架构师提供的文本描述。该项目设置在一个密集的成熟芒果树的网格中，反映了尊重属于树干的领土和沿着地面上刻有我们自己的节奏的树叶的二分法。虽然这座房子几乎有一英亩大，但它却牢牢地朝向西南角。这是为了满足广大人民的要求，并将果园的其余部分作为永久的绿色保存下来。在这张压缩的画布中，看似零星的芒果树丛生决定了多个相互连接的开放庭院的位置，最终将成为树木的容器。这所房子的北面被非典型的侵蚀，取而代之的是三个开放的法院的格子格。车道或到达地占据中央空间，西边有树木的庭院，东边有游泳池。

Text description provided by the architects. Set in a dense grid of mature mango trees, the project reflects the dichotomy of respecting the territory belonging to the tree trunks and it’s foliage along inscribing our own rhythm on the ground plane. While the property is almost an acre in size, the building is firmly set towards the south-west corner. This was to satisfy vastu edicts and to preserving the rest of the orchard as a permanent green. Within this compressed canvas, the seemingly sporadic clumping of mango trees defines the location of the multiple interconnected open courts that would eventually act as a vessel for the trees. The northern front face of the house is uncharacteristically eroded and is instead defined by the tartan grid of the three open courts. The driveway or arrival court occupies the central space, the treed courtyard to the west and the pool court on the east. 

Text description provided by the architects. Set in a dense grid of mature mango trees, the project reflects the dichotomy of respecting the territory belonging to the tree trunks and it’s foliage along inscribing our own rhythm on the ground plane. While the property is almost an acre in size, the building is firmly set towards the south-west corner. This was to satisfy vastu edicts and to preserving the rest of the orchard as a permanent green. Within this compressed canvas, the seemingly sporadic clumping of mango trees defines the location of the multiple interconnected open courts that would eventually act as a vessel for the trees. The northern front face of the house is uncharacteristically eroded and is instead defined by the tartan grid of the three open courts. The driveway or arrival court occupies the central space, the treed courtyard to the west and the pool court on the east. 

 © Ranjan Sharma / Lightzone India

C.ranjanSharma/LightZoneIndia

一系列的石墙是一种设计工具，不仅可以在空间上定义这三个庭院，而且还可以直接与建筑物接触。单色墙被粗糙的库尔诺尔灰色砂岩覆盖在树冠之下，作为黑暗、曲折、芒果树干的阴郁背景。从开阔的法庭上看，这些墙；就像一种愚蠢的行为；设法扩展建造的经验，而对建筑物的规模或范围没有任何明确的了解。

A series of stone clad walls are used a design tool to not only spatially define the three courts but also to engage directly with the building. Clad in rough Kurnoor grey sandstone the monochromatic walls scrape just below the tree canopy level and act as a sombre backdrop to the dark, sinuous, mango tree trunks. Viewed from the open courts these walls; as if acting like a folly; manage to extend the built experience and elude any clear understanding of the buildings scale or extent.

A series of stone clad walls are used a design tool to not only spatially define the three courts but also to engage directly with the building. Clad in rough Kurnoor grey sandstone the monochromatic walls scrape just below the tree canopy level and act as a sombre backdrop to the dark, sinuous, mango tree trunks. Viewed from the open courts these walls; as if acting like a folly; manage to extend the built experience and elude any clear understanding of the buildings scale or extent.

 © Ranjan Sharma / Lightzone India

C.ranjanSharma/LightZoneIndia

也许他们的主要意义是为游客建立多个门槛。最前面的东西墙以及另一堵墙就在它的南边；两者都在中间点缀着；两个人一起建造了一个狭窄的迷宫，就像开放的过道，两头的游泳池和庭院一目了然。当一个人穿过第二堵墙时，它带着游客来到一个私人的门廊，门廊的前门紧贴在右边。入口大厅用树和房子外的褶皱，开阔了庭院的视野。一个柱廊连接到客厅，然后通向房子中央的家庭室。两间卧室套房位于中央法院西侧的一栋较为私人的大厦内。在中央大楼内，一条直线楼梯上升到一个双高的阳光空间，降落在上层家庭休息室，可以看到树冠。

Perhaps their primary significance is in establishing multiple thresholds for the visitors. The foremost east-west wall along with another one just to it’s south; both punctuated in the centre; pair up to create a narrow labyrinth like open aisle offering a glimpse (and access to) the pool and courtyard on either ends. As one crosses the second wall, it brings the visitor to an intimate entry portico with the front door of the house tucked to the right. The entry lobby opens up unreserved views of the court with tree and the folds of the house beyond. A colonnaded gallery connects to the drawing room and then leads to the family room in the center of the house. Two bedroom suites are located in the more private block west of the central court. Set within the central block, a linear staircase ascends a double height sunlight space and lands at the upper family lounge with views of the tree canopy.

Perhaps their primary significance is in establishing multiple thresholds for the visitors. The foremost east-west wall along with another one just to it’s south; both punctuated in the centre; pair up to create a narrow labyrinth like open aisle offering a glimpse (and access to) the pool and courtyard on either ends. As one crosses the second wall, it brings the visitor to an intimate entry portico with the front door of the house tucked to the right. The entry lobby opens up unreserved views of the court with tree and the folds of the house beyond. A colonnaded gallery connects to the drawing room and then leads to the family room in the center of the house. Two bedroom suites are located in the more private block west of the central court. Set within the central block, a linear staircase ascends a double height sunlight space and lands at the upper family lounge with views of the tree canopy.

中央街区的两侧都是卧室套房，每套房都有风景美化的景致。

On either side of the central block are the bedroom suites, each with framed views of the landscaped plot.

On either side of the central block are the bedroom suites, each with framed views of the landscaped plot.

 © Ranjan Sharma / Lightzone India

C.ranjanSharma/LightZoneIndia

这两间朝北的卧室以生动的露台结束，这些露台似乎向外延伸到景观中。然后，在光滑的旋转木质百叶窗板上进行屏蔽，以提供隐私感，并帮助过滤夏季的阳光。一种由钢铁、木材、玻璃和石头构成的一致构造，以及灰色的墙壁似乎依偎在果园的深彩色树干和树叶中。

The two north facing bedrooms terminate in animated terraces that seem to project outwards into the landscape. These are then screened in sleek pivoted wooden louvered panels that provide sense of privacy and help filter the summer sun. A consistent tectonic of steel, timber, glass, and stone, along with grey coloured walls seem nestled within the deep colored  trunks and leaves of the orchard.

The two north facing bedrooms terminate in animated terraces that seem to project outwards into the landscape. These are then screened in sleek pivoted wooden louvered panels that provide sense of privacy and help filter the summer sun. A consistent tectonic of steel, timber, glass, and stone, along with grey coloured walls seem nestled within the deep colored  trunks and leaves of the orchard.

 © Ranjan Sharma / Lightzone India

C.ranjanSharma/LightZoneIndia