© Diego Opazo

(迭戈·奥帕佐)

架构师提供的文本描述。钟楼“El templat”(S.XIV，40年代重建)、萨尔瓦多教堂(S.XIII，国家艺术历史纪念碑)和新古典主义圆顶(S.XVIII)构成了2007年被宣布为文化兴趣点的Burriana历史中心的关键要素。该建筑的主要目的是突出这一环境，并强调其重要性。

Text description provided by the architects. The bell tower “El templat” (S. XIV, rebuilt in the 40’s), the buttresses on the church of El Salvador (S. XIII, national artistic-historical monument) and the Capilla de la Comunión neoclassical dome (S. XVIII), constitute the key elements in the Historical Centre of Burriana, that was declared Cultural Interest Site in 2007. The main purpose of the building is to highlight this surroundings and emphasise its importance.

Text description provided by the architects. The bell tower “El templat” (S. XIV, rebuilt in the 40’s), the buttresses on the church of El Salvador (S. XIII, national artistic-historical monument) and the Capilla de la Comunión neoclassical dome (S. XVIII), constitute the key elements in the Historical Centre of Burriana, that was declared Cultural Interest Site in 2007. The main purpose of the building is to highlight this surroundings and emphasise its importance.

 © Diego Opazo

(迭戈·奥帕佐)

这项建议是建立一座结构紧凑而又深邃的建筑，具有南北方向和交叉空气通风，其组织方式如下：南至起居室(到El Pla广场，具有非正统建筑和社会代表性)，以及以传统方式向北的卧室(向花园)，这在热问题方面非常有效。这产生了一个良好的联系，与毗连的纪念碑。

The proposal is to create a compact and deep building, with North-South orientation and crossed air ventilation, that has been organized like this: living rooms to South (to the plaza El Pla, having an unorthodox architecture and social representation) and bedrooms to North (to the garden) in the traditional way, which is so effective in terms of thermic issues. This generates a nice connection with the contiguous monuments.

The proposal is to create a compact and deep building, with North-South orientation and crossed air ventilation, that has been organized like this: living rooms to South (to the plaza El Pla, having an unorthodox architecture and social representation) and bedrooms to North (to the garden) in the traditional way, which is so effective in terms of thermic issues. This generates a nice connection with the contiguous monuments.

 © Diego Opazo

(迭戈·奥帕佐)

立面的构成方式受到一些法规的制约(Burriana城市总计划、保护Burriana历史中心特别计划，并受萨尔瓦多教堂的影响，这是文化兴趣地)，这与通往花园的国内道路形成了鲜明对比，几乎就像卡米纳角的一部分入侵它一样，像个小塔一样站在地平线上。

The way the facade is composed is so conditioned by some regulations (Urban General Plan of Burriana, Special Plan to protect the Historical Centre of Burriana, and having the influence of the church of El Salvador, which is Cultural Interest Site), that contrast with the domestic path to the garden, almost in the same way a part of the Capilla de la Comunión invades it, standing in the horizon like a little tower.

The way the facade is composed is so conditioned by some regulations (Urban General Plan of Burriana, Special Plan to protect the Historical Centre of Burriana, and having the influence of the church of El Salvador, which is Cultural Interest Site), that contrast with the domestic path to the garden, almost in the same way a part of the Capilla de la Comunión invades it, standing in the horizon like a little tower.

 © Diego Opazo

(迭戈·奥帕佐)

 © Diego Opazo

(迭戈·奥帕佐)

此外，一些砖墙，没有建筑兴趣，反映了南方的阳光，一些优雅。其中一套位于一楼，另一套位于第二层和第三层，利用客厅的倾斜屋顶。它们都是通过一些梯田和可渗透的正面与环境联系在一起的。

Beside that, some brick walls, with no architectural interest, reflect the Southern sun with some grace. One of the flats is on first floor, while the other one is located on second and third, taking advantage of the sloping roof right in the living room. Both of them are really linked with the environment through some terraces and permeable facades. 

Beside that, some brick walls, with no architectural interest, reflect the Southern sun with some grace. One of the flats is on first floor, while the other one is located on second and third, taking advantage of the sloping roof right in the living room. Both of them are really linked with the environment through some terraces and permeable facades. 

 © Diego Opazo

(迭戈·奥帕佐)

正面的装饰图案，也在建筑物内部，来自于对这个地方的记忆，让人想起在埃米利奥老图书馆展出的鹈鹕。在Burriana有很多人已经记住了这个名字。这是与各机构重新整合的主要论点，以便能够建立一个比最初看上去更开放的立面，这是因为严格的法规。屋顶的修整是一个小小的姿态，它试图强化钟楼和Capilla de la Comunión的形象，减轻分隔墙的视觉，并使天空参与该项目。

The ornamental motif in the facade, which is also inside the building, comes from the memory of this place, reminding the pelican exhibited in don Emilio old library. There is many people in Burriana that remember that name already. That was the main argument to be negociated with the institutions in order to be able to build a more opened facade than it looked in the first place due to the strong regulations. The finishing of the roof is a small gesture that tries to intensify the image of the bell tower and the Capilla de la Comunión, mitigating the vision of the dividing walls and involving the sky in the project.

The ornamental motif in the facade, which is also inside the building, comes from the memory of this place, reminding the pelican exhibited in don Emilio old library. There is many people in Burriana that remember that name already. That was the main argument to be negociated with the institutions in order to be able to build a more opened facade than it looked in the first place due to the strong regulations. The finishing of the roof is a small gesture that tries to intensify the image of the bell tower and the Capilla de la Comunión, mitigating the vision of the dividing walls and involving the sky in the project.

Architects Juan Marco arquitectos

Location 12530 Burriana, Castellón, Spain

Architects Collaborators Paula Lacomba, Sheila Pérez, Guillermo Gómez

Area 520.0 m2

Project Year 2018

Photographer Diego Opazo

Category Apartments