Franco
2018-09-29 20:00
© Amit Pasricha
c.Amit Pasricha
![](works/201809/cusm_pan_157a.jpg)
![](/Public/Home/images/caiji.png)
架构师提供的文本描述。在孟加拉国达卡的法德大使馆的共同雄心显示自己是一个强有力的机会,为设计团队展示的主题二元化和统一在一个单一的建筑。两国之间的这种协同作用导致提出了永久增长的正式概念。双DNA螺旋代表了法国和德国作为现代欧洲“政治和经济引擎”的动态关系。
Text description provided by the architects. The common ambition of the Franco-German embassy in Dhaka, Bangladesh presented itself as a strong opportunity for the design team to display the theme of duality and unity in a single building. This synergy between the two nations led to proposing a formal concept of permanent growth. The double DNA like spiral represents the dynamic relationship of France and Germany as the ‘political and economic engine' of modern Europe.
Text description provided by the architects. The common ambition of the Franco-German embassy in Dhaka, Bangladesh presented itself as a strong opportunity for the design team to display the theme of duality and unity in a single building. This synergy between the two nations led to proposing a formal concept of permanent growth. The double DNA like spiral represents the dynamic relationship of France and Germany as the ‘political and economic engine' of modern Europe.
![](works/201809/site_plan.jpg)
![](/Public/Home/images/caiji.png)
该项目是一个共同的接待基地,发放申根签证的部门,安保服务,技术支持和停车,但确定了下议院,法国和德国大使和单独的信息技术服务。从这个“共同点”中出现了塔楼来表达二元性。8000平方米的限制之一。广场地块是一处从四面八方撤退的大片土地,以减轻道路炸弹爆炸可能造成的影响;在签证部门和技术区留下一层与街道接触的低层地面,以及一座与外交官相连的塔。它成了事实上的中世纪城堡,边界墙起着堡垒的作用。
The program is a combination of a common base for the reception, section issuing the Schengen visa, security services, technical support, and parking, but identified chanceries, French and German ambassadors and separate IT services. From this 'common ground' emerged the tower to express duality. One of the constraints on the 8000 sq.m. square plot was a large set back from all sides to mitigate the possible effect of a bomb blast on the road; leaving a low rise ground level in contact with the street for the visa section and technical areas, and a tower with diplomats. That became a de-facto medieval castle with the boundary wall playing the rampart.
The program is a combination of a common base for the reception, section issuing the Schengen visa, security services, technical support, and parking, but identified chanceries, French and German ambassadors and separate IT services. From this 'common ground' emerged the tower to express duality. One of the constraints on the 8000 sq.m. square plot was a large set back from all sides to mitigate the possible effect of a bomb blast on the road; leaving a low rise ground level in contact with the street for the visa section and technical areas, and a tower with diplomats. That became a de-facto medieval castle with the boundary wall playing the rampart.
© Amit Pasricha
c.Amit Pasricha
![](works/201809/cusm_pan_36a.jpg)
![](/Public/Home/images/caiji.png)
Concept Diagram
概念图
![](works/201809/01_concept_(1).jpg)
![](/Public/Home/images/caiji.png)
© Amit Pasricha
c.Amit Pasricha
![](works/201809/cusm_app0261.jpg)
![](/Public/Home/images/caiji.png)
由此产生的花园在莫哈尔花园的传统中被划分为一个查尔-巴格(Cha-Bagh)。这一概念为官员和汽车开辟了一个正式的抵达法庭,随后在外交官和大使的门廊后设立了“尊贵法庭”(Court d‘honneur),为文化服务部门的休闲活动提供了“露台”,为休闲活动提供了“露台”,贸易委员会(Trade Commission)的咖啡厅(Cafédu Business)面向学校庭院和正式的接待、鸡尾酒花园,花园派对和国庆节庆祝活动。
The resulting garden is divided as a Char-Bagh in the tradition of Moghul gardens). This concept opened the possibility of a formal arrival court for the officials and cars followed by a ‘court d’honneur’ after the drop off porch for the diplomats and ambassadors, a ‘terrace de café’ for the café outdoor extension for casual events by the cultural service and the trade commission’s café du commerce towards the school courtyard and the formal garden for receptions, cocktails, garden parties, and national day celebrations.
The resulting garden is divided as a Char-Bagh in the tradition of Moghul gardens). This concept opened the possibility of a formal arrival court for the officials and cars followed by a ‘court d’honneur’ after the drop off porch for the diplomats and ambassadors, a ‘terrace de café’ for the café outdoor extension for casual events by the cultural service and the trade commission’s café du commerce towards the school courtyard and the formal garden for receptions, cocktails, garden parties, and national day celebrations.
© Amit Pasricha
c.Amit Pasricha
![](works/201809/-_featured_image.jpg)
![](/Public/Home/images/caiji.png)
Brick Details
砖块细节
![](works/201809/brick_details.jpg)
![](/Public/Home/images/caiji.png)
巴里达拉的外交区域是一个郁郁葱葱的绿色飞地,在大型花园内由低矮的大使馆组成,这是60年代达卡最好的传统,那是一个花园城市。在这个社区里,有一些引人注目的建筑物,如英国高级专员公署、美国大使馆和韩国大使馆。大多数都是由裸露的砖块制成的,这是南亚同类中最好的一块-来自三角洲的丝绸丰富的红砖。我们感受到了融入城市肌理的绝佳机会,同时也感受到了不同的一面。在这个方案中,没有前卫,没有左-右,也没有自上而下的隔离.每一个实体在所有的侧面都得到其同等份额的曝光;在中庭周围,两个连续的楼梯互相面对,确保了连续性。
The diplomatic area of Baridhara is a lush green enclave of low rise embassies within large gardens, in the best tradition of Dhaka of the 60s that was a garden city. In this neighborhood are remarkable buildings like the British High Commission, the US Embassy, and the Korean Embassy. Most are made of exposed brick, the best of its kind in South Asia- silky rich red bricks from the delta. We felt the great opportunity to blend in the texture of the city while being different at the same time. In this scheme, there is no front-back, no left-right, and no top-bottom segregation. Every entity gets its equal share of exposure on all sides; the continuity is ensured by two continuous stairs facing each other around the atrium.
The diplomatic area of Baridhara is a lush green enclave of low rise embassies within large gardens, in the best tradition of Dhaka of the 60s that was a garden city. In this neighborhood are remarkable buildings like the British High Commission, the US Embassy, and the Korean Embassy. Most are made of exposed brick, the best of its kind in South Asia- silky rich red bricks from the delta. We felt the great opportunity to blend in the texture of the city while being different at the same time. In this scheme, there is no front-back, no left-right, and no top-bottom segregation. Every entity gets its equal share of exposure on all sides; the continuity is ensured by two continuous stairs facing each other around the atrium.
© Amit Pasricha
c.Amit Pasricha
![](works/201809/cusm_pan_118a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/section_1-1.jpg)
![](/Public/Home/images/caiji.png)
© Amit Pasricha
c.Amit Pasricha
![](works/201809/cusm_pan_120b.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0342.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app1227ca.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_36a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app1079.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_157a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/-_featured_image.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_118a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0832.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0860.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/pan_166a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_165b.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_120b.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0888a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0261.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0634a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_116b.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0512.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_pan_54a.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/cusm_app0430.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/site_plan.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/east_elevation.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/section_1-1.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/section_2-2.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/01_concept_(1).jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/Francorushi.net01_11detail.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/louver_detail.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/brick_details.jpg)
![](/Public/Home/images/caiji.png)
![](works/201809/brick_junction.jpg)
![](/Public/Home/images/caiji.png)
Architects Stephane Paumier Architects
Location Dhaka, Bangladesh
Lead Architects Stéphane Paumier, Atika Jain, Ashwin Bhargava, Sagarika Suri, Gayatri Eshwaran, Gargi Roy, Chinmay Kumar Mohanta, Hugo Badia-Berger
Area 6635.0 m2
Project Year 2017
Photographs Amit Pasricha
Category Embassy
Manufacturers Loading...
推荐作品
![](/Public/Home/images/shouye/download_btn.png)
下载