in ten seconds, it's about the last kidnapping and a prisoner rebellion. I read my notes from the first customer meeting, a couple of advertisers.

Text description provided by the architects. Ten o'clock at night. Very hot. I take this rare moment of calm and solitude to draw the new house. From the radio, which I'll turn off in ten seconds, it's about the last kidnapping and a prisoner rebellion. I read my notes from the first customer meeting, a couple of advertisers.

 © Fernando Guerra | FG+SG

费尔南多·格拉

 Planta - Térreo

普朗塔-Térreo

 © Fernando Guerra | FG+SG

费尔南多·格拉

我们谈到了客厅里的一个巨大的图书馆，有双层门厅，通往花园的巨大窗户，一个3x30米长的游泳池，一个带有橙色中央计数器的厨房，两个由巨大天顶照亮的对称大理石楼梯，一个工作室，精确的细节，以不同的方式与外部相关联的空间，白色的纹理，60年代的艾罗·奥尔尼奥的扶手椅“球”，极简主义，电子音乐，斯托克豪森，凯奇，“Visionaire”杂志的最后一期，一本意大利面条的食谱，最后一本是雅克·塔蒂的“Meu Tio”。

We talked about a huge library in the living room with double foyers, huge windows that open out onto the garden, a 3 x 30m pool, a kitchen with an orange central counter, two symmetrical marble stairs illuminated by a huge zenith, a work studio, precise detailing, spaces with elegant and unusual proportions always relating to the exterior in a different way, white textures, the armchair "Ball" by Eero Aarnio, the 60s, minimalism, electronic music, Stockhausen, Cage, the last issue of the magazine Visionaire, recipe of a spaghetti al mare and finally, "Meu Tio" by Jacques Tati.

We talked about a huge library in the living room with double foyers, huge windows that open out onto the garden, a 3 x 30m pool, a kitchen with an orange central counter, two symmetrical marble stairs illuminated by a huge zenith, a work studio, precise detailing, spaces with elegant and unusual proportions always relating to the exterior in a different way, white textures, the armchair "Ball" by Eero Aarnio, the 60s, minimalism, electronic music, Stockhausen, Cage, the last issue of the magazine Visionaire, recipe of a spaghetti al mare and finally, "Meu Tio" by Jacques Tati.

 © Fernando Guerra | FG+SG

费尔南多·格拉

我想到一个巨大的，单卷包装的东西：一个白色的盒子。在圣保罗，我们不需要考虑建筑整合，一切都是混乱的，绝对的混乱。在这座世界上最丑陋的城市里，充满活力、被崇拜和厌恶的城市，所有被设计的东西都将完全融入这座城市。啊，是的，我不能忘记有一堵巨大的墙保护着房子，用的是天然木材(也许是亚马逊河的最后一棵树)，它一定会被完全粉刷，最后一次接触到与周围环境的完美和谐。

I think of a huge, single volume packing everything: a white box. In São Paulo, we do not need to think about architectural integration, everything is chaos, absolute chaos. In this city, the ugliest in the world, which overflows energy, vibrant like no other, adored and detested, everything that is designed will be fully integrated into the city. Ah, yes, I can not forget a huge wall protecting the house, clad in natural wood (perhaps the last tree of the Amazon), and that will certainly be totally painted, giving a final touch to the perfect harmony with the surroundings.

I think of a huge, single volume packing everything: a white box. In São Paulo, we do not need to think about architectural integration, everything is chaos, absolute chaos. In this city, the ugliest in the world, which overflows energy, vibrant like no other, adored and detested, everything that is designed will be fully integrated into the city. Ah, yes, I can not forget a huge wall protecting the house, clad in natural wood (perhaps the last tree of the Amazon), and that will certainly be totally painted, giving a final touch to the perfect harmony with the surroundings.

 © Fernando Guerra | FG+SG

费尔南多·格拉

*这是建筑师提交的文本的编辑版本。你可以在这里读到原版。

* This is an edited version of the text submitted by the architect. The original version you can read here.

* This is an edited version of the text submitted by the architect. The original version you can read here.

Architects Lair Reis, Studio Mk27 - Marcio Kogan

Location São Paulo, Brazil

Team Anna Helena Villela, Beatriz Meyer, Carlos Costa, Laura Guedes, Luciana Antunes, Mariana Simas, Oswaldo Pessano

Interiors Claudia Issa

Area 827.0 m2

Project Year 2016

Photographs Fernando Guerra | FG+SG

Category Houses Interiors

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