构造器H2GO装饰照明Dise ado por Maskupacio，Producción本地技术照明Onok照明设计表Masokpacio，Producción本地设计凳子Masfigpacio，Producción本地多规格少规格

Constructor H2GO Decorative Lighting Diseñado por Masquespacio, producción local Technical Lighting Onok Lighting Design Table Masquespacio, producción local Design Stools Masquespacio, producción local More Specs Less Specs

Constructor H2GO Decorative Lighting Diseñado por Masquespacio, producción local Technical Lighting Onok Lighting Design Table Masquespacio, producción local Design Stools Masquespacio, producción local More Specs Less Specs

 © Luis Beltran

路易斯·贝尔特兰

建筑师提供的文字说明。在二十世纪初，第一个日本人抵达巴西，目的是在咖啡种植园工作，尽管日本的营养与巴西完全不同，因为他们不得不适应当地的成分。日经尼尼·尼诺-巴西的美食以其独特的风味和融合达到了国际声誉，在追求自己的口味的同时，以强烈的身份繁荣起来。

Text description provided by the architects. At the beginning of the twentieth century, the first Japanese arrived in Brazil with the aim to work in the coffee plantations, although, the Japanese nutrition was totally different to the Brazilian for which they were obliged to adapt to the local ingredients. Seeking their own flavors, a new Nikkei Nipo-Brazilian gastronomy flourished with a strong identity that after more than one century with its unique flavors and fusions reached international fame. 

Text description provided by the architects. At the beginning of the twentieth century, the first Japanese arrived in Brazil with the aim to work in the coffee plantations, although, the Japanese nutrition was totally different to the Brazilian for which they were obliged to adapt to the local ingredients. Seeking their own flavors, a new Nikkei Nipo-Brazilian gastronomy flourished with a strong identity that after more than one century with its unique flavors and fusions reached international fame. 

 © Luis Beltran

路易斯·贝尔特兰

 Floor Plan

 © Luis Beltran

路易斯·贝尔特兰

凯卡亚，是这一历史的产物，将传统和方法的日本与热带和异国情调的巴西融合到巴伦西亚的中心。表象既通过厨房，也通过设计展示，如后所述。从一个有拱顶、金属梁和原始砖块的标志性场所出发，美学的第一个结论是保持其实际状态中的现有元素，突出其因时间而留下的不完美之美。

Kaikaya, is the result of this history, bringing the fusion of traditional and methodic Japan with the tropical and exotic, contemporary Brazil to the center of Valencia. A representation showed both through its kitchen as well as through its design as described afterward. Starting from an emblematic venue with vaults, metallic beams and original bricks the first conclusion for the aesthetics was to maintain the existing elements in its actual state, highlighting the beauty of its imperfections left by time.

Kaikaya, is the result of this history, bringing the fusion of traditional and methodic Japan with the tropical and exotic, contemporary Brazil to the center of Valencia. A representation showed both through its kitchen as well as through its design as described afterward. Starting from an emblematic venue with vaults, metallic beams and original bricks the first conclusion for the aesthetics was to maintain the existing elements in its actual state, highlighting the beauty of its imperfections left by time.

 © Luis Beltran

路易斯·贝尔特兰

上面，设计需要包含强烈的色彩飞溅，以及一种折衷的风格，可以混合日本，巴西的两个概念，而不是传统。因此，在第一种情况下，我们可以认识到使用了一些材料来提醒日本，例如木材和拉菲，以及从桑巴国家引进热带主义的元素，它们的图案是由马赛克瓷砖、鹦鹉和压倒性的植物结合而成的。

Above, the design needed to contain a strong splash of color, together with an eclectic style that could mix the 2 concepts of Japan + Brazil without being conventional. Thereby, in the first case, we can recognize the use of materials that remind to Japan like wood and raffia, together with elements that bring in the tropicalism from the samba country with its colorful patterns made of mosaic tiles, parrots and an overwhelming incorporation of plants. 

Above, the design needed to contain a strong splash of color, together with an eclectic style that could mix the 2 concepts of Japan + Brazil without being conventional. Thereby, in the first case, we can recognize the use of materials that remind to Japan like wood and raffia, together with elements that bring in the tropicalism from the samba country with its colorful patterns made of mosaic tiles, parrots and an overwhelming incorporation of plants. 

 © Luis Beltran

路易斯·贝尔特兰

当你进入餐厅时，你可以立即认识到，在太阳升起的国家里，收集大米时使用的帽子代表的是拉菲圆圈，这些帽子与五颜六色的马赛克瓦和热带植物以爆炸性的方式融合在一起。一旦到达酒吧，我们再次遇到日本和巴西之间的混合通过传统的日本木纹在酒吧本身和彩色图案灵感的巴西七十年代。

Immediately when entering the restaurant, you can acknowledge the raffia circles that represent the hats used during the rice collection in the country of the rising sun and that are here merged in an explosive way with the colorful mosaic tiles and tropical plants. Once reaching the bar, again we encounter the mix between Japan and Brazil through the traditional Japanese wooden pattern on the bar itself and the colored patterns inspired by the Brazilian Seventies.  

Immediately when entering the restaurant, you can acknowledge the raffia circles that represent the hats used during the rice collection in the country of the rising sun and that are here merged in an explosive way with the colorful mosaic tiles and tropical plants. Once reaching the bar, again we encounter the mix between Japan and Brazil through the traditional Japanese wooden pattern on the bar itself and the colored patterns inspired by the Brazilian Seventies.  

 © Luis Beltran

路易斯·贝尔特兰

此外，在这里，我们可以找到带有棕榈叶的鹦鹉灯，因为所有其他装饰灯都是专门为该项目设计的。另一方面，在上层，我们又发现了来自空间的原始遗产的结合，融合了热带和日本的元素；一种明显可以通过圆形座位角认出的景象，这些角落既有巴西的灵感，也有日本的灵感。

Also, here we can find the parrot lamps with a palm leaf that as all the other decorative lamps were specifically designed for the project. On the upper floor on the other hand anew we find a combination of the original heritage from the space, fusion with tropical and Japanese elements; A look that clearly can be recognized through the round seating corners which are half inspired by Brazil and half inspired by Japan. 

Also, here we can find the parrot lamps with a palm leaf that as all the other decorative lamps were specifically designed for the project. On the upper floor on the other hand anew we find a combination of the original heritage from the space, fusion with tropical and Japanese elements; A look that clearly can be recognized through the round seating corners which are half inspired by Brazil and half inspired by Japan. 

 © Luis Beltran

路易斯·贝尔特兰

Interior Designer Masquespacio

Location Plaza del Ayuntamiento 10, 46002 Valencia, Spain

Area 125.0 m2

Project Year 2018

Photographs Luis Beltran

Category Renovation

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