Streetmekka Viborg EFFEKT

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

架构师提供的文本描述。Streetmekka是一个新的文化目的地，提供各种各样的自组织运动设施，如跑酷、溜冰、石头、篮球、试验以及一系列定制的音乐制作车间、DJ‘ing、动画工作室、制作实验室和各种艺术家工作室、木材和金属车间。

Text description provided by the architects. Streetmekka is a new cultural destination offering a wide variety of facilities for self-organized sports like parkour, skate, bouldering, basketball, trial as well as a series of customized workshop areas for music production, DJ’ing, an animation studio, fabrication lab and various artist studios and wood and metal workshops.

Text description provided by the architects. Streetmekka is a new cultural destination offering a wide variety of facilities for self-organized sports like parkour, skate, bouldering, basketball, trial as well as a series of customized workshop areas for music production, DJ’ing, an animation studio, fabrication lab and various artist studios and wood and metal workshops.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

社会空间和非正式会议区域分布在整个建筑内，并在战略上交织在主要功能之间，其基础是接近活动降低了参与的门槛。

Social spaces and informal meeting areas are distributed throughout the building and strategically interwoven in-between primary functions based on the notion that proximity to activities lower the threshold for participation.

Social spaces and informal meeting areas are distributed throughout the building and strategically interwoven in-between primary functions based on the notion that proximity to activities lower the threshold for participation.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

 Diagram 06

Diagram 06

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

为废弃的工业建筑注入新的活力，原来的建筑曾经是风车工厂，是20世纪60年代末和70年代以来西方世界几乎每个郊区工业区大量生产的仓库或工厂建筑之一的典型例子。这些由预制混凝土面板或波纹钢制成的工业剩余物被认为几乎没有或可以忽略不计的历史、文化和建筑价值。

Breathing new life into abandoned industrial buildings The original building once served as a windmill factory and is a typical example of one of the many mass-produced warehouse or factory buildings from the late 1960's and 70's found in almost every suburban industrial zone in the western world. Constructed from prefabricated concrete panels or corrugated steel, these industrial leftovers are perceived as having little or negligible historic, cultural and architectural value.

Breathing new life into abandoned industrial buildings The original building once served as a windmill factory and is a typical example of one of the many mass-produced warehouse or factory buildings from the late 1960's and 70's found in almost every suburban industrial zone in the western world. Constructed from prefabricated concrete panels or corrugated steel, these industrial leftovers are perceived as having little or negligible historic, cultural and architectural value.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

与其采取传统的方法和拆除剩余的建筑，Feffekt想要探索如何重复使用和重新编程，这种类型的微不足道的，基本上内向的建筑类型，在一个质量的方式，在一个非常有限的预算？

Instead of taking the traditional approach and demolishing the leftover building EFFEKT wanted to explore how to re-use and re-program this type of insignificant and mostly introverted building typology in a qualitative way and at a very limited budget?

Instead of taking the traditional approach and demolishing the leftover building EFFEKT wanted to explore how to re-use and re-program this type of insignificant and mostly introverted building typology in a qualitative way and at a very limited budget?

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

不管这些盒子的外观多么乏味和灰暗，它们通常都包含着一个令人印象深刻的内部空间，规模宏大，几乎就像大教堂一样，基于一个重复的、排列整齐的结构体系。对我们来说，这片广阔的空间构成了这栋建筑唯一的真正价值-我们想向外界展示这一点，并向外界展示这一点。“Feffekt合伙人Tue Foged说。

‘However uninteresting and grey the exterior of these boxes appear, they often contain an impressive interior space of magnificent scale and almost cathedral-like proportions based on a repetitive, neatly arranged structural system. To us this vast space posed the only true value of the building – and we wanted to expose and highlight this to the outside world.’ says Tue Foged, Partner at EFFEKT.

‘However uninteresting and grey the exterior of these boxes appear, they often contain an impressive interior space of magnificent scale and almost cathedral-like proportions based on a repetitive, neatly arranged structural system. To us this vast space posed the only true value of the building – and we wanted to expose and highlight this to the outside world.’ says Tue Foged, Partner at EFFEKT.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

“我们的做法只是拆除建筑物两端的墙壁，并将所有行政功能和车间空间放在现有结构的一边，把溜冰场放在另一边，使以前的内部制造空间完好无损。”这种清晰的重组还为建筑配备了一个全新的外壳和外部，并使我们能够通过两个新的玻璃外墙引入更多的日光，同时改善与外部空间和活动的连通性。“FOGED继续进行。

‘ Our approach was simply to remove the walls at both ends of the building and to place all the administrative functions and workshop spaces on one side of the existing structure and the skate-areas on the other side, leaving the internal former manufacturing space intact. This clear re-organization also equips the building with a completely new envelope and exterior and allows us to pull in more daylight through the two new glass facades while improving the connectivity to the exterior spaces and activities.” Foged continues.

‘ Our approach was simply to remove the walls at both ends of the building and to place all the administrative functions and workshop spaces on one side of the existing structure and the skate-areas on the other side, leaving the internal former manufacturing space intact. This clear re-organization also equips the building with a completely new envelope and exterior and allows us to pull in more daylight through the two new glass facades while improving the connectivity to the exterior spaces and activities.” Foged continues.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

随着许多已撤离的工业场地被纳入城市扩展，这种方法可被复制，并且可以为振兴许多其他被忽视的建筑物而使其恶化或面临拆除铺平道路。新的社区可以从这些工业遗产标志中受益，以建立身份和地点感。

With many vacated industrial sites being incorporated in urban expansion, this approach may be replicated and can pave the way for the revitalization of many other disregarded buildings left to deteriorate or facing demolition. New neighborhoods can benefit from these industrial heritage markers to build identity and sense of place.

With many vacated industrial sites being incorporated in urban expansion, this approach may be replicated and can pave the way for the revitalization of many other disregarded buildings left to deteriorate or facing demolition. New neighborhoods can benefit from these industrial heritage markers to build identity and sense of place.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

个性化和自组织的备选方案新的Streetmekka的功能目标是创造一系列功能空间的体育，文化和社会的目的，安排在一个高度复杂的规划网络。其目的是满足对现有俱乐部体育和文化活动的自我组织和个性化选择的日益增长的需求，支持游戏的使命，通过街头体育和文化吸引当地青年并创造持久的社会变革，使他们能够融入社会，并在未来的生活中赋予他们权力。

Individualized and self-organized alternatives The functional goal of the new Streetmekka is to create a series of functional spaces for sports, cultural and social purposes arranged in a highly complex programmatic network. The aim is to meet the increasing demand for self-organized and individualized alternatives to the established club-sports and cultural activities, supporting GAME’s mission to attract local youth and create lasting social change through street-sports and culture, enabling integration and empowering them in their future lives.

Individualized and self-organized alternatives The functional goal of the new Streetmekka is to create a series of functional spaces for sports, cultural and social purposes arranged in a highly complex programmatic network. The aim is to meet the increasing demand for self-organized and individualized alternatives to the established club-sports and cultural activities, supporting GAME’s mission to attract local youth and create lasting social change through street-sports and culture, enabling integration and empowering them in their future lives.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

 Ground floor plan

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

“针对来自不同文化背景、性别、年龄和兴趣的广泛人口群体，我们的目标是建立一个开放和欢迎的建筑，降低参与和参与的门槛。福格德说：“我们做到这一点的方法是让一座透明的建筑变得透明，让每个人都有一个清晰、明确的组织，”福格德接着说：“反精英主义的流行文化在体育设施和文化场所之间形成了一种混合体，它足够强大，能够在24小时不受监督的情况下对公众开放，在那里用户负责并采取主动。”

“Targeting a broad demographic audience from across a variety of cultural backgrounds, gender, age and interests, our goal was to create an open and welcoming building, lowering the threshold for involvement and engagement. We achieved this by making a transparent building with a clear, well-defined organization intuitive to everyone,” says Foged and continues: ”An anti-elitist, pop-culture take on a hybrid between a sports facility and a culture house, that is robust enough to stay open to the public 24 hours day without supervision and where the users are in charge and take initiative.”

“Targeting a broad demographic audience from across a variety of cultural backgrounds, gender, age and interests, our goal was to create an open and welcoming building, lowering the threshold for involvement and engagement. We achieved this by making a transparent building with a clear, well-defined organization intuitive to everyone,” says Foged and continues: ”An anti-elitist, pop-culture take on a hybrid between a sports facility and a culture house, that is robust enough to stay open to the public 24 hours day without supervision and where the users are in charge and take initiative.”

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

新的街景2.0对于每个人来说都是越来越多的新社区。如果你想参与、创建、暂停或观察，这无关紧要，每个人和每个人都有一个指定的空间。在同一屋檐下扩大原计划以包括这么多不同类型的活动的想法是基于共同存在产生新的协同作用和新的社会关系的概念。此外，它使访问者对他们可能从未实现的新活动类型进行了公开，鼓励未来的参与。

Growing new communities The new Streetmekka 2.0 is for everyone. It doesn’t matter if you want to participate, create, hang out or observe – there is a designated space for everything and everyone. The idea of expanding the original program to include so many different types of activity under the same roof is based on the notion that co-existence breeds new synergies and new social relations. Additionally, it exposes visitors to new types of activity they might never have realized existed, encouraging future engagement.

Growing new communities The new Streetmekka 2.0 is for everyone. It doesn’t matter if you want to participate, create, hang out or observe – there is a designated space for everything and everyone. The idea of expanding the original program to include so many different types of activity under the same roof is based on the notion that co-existence breeds new synergies and new social relations. Additionally, it exposes visitors to new types of activity they might never have realized existed, encouraging future engagement.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

制造商实验室和车间区域使用户能够不断地开发和重新配置设备。Streetmekka Viborg在程序上和外表上都不是一成不变的。它将继续与用户一起发展-短期(由于动画外观和街头艺术)以及长期(当新程序被添加，旧程序被删除时)。

The maker labs and workshop areas enable the users to continuously develop and reconfigure the facility. Streetmekka Viborg is not static in terms of program nor in physical appearance. It will continue to evolve with the users – both short term (due to the animated facades and the street-art) as well as long term (when new programs are added, and old ones removed).

The maker labs and workshop areas enable the users to continuously develop and reconfigure the facility. Streetmekka Viborg is not static in terms of program nor in physical appearance. It will continue to evolve with the users – both short term (due to the animated facades and the street-art) as well as long term (when new programs are added, and old ones removed).

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

室内街景建筑概念是以室内街景的理念为基础的。该项目打开了内向的工业建筑，并将令人印象深刻的中心工厂空间转变为一种新的室内空间：一种向外开放的有盖街道景观。街景概念被用来定义和组织各种功能，并将它们与特定的需求相联系，如空间质量、日光、物质性和温度区域。

Indoor streetscape The architectural concept is based upon the idea of an indoor streetscape. The project opens the introverted industrial building and transform the impressive central factory space into a new kind of interior space: a covered streetscape open to the outside.  The streetscape concept is used to define and organize the various functions and place them in relation to specific requirements, such as spatial quality, daylight, materiality and temperature zones.

Indoor streetscape The architectural concept is based upon the idea of an indoor streetscape. The project opens the introverted industrial building and transform the impressive central factory space into a new kind of interior space: a covered streetscape open to the outside.  The streetscape concept is used to define and organize the various functions and place them in relation to specific requirements, such as spatial quality, daylight, materiality and temperature zones.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

新卷用一种功能半透明的聚碳酸酯皮包裹，使建筑显得轻盈而舒适，同时也是当地视觉艺术家展示和展示艺术的巨大画布，同时也清楚地区分了建筑与周围的工业设施。Viborg的Streetmekka是第一个在新社区被改造的地段，它将成为未来地区城市生活的催化剂。

The new volume is then wrapped with a functional translucent polycarbonate skin, giving the appearance of a light and welcoming building while also serving as a giant canvas for the local visual artists to display and project their art but also clearly differentiates the building from the surrounding industrial facilities. Streetmekka in Viborg is the first lot to be transformed in the new neighborhood and will work as a catalyst for city life in the upcoming area.

The new volume is then wrapped with a functional translucent polycarbonate skin, giving the appearance of a light and welcoming building while also serving as a giant canvas for the local visual artists to display and project their art but also clearly differentiates the building from the surrounding industrial facilities. Streetmekka in Viborg is the first lot to be transformed in the new neighborhood and will work as a catalyst for city life in the upcoming area.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

周围的景观成为室内表面的自然延伸，各种街道、体育和文化功能被放置在一串休闲的绿色植物中，通过未来的步行街和自行车道将场地与市中心连接起来。

The surrounding landscape becomes the natural extension of the indoor surface with various street-sports and cultural functions placed in a recreational string of greenery connecting the site to the downtown area through a future pedestrian and bicycle path.

The surrounding landscape becomes the natural extension of the indoor surface with various street-sports and cultural functions placed in a recreational string of greenery connecting the site to the downtown area through a future pedestrian and bicycle path.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

维持原有结构的费用以及材料的再利用和更新使得在很低的费用下进行翻修成为可能。许多原始组件也被重新设计为公园活动和休闲空间的家具元素。这座大楼的最后费用约为传统运动场的三分之一。

Cost The preservation of the original structure and the reuse and upcycling of materials made it possible to carry out the refurbishment at a very low expense. Many of the original components were also repurposed as furniture elements for the parkour activities and hang-out spaces. The final cost of the building is approximately one third of a traditional sports hall.

Cost The preservation of the original structure and the reuse and upcycling of materials made it possible to carry out the refurbishment at a very low expense. Many of the original components were also repurposed as furniture elements for the parkour activities and hang-out spaces. The final cost of the building is approximately one third of a traditional sports hall.