架构师提供的文本描述。拉斯韦阁楼*工作室位于莫斯科的中心地区。它占据了著名的穆尔以前的家具厂的领土。

Text description provided by the architects. Rassvet LOFT*STUDIO is situated at the central district of Moscow. It occupies the territory of the former furniture factory owned by famous Mur&Mereliz trading house (now TsUM — Central Universal Department Store). During the soviet times mechanical engineering plant ‘Rassvet’ (The Dawn) was situated at this plot. It’s connected with the names of outstanding aircraft designers Sergey Korolev and Semyon Lavochkin. Nowadays all the territory is a high-density development that represents different architectural stiles reflecting the history of all 20th century.

Text description provided by the architects. Rassvet LOFT*STUDIO is situated at the central district of Moscow. It occupies the territory of the former furniture factory owned by famous Mur&Mereliz trading house (now TsUM — Central Universal Department Store). During the soviet times mechanical engineering plant ‘Rassvet’ (The Dawn) was situated at this plot. It’s connected with the names of outstanding aircraft designers Sergey Korolev and Semyon Lavochkin. Nowadays all the territory is a high-density development that represents different architectural stiles reflecting the history of all 20th century.

 © Ilya Ivanov

伊利亚·伊万诺夫

 © Ilya Ivanov

伊利亚·伊万诺夫

我们的项目是向城市空间开放所有领土，将工业发展融入城市生活环境，保持历史位置的天才轨迹。该项目的形象受到建筑环境的启发：Mur的主楼。

Our project was made to open all the territory to the urban space and to integrate industrial development into urban living environment maintaining the genius loci of the historical place. Image of the project was inspired by architectural surroundings: main building of Mur&Mereliz factory, designed by famous architect Roman Klein (he is also the author of The Pushkin State Museum of Fine Arts and TsUM building); the biggest in Russia Neogothic Catholic Cathedral made of red bricks and ornamental Shchukin’s manor buildings built in Russian Revival style at the end of 19th century (nowadays the manor with the park is occupied by Timiryazev State Biological Museum).

Our project was made to open all the territory to the urban space and to integrate industrial development into urban living environment maintaining the genius loci of the historical place. Image of the project was inspired by architectural surroundings: main building of Mur&Mereliz factory, designed by famous architect Roman Klein (he is also the author of The Pushkin State Museum of Fine Arts and TsUM building); the biggest in Russia Neogothic Catholic Cathedral made of red bricks and ornamental Shchukin’s manor buildings built in Russian Revival style at the end of 19th century (nowadays the manor with the park is occupied by Timiryazev State Biological Museum).

 © Ilya Ivanov

伊利亚·伊万诺夫

第一个目标是将20世纪末由预制混凝土砌块建造的厂房改造为现代公寓楼。一种顶部重的混凝土结构，窗户很小，与环境不协调，完全不适合居住。因此，我们决定把一些小的，周围的体积，这些更有利于住宅开发的矩形框架。

The first aim was to convert factory building built of pre-fabricated concrete blocks at the end of 20th century into contemporary apartment building. A top-heavy concrete structure with tiny windows disharmonized with the environment and was absolutely unsuitable for living. So we decide to incorporate into massive rectangular frame some small, surroundings-scaled volumes, which were more friendly for the residential development.

The first aim was to convert factory building built of pre-fabricated concrete blocks at the end of 20th century into contemporary apartment building. A top-heavy concrete structure with tiny windows disharmonized with the environment and was absolutely unsuitable for living. So we decide to incorporate into massive rectangular frame some small, surroundings-scaled volumes, which were more friendly for the residential development.

墙面上的混凝土面板被砖瓦取代了。门面本身在视觉上被分割成几卷，让人回想起一些中世纪的老房子。每一卷都有其独特的外观：不同的装饰砖，不同的窗户外壳(有或没有砖框架)和不同的阳台(突出的阳台，法国阳台，凹阳台)。另一方面，西面和东面有不同的宽度、比例和窗口数量。

Concrete panels on the facade were replaced with the brickwork. And the facade itself was visually divided to a few volumes, recalling some old medieval houses. Every volume has its own distinctive appearance: different ornaments of brickwork, different windows casing (with or without brick frames) and different balconies (protruding balconies, french balconies, recessed balconies). For another thing, west and east facades have different width, proportions and windows quantity.

Concrete panels on the facade were replaced with the brickwork. And the facade itself was visually divided to a few volumes, recalling some old medieval houses. Every volume has its own distinctive appearance: different ornaments of brickwork, different windows casing (with or without brick frames) and different balconies (protruding balconies, french balconies, recessed balconies). For another thing, west and east facades have different width, proportions and windows quantity.

 © Ilya Ivanov

伊利亚·伊万诺夫

每个立面都有一套公寓。我们保留了建筑的内部框架，但在6米高的楼层中增加了阁楼，因此四层楼有两层窗户的公寓。在楼上有一个人造板，在现有的地下室有一个停车场。底层公寓有独立的入口和绿色的小露台。露台被提高到丰富的底层水平，并与一条带有特殊支撑墙的车道分隔开来，因此私人和公共区域被清楚地标明。

Each of this facade volumes houses one apartment. We kept the internal frame of the building but added attics into six meters high stories, thus four stories have two-level apartments with two tiers of windows. There is a mansard on upper floor and a car parking at the existing basement. Ground floor apartments have separate entrances and small green terraces. Terraces were raised to rich the ground floor level and were separated from a driveway with special supporting wall, so private and public areas are clearly marked off.

Each of this facade volumes houses one apartment. We kept the internal frame of the building but added attics into six meters high stories, thus four stories have two-level apartments with two tiers of windows. There is a mansard on upper floor and a car parking at the existing basement. Ground floor apartments have separate entrances and small green terraces. Terraces were raised to rich the ground floor level and were separated from a driveway with special supporting wall, so private and public areas are clearly marked off.

太阳圈是拉斯韦阁楼*工作室的标志型，并被用于中央入口区的设计。带有天窗的结实的天窗在墙上投下一个阴影，这条纹的重击带着太阳沿着正面移动。在夜间照明时也使用了同样的主题。在捣固中，同样的光圈是由吊坠照明夹具制造的。

Sun circle is the logotype of Rassvet LOFT*STUDIO and it was used in the design of the central entrance area. Ribby canopy with a skylight throws a shadow on the wall and this «striped plash» moves along the facade with the sun. The same theme was used at night illumination. And the same circle of light in tambour is made by pendant lighting fixture.

Sun circle is the logotype of Rassvet LOFT*STUDIO and it was used in the design of the central entrance area. Ribby canopy with a skylight throws a shadow on the wall and this «striped plash» moves along the facade with the sun. The same theme was used at night illumination. And the same circle of light in tambour is made by pendant lighting fixture.

 © Ilya Ivanov

伊利亚·伊万诺夫

我们的工作继续在博物馆公园旁边的邻近滚降维护大楼翻新。我们把它变成了莫斯科市中心非常不寻常的类型。低层建筑是由联排别墅组成的，有1，2和3层公寓。其中一些有独立的入口和前花园。Mansards有双高度空间和宽敞的露台。地面上还有一个地下停车场。

Our work was continued with renovation of neighboring tumble-down maintenance building next to the museum park. We transformed it into typology quite unusual for the center of Moscow. Low-rise building it comprised of townhouses with one-, two- and three-level apartments. Some of them have separate entrances and front gardens. Mansards have double-height spaces and spacious terraces. And there is also an under-roof parking at the ground level.

Our work was continued with renovation of neighboring tumble-down maintenance building next to the museum park. We transformed it into typology quite unusual for the center of Moscow. Low-rise building it comprised of townhouses with one-, two- and three-level apartments. Some of them have separate entrances and front gardens. Mansards have double-height spaces and spacious terraces. And there is also an under-roof parking at the ground level.

 © Ilya Ivanov

伊利亚·伊万诺夫

这幢建筑有相当复杂的组成与庭院，这就是为什么我们增加高倾斜屋顶与正面和活跃的卢卡。我们在正面用手工成型的熟料砖来重现博物馆历史建筑的红砖建筑。经过所有这些改造后，我们的大楼就像宽敞的城镇大厦。我们利用这些图像，使用新材料，增加了一些触觉，展示了以前工业区独特的、创造性的不同特征，并将技术后巷改造成舒适而温暖的城市庭院和街道。

This building had quite complicated composition with courtyards that is why we add high pitched roof with frontons and active lucarnes. We used hand-formed clinker bricks at the facades to reecho redbrick architecture of the museum’s historical building. After all this transformations our building resembles spacious town mansion. We played with the images, used new materials and added some tactility to show distinctive, creatively different character of the former industrial area and to transform technical back alleys into comfortable and warm urban yards and streets.

This building had quite complicated composition with courtyards that is why we add high pitched roof with frontons and active lucarnes. We used hand-formed clinker bricks at the facades to reecho redbrick architecture of the museum’s historical building. After all this transformations our building resembles spacious town mansion. We played with the images, used new materials and added some tactility to show distinctive, creatively different character of the former industrial area and to transform technical back alleys into comfortable and warm urban yards and streets.

 © Ilya Ivanov

伊利亚·伊万诺夫