架构师提供的文本描述。北校区的礼堂最初是用作演讲厅。改造的目的是扩大空间，提高设备的质量，这些设备将用于主办国际会议，并作为学生活动中心。在传统观念中，礼堂象征着荣誉感和秩序感，呈现出内向和程式化的稳定性。然而，基于当前高校开放灵活的教学氛围，我们将礼堂定义为校园公共空间的一部分，使其成为校园活动、学术交流、集会等多种互动场所。

Text description provided by the architects. Auditorium in North Campus was originally used as a lecture hall. The renovation is designed to expand the space and improve the quality of the equipment, which will be used to host international conferences, and to serve as the student activity center. In the traditional concept, auditorium symbolizes sense of honor and order, which presents introverted and stylized stability. However, based on the current open and flexible teaching atmosphere of college, we define the auditorium as a part of the public space of the campus, and make it a diversified interactive place for campus activities, academic exchanges, assemblies and so on.

Text description provided by the architects. Auditorium in North Campus was originally used as a lecture hall. The renovation is designed to expand the space and improve the quality of the equipment, which will be used to host international conferences, and to serve as the student activity center. In the traditional concept, auditorium symbolizes sense of honor and order, which presents introverted and stylized stability. However, based on the current open and flexible teaching atmosphere of college, we define the auditorium as a part of the public space of the campus, and make it a diversified interactive place for campus activities, academic exchanges, assemblies and so on.

 © Weiqi Jin

魏晋

大礼堂的空间扩展问题最大的是内部公共空间的制约和外部环境的无序与浪费。首先，我们拆除了外立面，这样原来狭窄的前厅就可以延伸到广场。其次，我们拆除了大厅南侧的墙壁，将废弃的花架并入室内，设计了一个小型花园，毗邻绿地，使之成为面向景观的独立阅读区。最后，我们扩大了入口门厅的面积，增加了一条从侧面到阅读区的小径，形成了一个围绕着建筑物南侧景观的庭院。

Spatial Expansion The biggest problem of the auditorium is the constraint of the internal public space and the disorder and waste of the external environment. First of all, we knocked off the outer facade so that the original narrow front office can extend to the square. Secondly, we removed the wall of the south side of the hall, so that the abandoned flower-shelves were incorporated into the interior, and designed a miniature garden with adjacent green space, making it an independent reading area facing the landscape. Finally, we enlarged the area of the foyer of entrance, and added a path from the side to the reading area, forming a courtyard surrounding the landscape on the south side of the building.

Spatial Expansion The biggest problem of the auditorium is the constraint of the internal public space and the disorder and waste of the external environment. First of all, we knocked off the outer facade so that the original narrow front office can extend to the square. Secondly, we removed the wall of the south side of the hall, so that the abandoned flower-shelves were incorporated into the interior, and designed a miniature garden with adjacent green space, making it an independent reading area facing the landscape. Finally, we enlarged the area of the foyer of entrance, and added a path from the side to the reading area, forming a courtyard surrounding the landscape on the south side of the building.

窗景与舞台，新建成的折叠式钢板与原建筑构件相互交叉，形成多个连续窗口。当人们行走时，这些窗户从隐私变为开放。它的核心意义在于打破室内与室外的界限，为学生创造一个开放、生动、有趣的活动场所。

Window Scenery and Stage The folding steel plate newly constructed and the original building components intersect each other to form several continuous windows. These windows change from privacy to openness as people walk. Its core meaning lies in breaking the boundary between indoor and outdoor, and creating an open, vivid and interesting activity place for students.

Window Scenery and Stage The folding steel plate newly constructed and the original building components intersect each other to form several continuous windows. These windows change from privacy to openness as people walk. Its core meaning lies in breaking the boundary between indoor and outdoor, and creating an open, vivid and interesting activity place for students.

 © Weiqi Jin

魏晋

由于新旧建筑在微型花园的干预下并列而形成的寡妇，南侧有效地隔离了室内外的广场环境。建筑内的人们活动吸引了外面的人穿过庭院，创造了偷窥的兴趣。

The widows formed due to the juxtaposition of old and new structures with the intervention of miniature garden, the south side effectively isolates the indoor and external square environment. People’s activities inside the building attract people outside through the courtyard to create the interest of peeping.

The widows formed due to the juxtaposition of old and new structures with the intervention of miniature garden, the south side effectively isolates the indoor and external square environment. People’s activities inside the building attract people outside through the courtyard to create the interest of peeping.

 © Weiqi Jin

魏晋

 © Weiqi Jin

魏晋

建筑物的正面是一个巨大的折叠窗口，6米高，20米宽。白天，它将外部景观融入室内，以获得最大限度的照明和开阔的视野。晚上，从外向内看，由于室内平台比室外地面高90厘米，自然形成了一个面向外部广场的舞台。内心的活动就像一出生动的舞台剧。

The facade of the building is a huge folding window, 6 meters high and 20 meters wide. In the daytime, it incorporates the exterior landscape into the interior to get maximum lighting and an open view. At night, looking from the outside to the inside, because the indoor platform is 90 cm higher compared to the outdoor ground, so it forms a stage facing the external square naturally. The inner activity is like a vivid stage play.

The facade of the building is a huge folding window, 6 meters high and 20 meters wide. In the daytime, it incorporates the exterior landscape into the interior to get maximum lighting and an open view. At night, looking from the outside to the inside, because the indoor platform is 90 cm higher compared to the outdoor ground, so it forms a stage facing the external square naturally. The inner activity is like a vivid stage play.

 © Weiqi Jin

魏晋

 © Weiqi Jin

魏晋

“红色和黑色皮埃特·蒙德里安的空间构成”说，真正的造型纯粹是抽象的构图，通过黑色网格线和黑白色块来表达动态平衡。受此启发，楼梯的红色具有控制空间组成和平衡的作用。

The Space Composition of Red and Black  Piet Mondrian said, real modeling was purely abstract compositions that expressed a dynamic balance through black grid lines and blocks of primary colors on white and grey grounds. Inspired by this, the red of the stair has the effect that controls composition and balances in the space.

The Space Composition of Red and Black  Piet Mondrian said, real modeling was purely abstract compositions that expressed a dynamic balance through black grid lines and blocks of primary colors on white and grey grounds. Inspired by this, the red of the stair has the effect that controls composition and balances in the space.

 © Weiqi Jin

魏晋

原外墙拆除后形成的框架被加固为两个巨大的窗框。通过它们，楼梯展示了黑色和红色的图形关系。当人们站在窗外时，他们可以通过框架感觉到形状和颜色的戏剧化重叠。楼梯也成了一个展示的领域，充满了形式的感觉。

The frame formed after the removal of original outer wall was reinforced into two huge window frames. Through them, stair showed the graphic relation of black and red. When people stand outside the window, they can feel the dramatism overlapping of shape and color through the frame. The stair also becomes a show field full of sense of form.

The frame formed after the removal of original outer wall was reinforced into two huge window frames. Through them, stair showed the graphic relation of black and red. When people stand outside the window, they can feel the dramatism overlapping of shape and color through the frame. The stair also becomes a show field full of sense of form.

 © Weiqi Jin

魏晋

校园公共空间的存在意义在于使师生都有使用的欲望，因为使用是实现人与空间互动的重要途径。中央美术学院在理性严谨的灰砖建筑背后，有着杂乱无章、充满活力的艺术和文化生活的各种场景。我们希望翻新后的空间能成为展示这些场景的舞台。

The significance of the existence of campus public space is to make teachers and students have the desire to use, as “use” is an important way to realize the interaction between human and space. Behind the rational and rigorous grey brick architecture in the Central Academy of Fine Arts is various scenes of art and cultural life with disorder and vitality. We hope the space after renovation can be the stage to show these scenes. 

The significance of the existence of campus public space is to make teachers and students have the desire to use, as “use” is an important way to realize the interaction between human and space. Behind the rational and rigorous grey brick architecture in the Central Academy of Fine Arts is various scenes of art and cultural life with disorder and vitality. We hope the space after renovation can be the stage to show these scenes. 

 © Weiqi Jin

魏晋

 © Weiqi Jin

魏晋