Coffeetown Salvador TRPC Arquitetos

2018-10-08 19:00

架构师提供的文本描述。该项目是对位于萨尔瓦多Avenida Sete de Setembro，距历史中心2公里的一座老建筑进行翻修，使其成为一家咖啡店，使现有元素与空间中添加的元素进行对话。

Text description provided by the architects. The project is the renovation of an old building, located at Avenida Sete de Setembro in Salvador, 2km away from the Historic Center, to become a coffee shop, establishing a dialogue between existing elements and those added to the space.

Text description provided by the architects. The project is the renovation of an old building, located at Avenida Sete de Setembro in Salvador, 2km away from the Historic Center, to become a coffee shop, establishing a dialogue between existing elements and those added to the space.

 © Manuel Sá

(曼努埃尔·萨阿)

顾客们表示希望有一棵树作为咖啡厅的焦点。为了做到这一点，第一层的部分楼板被拆除，创造了一个有双高天花板的空间，能够遮住一棵中等大小的树冠(Chloroleucon Tortum)，还在屋顶上安装了新的天窗，以补充自然照明。这一空间与咖啡厅结合在一起，树冠下有一张集体桌，墙上有一张大的皮革沙发，两人和四人的桌子都比较小。为了进入阁楼，一个金属楼梯安装了木制台阶，通向另一个区域，有桌子，休息室有沙发和扶手椅，还有一个厕所。这一区域的照明由轨道固定装置、霓虹灯标志和95件占优势的吊坠组成，构成大厅上方的一个星座。

The clients expressed a desire to have a tree as the focal point of the coffee shop hall. In order to do so, part of the floor slab of the first floor was demolished, creating a space with a double height ceiling capable of sheltering the canopy of a medium-sized tree (Chloroleucon tortum), also new skylights were installed in the roof to complement the natural lighting. This space was integrated into the coffee shop hall, with a collective table below the tree canopy, a large leather sofa leaning against the wall and smaller tables for two and four people. To give access to the mezzanine, a metal staircase was installed with wooden steps that lead to another area with tables, a lounge with sofas and armchairs, and a WC. The illumination of this area is made up of rail fixtures, neon sign and 95 pendants that dominate the space, forming a constellation above the hall.

The clients expressed a desire to have a tree as the focal point of the coffee shop hall. In order to do so, part of the floor slab of the first floor was demolished, creating a space with a double height ceiling capable of sheltering the canopy of a medium-sized tree (Chloroleucon tortum), also new skylights were installed in the roof to complement the natural lighting. This space was integrated into the coffee shop hall, with a collective table below the tree canopy, a large leather sofa leaning against the wall and smaller tables for two and four people. To give access to the mezzanine, a metal staircase was installed with wooden steps that lead to another area with tables, a lounge with sofas and armchairs, and a WC. The illumination of this area is made up of rail fixtures, neon sign and 95 pendants that dominate the space, forming a constellation above the hall.

 © Manuel Sá

(曼努埃尔·萨阿)

 © Manuel Sá

(曼努埃尔·萨阿)

为了容纳底层WC，一个新的音量同时充当大厅的视觉屏障和咖啡师柜台后面菜单的黑板。这是一个适合所有性别的空间，适合残疾人。我们认为残疾人设计空间不是一种限制，而是一种探索新观念的机会。因此，“公约”是以一种创造性的方式构想的，为每个人提供了一种新的体验，而不论其状况如何。为此，我们探索光学艺术的美学，通过在所有表面涂上瓷砖并在天花板上安装一面镜子，创建一个黑白网格，为所有用户提供类似的体验，并产生平等的差异。在此背景下，可访问性条与其他黑色金属集成，在计划的网格中创建图形轮廓。

To house the ground floor WC, a new volume simultaneously serves as a visual barrier for the hall and as a blackboard for the menu behind the barista's counter. This WC is a space for all genders and suitable for people with disabilities. We see the designing of spaces for people with disabilities not as a limitation, but as an opportunity to explore new perceptions. Thus, the WC was conceived in a creative way providing a new experience for everyone, regardless of their condition. To do so, we explore the aesthetics of Optical Art by creating a black and white grid by coating all surfaces with ceramic tiles and installing a mirror on the ceiling, which provides a similar experience to all users and generates equality in difference. In this context, the accessibility bars integrate with the other black metals creating graphic silhouettes in the middle of the grid of the plans.

To house the ground floor WC, a new volume simultaneously serves as a visual barrier for the hall and as a blackboard for the menu behind the barista's counter. This WC is a space for all genders and suitable for people with disabilities. We see the designing of spaces for people with disabilities not as a limitation, but as an opportunity to explore new perceptions. Thus, the WC was conceived in a creative way providing a new experience for everyone, regardless of their condition. To do so, we explore the aesthetics of Optical Art by creating a black and white grid by coating all surfaces with ceramic tiles and installing a mirror on the ceiling, which provides a similar experience to all users and generates equality in difference. In this context, the accessibility bars integrate with the other black metals creating graphic silhouettes in the middle of the grid of the plans.

 © Manuel Sá

(曼努埃尔·萨阿)

 Ground Floor Plan

 © Manuel Sá

(曼努埃尔·萨阿)

夹层的浴室延续了光学艺术的美学，探索了另一种对空间的感知。这里，瓷砖网格用作一组反射的背景，该反射将观察者放置在由垂直花园围绕的框架中。这种效果是通过在水槽前面的干开口与WC前面区域的视觉集成提供的。镜子位于相对的墙上，反映了WC的开口，使自然光进入环境，将内部和外部集成在热带的OP技术中。镜子中的栅格的反射产生了深度的错觉，扩展了空间并刺激观察者的参与。

The bathroom of the mezzanine continues the aesthetics of Optical Art, exploring another kind of perception of space. Here the grid of ceramic tiles serves as the background for a set of reflections that places the observer in a frame surrounded by a vertical garden. This effect is provided by the visual integration with the area in front of the WC through a dry opening above the sink. The mirror, located on the opposite wall, reflects the opening of the WC and maximizes the entrance of natural light into the environment, integrating the internal and external in a tropical Op Art. The reflection of the grid in the mirror creates an illusion of depth that expands the space and stimulates the observer's participation.

The bathroom of the mezzanine continues the aesthetics of Optical Art, exploring another kind of perception of space. Here the grid of ceramic tiles serves as the background for a set of reflections that places the observer in a frame surrounded by a vertical garden. This effect is provided by the visual integration with the area in front of the WC through a dry opening above the sink. The mirror, located on the opposite wall, reflects the opening of the WC and maximizes the entrance of natural light into the environment, integrating the internal and external in a tropical Op Art. The reflection of the grid in the mirror creates an illusion of depth that expands the space and stimulates the observer's participation.