建筑师提供的文字说明。“抽象画廊”是张浦龙美湾旅游区的核心景区，是海蚀风化花岗岩的滨海景观。景区内有许多美丽、神奇的石头，景色独特而美丽。

Text description provided by the architects. The “Abstract Gallery” is the core scenic spot of Longmei Bay Tourist Area in Zhangpu, and is a coastal landscape of sea erosion weathered granite. There are many beautiful and magical stones in the scenic area, and the scenery is unique and beautiful.

Text description provided by the architects. The “Abstract Gallery” is the core scenic spot of Longmei Bay Tourist Area in Zhangpu, and is a coastal landscape of sea erosion weathered granite. There are many beautiful and magical stones in the scenic area, and the scenery is unique and beautiful.

 view from square to Leisure pavilion and canopy. Image © Peiru Yin

从广场到休闲亭和天篷。图像(图)

景区出口位于“抽象画廊”的西南侧。主要功能有：销售、值班、卫生间、休闲、等候、停车等。本设计有三个主要出发点：1。选择哪一种形式来满足功能逻辑和建模逻辑的要求。2.选择哪一种材料来满足形式逻辑和环境逻辑的要求。3.如何利用尺度协调自然与人工环境的关系？

The scenic spot exit is located on the southwest side of the “Abstract Gallery”. The main functions are sale, duty, toilet, leisure, waiting, and the carport used to park the battery car. There are 3 main starting point of the design: 1. which form is chosen to meet the requirements of functional logic and modeling logic. 2. Which material is chosen to meet the requirements of formal logic and environmental logic. 3.How to use the scale to coordinate the relationship between nature and artificial environment?

The scenic spot exit is located on the southwest side of the “Abstract Gallery”. The main functions are sale, duty, toilet, leisure, waiting, and the carport used to park the battery car. There are 3 main starting point of the design: 1. which form is chosen to meet the requirements of functional logic and modeling logic. 2. Which material is chosen to meet the requirements of formal logic and environmental logic. 3.How to use the scale to coordinate the relationship between nature and artificial environment?

 Looking at the buildings from inside the scenic area. Image © Peiru Yin

从景区内部看这些建筑。形象：培汝银

 Canopy for parking battery cars. Image © Peiru Yin

停车电池车的车盖。图像(图)

主要设计策略如下：建筑分为四个小空间，分别是木亭、厕所、长方形半露天休闲亭和停车檐。该设计将浴室和檐篷放置在道路的西侧，并将亭和亭放置在道路的东侧，形成一个具有立体感的出口广场。

The main design strategies are as follows: The building is divided into four small volumes, which are wooden kiosks, toilets, rectangular semi-open-air leisure pavilions, and canopies for parking. The design places the bathroom and canopy on the west side of the road, and the kiosk and pavilion are placed on the east side of the road to form a exit plaza with a sense of place.

The main design strategies are as follows: The building is divided into four small volumes, which are wooden kiosks, toilets, rectangular semi-open-air leisure pavilions, and canopies for parking. The design places the bathroom and canopy on the west side of the road, and the kiosk and pavilion are placed on the east side of the road to form a exit plaza with a sense of place.

主楼只有一层。它不仅有效地满足了功能需求，而且进一步增强了出口空间的封闭感。此外，每座建筑都创造了一种对话关系，并通过给他们一定的移动倾向，创造了一个丰富的空间层次。

The main building has only one floor. It not only achieves functional requirements efficiently, but also further enhances the sense of enclosure of the exit space. In addition, each building creates a dialogue relationship and creates a rich spatial level by giving them a certain tendency to move.

The main building has only one floor. It not only achieves functional requirements efficiently, but also further enhances the sense of enclosure of the exit space. In addition, each building creates a dialogue relationship and creates a rich spatial level by giving them a certain tendency to move.

 Leisure pavilion. Image © Peiru Yin

休闲馆。图像(图)

“抽象画廊”的主要自然特征是海、木麻黄林和黄褐色风化花岗岩。

The main natural features in the “Abstract Gallery” are the sea, the casuarina forest, and the yellow-brown weathered granite.

The main natural features in the “Abstract Gallery” are the sea, the casuarina forest, and the yellow-brown weathered granite.

 Looking eastward in Leisure pavilion. Image © Peiru Yin

在休闲馆向东看。图像(图)

 Leisure pavilion interior. Image © Peiru Yin

休闲馆内部。图像(图)

考虑到自然景观的现状，建筑采用锈红耐候钢、浅灰清水混凝土、红木、黑色氧化铁色水泥等，达到与自然环境的和谐。

Considering the current state of the natural landscape, the building achieves harmony with the natural environment by using rust red weathering steel, light gray clear water concrete, maroon wood, black iron oxide colored cement, etc.

Considering the current state of the natural landscape, the building achieves harmony with the natural environment by using rust red weathering steel, light gray clear water concrete, maroon wood, black iron oxide colored cement, etc.

 Plan and Elevation

平面图与高程

设计控制建筑物的高度，以适应周围的低自然环境。木亭高2.5米，公共浴室高3.2米，矩形半开放休闲亭净高2.6米，混凝土棚最低高度2.5米。

The design controls the height of the building to adapt to the low surrounding natural environment. The wooden kiosk has a height of 2.5 meters, the public bathroom has a height of 3.2 meters, the rectangular semi-open leisure pavilion has a net height of 2.6 meters, and the concrete canopy has a minimum height of 2.5 meters.

The design controls the height of the building to adapt to the low surrounding natural environment. The wooden kiosk has a height of 2.5 meters, the public bathroom has a height of 3.2 meters, the rectangular semi-open leisure pavilion has a net height of 2.6 meters, and the concrete canopy has a minimum height of 2.5 meters.

 Leisure pavilion. Image © Peiru Yin

休闲馆。图像(图)

新的结构似乎是谦卑的，尊重自然的设置，在人与自然之间实现高度的和谐。

The new structure seems humble and respects natural setting, achieving a high degree of harmony between human and nature.

The new structure seems humble and respects natural setting, achieving a high degree of harmony between human and nature.

 the toilet and canopie for parking. Image © Peiru Yin

用来停车的厕所和檐篷。图像(图)

 Exit square. Image © Peiru Yin

出口广场。图像(图)