架构师提供的文本描述。博物馆的马利霍普-里特藏品位于一个绿色的山谷，在一个广阔的牧场边缘，周围是茂密的山丘，在斯图加特附近的小乡村小镇沃尔登布什。Ritter公司自成立以来一直在这里设有总部。

Text description provided by the architects. The museum housing the Marli Hoppe-Ritter Collection is situated in a green valley, at the edge of a broad pasture and surrounded by richly forested hills, in the small rural town of Waldenbuch, near Stuttgart. The Ritter company has had its headquarters here since their founding.

Text description provided by the architects. The museum housing the Marli Hoppe-Ritter Collection is situated in a green valley, at the edge of a broad pasture and surrounded by richly forested hills, in the small rural town of Waldenbuch, near Stuttgart. The Ritter company has had its headquarters here since their founding.

 © Stefan Müller

斯特凡·穆勒

1994年，MarliHopepe-Ritter开始建造一个艺术收藏，作品以正方形的形式作为其中心主题。400多个作品汇集了各种艺术概念，形成了对20世纪绘画的非凡见解。

In 1994, Marli Hoppe-Ritter began building an art collection with works featuring the square form as its central theme. The more than 400 works bring together a variety of artistic concepts and form an extraordinary insight into twentieth-century painting.

In 1994, Marli Hoppe-Ritter began building an art collection with works featuring the square form as its central theme. The more than 400 works bring together a variety of artistic concepts and form an extraordinary insight into twentieth-century painting.

除了博物馆的艺术展示外，该建筑还设有里特体育参观中心，其中包括巧克力展览和商店。结构本身的组成在一个方形的脚印中找到它的基础，它允许在一个从景观中升起的均匀的体积中分离功能。

In addition to the museum’s art displays, the building also has a Ritter Sport visiting center which includes a chocolate exhibition and shop. The structure’s own composition finds its foundation in a square footprint that allows for a separation of functions within a homogeneous volume that rises from the landscape.

In addition to the museum’s art displays, the building also has a Ritter Sport visiting center which includes a chocolate exhibition and shop. The structure’s own composition finds its foundation in a square footprint that allows for a separation of functions within a homogeneous volume that rises from the landscape.

 © Stefan Müller

斯特凡·穆勒

这座建筑分为两部分-博物馆的主要展品一边是咖啡厅/小酒馆，另一边是巧克力展览馆和商店，一层是12米高的梯形空间，两端都是开放的。由于不同功能所需的楼面高度不同，博物馆的两个部分有不同的水平，因此藏品空间的高度相当，而另一边最上层的办公室则有一层额外的楼面。尽管楼层高度不同，但整个建筑都有一个连续的屋顶，部分穿孔，以便在展览空间中散发出阳光，在高耸、开阔的通道之间的天花板上有百叶窗。

The building is divided into two parts– the main museum exhibits with a café/bistro on one side and the chocolate exhibition and shop on the other, separated on the ground floor by a 12 meter high trapezoidal space that opens at both ends. Given the different floor height requirements for the various functions, the two parts of the museum have a different number of levels allowing for a generous height for the collection spaces and an additional floor for offices in the uppermost part of the other side. Despite the differing floor heights, the entire building has a continuous roof, perforated in parts to allow for diffused daylight in the exhibition spaces and louvers in the ceiling of the tall, open passage between.

The building is divided into two parts– the main museum exhibits with a café/bistro on one side and the chocolate exhibition and shop on the other, separated on the ground floor by a 12 meter high trapezoidal space that opens at both ends. Given the different floor height requirements for the various functions, the two parts of the museum have a different number of levels allowing for a generous height for the collection spaces and an additional floor for offices in the uppermost part of the other side. Despite the differing floor heights, the entire building has a continuous roof, perforated in parts to allow for diffused daylight in the exhibition spaces and louvers in the ceiling of the tall, open passage between.

 © Stefan Müller

斯特凡·穆勒

这条宽敞的走廊通往周围的公司场地，在石材覆盖的结构中充当一个相交的空隙，并形成一个抽象的框架，为自然起伏的景观超越。

This generous corridor opening up to the surrounding company grounds acts as an intersecting void in the stone clad structure and forms an abstract frame for the natural undulating landscape beyond.

This generous corridor opening up to the surrounding company grounds acts as an intersecting void in the stone clad structure and forms an abstract frame for the natural undulating landscape beyond.

 © Stefan Müller

斯特凡·穆勒

Architects Max Dudler

Location Waldenbuch, Germany

Lead Architects Susanne Raupach

Design Team Nina Barthélémy, Gesine Gummi, Andreas Enge

Area 4450.0 m2

Project Year 2005

Photographs Stefan Müller

Category Museums & Exhibit

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