© Shannon McGrath

(c)ShannonMcGrath

架构师提供的文本描述。该项目位于南雅拉的福克纳街以北，面积略高于500平方米，是对现有双正面维多利亚式房屋的改造，是对90年代初双层扩建工程的改造。新的工程是包含在现有的房子外壳与微妙的变化，它的前面和一个完整的重新配置其后方。

Text description provided by the architects. Sited to the north of Fawkner Street in South Yarra on a block just over 500 m2, this project is a renovation of the existing double fronted Victorian house and a reworking of the early nineties double story extension. The new works are contained within the shell of the existing house with subtle changes to its front and a complete re-configuration of its rear.

Text description provided by the architects. Sited to the north of Fawkner Street in South Yarra on a block just over 500 m2, this project is a renovation of the existing double fronted Victorian house and a reworking of the early nineties double story extension. The new works are contained within the shell of the existing house with subtle changes to its front and a complete re-configuration of its rear.

 © Shannon McGrath

(c)ShannonMcGrath

这个项目是围绕着微妙的循环控制设计的，无论是水平的还是垂直的，都是为了创造一个不断变化的视角。这吸引居住者从一个空间到下一个空间，同时留下剩余的目的地空间平静和锚定空间漩涡池在计划内。该项目是该办公室最近几个项目之一，这些项目以流通为主要理念，推动了对日本传统建筑的讨论，特别是与京都的Katsura帝国别墅(Katsura Court Villa)的讨论。

This project is designed around the delicate control of circulation, both horizontal and vertical to create an ever-changing unfolding of view. This entices the occupant from one space to the next whilst leaving the residual destination spaces calm and anchored as spatial eddy pools within the plan. This project is one of several recent projects within the office that have engaged with circulation as the primary idea, fuelled by discussions about traditional Japanese architecture, particularly with Katsura Imperial Villa, Kyoto.

This project is designed around the delicate control of circulation, both horizontal and vertical to create an ever-changing unfolding of view. This entices the occupant from one space to the next whilst leaving the residual destination spaces calm and anchored as spatial eddy pools within the plan. This project is one of several recent projects within the office that have engaged with circulation as the primary idea, fuelled by discussions about traditional Japanese architecture, particularly with Katsura Imperial Villa, Kyoto.

 © Shannon McGrath

(c)ShannonMcGrath

 Ground Floor Plan

 © Shannon McGrath

(c)ShannonMcGrath

然后，开放的视野被故意拒绝，以邀请观众寻找和发现，这是超越。这些讨论是由一个占主导地位的现有轴心(原房子的走廊)的难题引起的，它直接将视线从前门引向后院。喷砂玻璃板墙，一个发光的面板，遮住了这个轴向视图，使横向的生活空间变得安静和容纳，由他们提供的内部和外部的意见反过来框架。

Open vistas are then deliberately denied to invite the viewer to seek out and discover that which lies beyond. These discussions prompted by the conundrum of a dominant existing axis (the hallway of the original house) direct the view straight from the front door to backyard. The sandblasted glass plank wall, a glowing panel, arrests this axial view, allows the transverse living spaces to become restful and contained, framed in turn by the views they offer both internally and externally.

Open vistas are then deliberately denied to invite the viewer to seek out and discover that which lies beyond. These discussions prompted by the conundrum of a dominant existing axis (the hallway of the original house) direct the view straight from the front door to backyard. The sandblasted glass plank wall, a glowing panel, arrests this axial view, allows the transverse living spaces to become restful and contained, framed in turn by the views they offer both internally and externally.

 © Shannon McGrath

(c)ShannonMcGrath

同样的手势也是垂直探索的，上面中央空隙上的桥梁除了滑动地看到远处的天窗外，还拒绝了所有其他的东西，从而哄住了住在上面的人。在这里，沿着中央空隙开放的循环连接着卧室、浴室和儿童游乐区。因此，空隙创建了一系列平面视觉阈值，包括水平和垂直的框架视图，在空间内部和向上观看，后退的透视图在另一个视图中捕获另一个视图中的另一个视图。

Similar gestures are explored vertically where the bridges across the central void upstairs deny all but slithers of view of the skylights far above, coaxing the occupant to the upper level. Here, open circulation along and over the central void connects bedrooms, bathrooms, and children’s play area. The void hence creates a series of planar visual thresholds both horizontally and vertically that frame views internally looking across the space and upward, the receding perspective capturing one view within another view within another.

Similar gestures are explored vertically where the bridges across the central void upstairs deny all but slithers of view of the skylights far above, coaxing the occupant to the upper level. Here, open circulation along and over the central void connects bedrooms, bathrooms, and children’s play area. The void hence creates a series of planar visual thresholds both horizontally and vertically that frame views internally looking across the space and upward, the receding perspective capturing one view within another view within another.

 © Shannon McGrath

(c)ShannonMcGrath

Architects Workshop Architecture

Location South Yarra, Australia

Lead Architect James Staughton

Assistant Architects Peter Knight & Aaron Hall

Area 270.0 m2

Project Year 2017

Photographs Shannon McGrath

Category Renovation

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