House in Palacio Ideo arquitectura

2018-10-12 10:00

 © Imagen Subliminal

意象潜意识

架构师提供的文本描述。这座房屋是18世纪中叶在马德里市中心建造的一座前宫殿的一部分。在改革之前，高高的天花板，巨大的墙壁和木材的结构，它们被无数的分隔空间所掩盖着。我们干预的目的是全面开放房屋。除去所有的墙壁和虚假的天花板，我们获得了一个广阔而流畅的空间，恢复了他那一刻的高贵面貌。休息室、餐厅和厨房在一个空间内。后者的分布是关于一个黑色的岛屿，在他的规模和尺寸上，看起来就像一个雕刻在花岗岩上的雕塑。

Text description provided by the architects. This housing forms a part of a former palace in the heart of Madrid constructed in the middle of the 18th century. Before the reform, the high ceilings, the massive walls and the structure of wood, they were remaining hidden by an endless number of partitions that were dividing in excess the space. The aim of our intervention has been to open the housing in its entirety. Eliminating all the walls and the false ceilings, we have obtained a wide and fluid space that recovers the lordly aspect that had in his moment. Lounge, dining room and kitchen join in one space. The distribution of the latter develops about a black island that, for his scale and dimensions, looks like a sculpture carved in granite.

Text description provided by the architects. This housing forms a part of a former palace in the heart of Madrid constructed in the middle of the 18th century. Before the reform, the high ceilings, the massive walls and the structure of wood, they were remaining hidden by an endless number of partitions that were dividing in excess the space. The aim of our intervention has been to open the housing in its entirety. Eliminating all the walls and the false ceilings, we have obtained a wide and fluid space that recovers the lordly aspect that had in his moment. Lounge, dining room and kitchen join in one space. The distribution of the latter develops about a black island that, for his scale and dimensions, looks like a sculpture carved in granite.

 Floor Plan (Refurbished Situation)

平面图(翻新情况)

在建筑风格方面，我们尝试使用今天的语言，因为我们明白，任何对历史建筑的干预都必须符合他的时代。因此，我们使用了经典的框架，但这些框架没有达到天花板，实现这种方式的经典风格，同时，当代。围裙板仍然以一种原始的方式隐藏着，前厅小心翼翼地与厨房分开，隔着一个由钢结构板组成的隔板。此外，他利用上面提到的隔断，在他的低矮部分放置了一个橱柜和十个木块。

As for the architectural style, we have tried that the housing speaks a today language because we understand that any intervention in a historical building must answer to his time. Thus, we have used classic frames, but these frames do not come up to the ceiling, achieving this way a classic style and at the same time, contemporary. The skirting board remains hidden in an original way, and the front hall separates discreetly of the kitchen across a partition formed by structural platens of steel. In addition, he takes advantage of the above-mentioned partition to lodge a cupboard and ten cobblers of wood in his low part.

As for the architectural style, we have tried that the housing speaks a today language because we understand that any intervention in a historical building must answer to his time. Thus, we have used classic frames, but these frames do not come up to the ceiling, achieving this way a classic style and at the same time, contemporary. The skirting board remains hidden in an original way, and the front hall separates discreetly of the kitchen across a partition formed by structural platens of steel. In addition, he takes advantage of the above-mentioned partition to lodge a cupboard and ten cobblers of wood in his low part.

 © Imagen Subliminal

意象潜意识

房子的主人想给她的孩子们提供一间学习的房间。于是，我们把餐厅的宽敞空间一分为二，隔着一层薄薄的山毛榉木和玻璃。随着纺织品玻璃和木材墙的使用，我们已经能够隐藏一个最初不存在的浴缸。另一方面，在整个屏幕中消除周围的框架，使玻璃直接与部分接触，帮助我们实现我们所面对的项目所面临的当代风格。

The owner of the housing wanted a room of studies for her children. Thus, we divided the wide space of dining room in two, across a thin screen of wood of beech and glass. With the utilization of textile glass and walls of wood in one of his sides, we have been capable of hiding a bath that did not exist initially. On the other hand, the elimination of the surrounding frame in the whole screen, leaving the glass in direct contact with the paraments, helps us to achieve the contemporary style for that we were looking on having faced the project.

The owner of the housing wanted a room of studies for her children. Thus, we divided the wide space of dining room in two, across a thin screen of wood of beech and glass. With the utilization of textile glass and walls of wood in one of his sides, we have been capable of hiding a bath that did not exist initially. On the other hand, the elimination of the surrounding frame in the whole screen, leaving the glass in direct contact with the paraments, helps us to achieve the contemporary style for that we were looking on having faced the project.

 © Imagen Subliminal

意象潜意识

 © Imagen Subliminal

意象潜意识

在主卧室里，原来是一个又暗又窄的橱柜，我们把它变成了一个浴池。上述各部分跨越空间.他清晰的语调帮助他们放松，而半透明玻璃的战略位置为一个注定要被排斥的空间提供了天然的光。建筑师弗吉尼亚·德尔·巴科设计了整套固定家具：橱柜、鞋垫、抽屉、门等等。

In the principal bedroom, which originally was a dark and narrow cupboard, we have turned it into a bath spa. The paraments of above-mentioned cross the space. His clear tones help themselves relax, and the strategic location of a translucent glass contributes natural light to a space that was destined for the ostracism. The architect Virginia del Barco has designed the whole fixed furniture; cupboards, cobblers, drawers, doors, etc.

In the principal bedroom, which originally was a dark and narrow cupboard, we have turned it into a bath spa. The paraments of above-mentioned cross the space. His clear tones help themselves relax, and the strategic location of a translucent glass contributes natural light to a space that was destined for the ostracism. The architect Virginia del Barco has designed the whole fixed furniture; cupboards, cobblers, drawers, doors, etc.