© Paola Pansini

保拉·潘西尼

架构师提供的文本描述。亲密但不神秘。私底下，以一种邀请人们去发现的方式。一个空间和情感延伸的触觉，大气和梦幻的价值观，定义了独特的精神品牌。一种具有微妙而肯定的性格的环境，充满力量的轻浮中的女性，它结合了记忆与当下，旅行与反省，在一个由材料和元素组成的故事中，它是根据直觉的线索组合而成的。

Text description provided by the architects. Intimate, but not secretive. Private, in a way that invites to discover. A spatial and emotional extension of the tactile, atmospheric and dreamy values that define the unique spirit of the brand. An environment with a delicate yet affirmative character, feminine in its levity full of strength, which combines memory and present, travel and introspection in a story made of materials and elements assembled following the thread of intuition.

Text description provided by the architects. Intimate, but not secretive. Private, in a way that invites to discover. A spatial and emotional extension of the tactile, atmospheric and dreamy values that define the unique spirit of the brand. An environment with a delicate yet affirmative character, feminine in its levity full of strength, which combines memory and present, travel and introspection in a story made of materials and elements assembled following the thread of intuition.

 © Paola Pansini

保拉·潘西尼

就像Forte_forteCollections抹掉了服装和穿戴者之间的距离，所以精品店在销售空间和叙事环境之间模糊了公共和私人之间的界限。它欢迎并包围着发现与梦想之间的中间，传递人类触摸的温暖，在治疗和完成过程中始终触手可及，追求崇高的不完美。该项目由RobertVattiana和GiadaForte策划，是避免预先建立的计划的和谐。家具和溶液混合在一个整体上，它结合了标志、行进轨迹、共享记忆的回声。表达的基调是光明的、深刻的和真诚的。

Just as the forte_forte collections erase the distance between the garment and the wearer, so the boutique blurs the line between public and private, between the selling space and the narrative environment. It welcomes and surrounds, halfway between discovery and dream, transmitting the warmth of the human touch, always palpable in the treatments and finishes, in the quest for sublime imperfection. The project, curated by robert vattilana and giada forte, is a harmony that comes from avoiding pre–established schemes. Furniture and solutions mingle in a liquid whole that incorporates signs, traces of travels, echoes of shares memories. The tone of the expression is light, deep and sincere.

Just as the forte_forte collections erase the distance between the garment and the wearer, so the boutique blurs the line between public and private, between the selling space and the narrative environment. It welcomes and surrounds, halfway between discovery and dream, transmitting the warmth of the human touch, always palpable in the treatments and finishes, in the quest for sublime imperfection. The project, curated by robert vattilana and giada forte, is a harmony that comes from avoiding pre–established schemes. Furniture and solutions mingle in a liquid whole that incorporates signs, traces of travels, echoes of shares memories. The tone of the expression is light, deep and sincere.

 © Paola Pansini

保拉·潘西尼

空间故事，稀薄和悬空，揭幕后，全长白色窗帘包裹正面窗口和部分墙壁。主角是材料，在一部刺激视觉和触觉的多感作品中得到了协调，在这部作品中，手工制作的意大利风格变成了对不完美的颂扬。在中心是石灰华大理石，表现力而不是纪念碑，用于浮雕，在开阔或封闭的粮食，在地壳或刻有条纹，为墙壁，家具和切割成大板上点缀有彩色马赛克玻璃，作为地板。大理石的不透明宁静被黄铜照亮了。黄铜就像一个在空间中写意的标志一样，轻轻地定义了展示的元素，包括它们的有机轮廓、镜子的周长、门廊和舒适更衣室的轮廓，看上去就像火车的车厢。入口处的吊灯也是黄铜的。当它与光线融为一体时，旅程发生了一种感官的转变：窗帘透明而不透明，灯箱在窗帘后面形成灯笼效果，与天鹅绒的浓密相间交替，被发现的纽扣围绕在穿衣室的墙壁上。鹅卵石在楼梯上形成一种矿物花边质感。由马西莫·卢纳登制作的玻璃安瓿梦幻般的黄铜雕塑幕布，捕捉着思想和灵感的瞬间，与从石灰华花瓶中发芽的石竹植物的植物和家庭气息混合在一起。

The spatial story, rarefied and suspended, unveils behind the full–length white curtain that wraps the frontal window and part of the walls. The protagonists are the materials, harmonized in a multisensorial opus that stimulates sight as well as touch, and in which the italian–ness of the hand–made becomes an eulogy to imperfection. At the center is travertine marble, expressive rather than monumental, used in bas-relief, in open or closed grain, in crust or engraved with stripes, for walls, furnishing and, cut into large slabs dotted with colored mosaic glass, for the floor. The opaque serenity of the marble is brightened by the brass that, like a sign drawn freehand in space, lightly defines the elements of the display, with their organic profiles, the perimeter of the mirrors, the portholes and the silhouette of the comfortable changing rooms looking like compartments of a train. The chandelier at the entrance is brass, too. The journey takes a sensual turn as it merges with light: the transparent impalpability of the curtains, behind which lightboxes create lantern effects, alternates with the voluptuous density of the velvet, quilted with found buttons gathered along journeys and lining the walls of the dressing rooms. Pebbles create a mineral lace  texture over the stairs. The dreamlike presence of the brass sculptural curtain on which the glass ampoules made by massimo lunardon capture the transience of thoughts and inspirations is mixed with the vegetal and domestic touch of the strelitzia plants that sprout from the travertine vase.

The spatial story, rarefied and suspended, unveils behind the full–length white curtain that wraps the frontal window and part of the walls. The protagonists are the materials, harmonized in a multisensorial opus that stimulates sight as well as touch, and in which the italian–ness of the hand–made becomes an eulogy to imperfection. At the center is travertine marble, expressive rather than monumental, used in bas-relief, in open or closed grain, in crust or engraved with stripes, for walls, furnishing and, cut into large slabs dotted with colored mosaic glass, for the floor. The opaque serenity of the marble is brightened by the brass that, like a sign drawn freehand in space, lightly defines the elements of the display, with their organic profiles, the perimeter of the mirrors, the portholes and the silhouette of the comfortable changing rooms looking like compartments of a train. The chandelier at the entrance is brass, too. The journey takes a sensual turn as it merges with light: the transparent impalpability of the curtains, behind which lightboxes create lantern effects, alternates with the voluptuous density of the velvet, quilted with found buttons gathered along journeys and lining the walls of the dressing rooms. Pebbles create a mineral lace  texture over the stairs. The dreamlike presence of the brass sculptural curtain on which the glass ampoules made by massimo lunardon capture the transience of thoughts and inspirations is mixed with the vegetal and domestic touch of the strelitzia plants that sprout from the travertine vase.

 © Paola Pansini

保拉·潘西尼

建筑和产品的展示创造了空间和收藏之间的物理和形而上学的联系，让线条的纯洁性和材料的诗意纯洁性完成了所有的交谈。世界各地收集的私人元素让这个故事有了个人的签名：迪迪埃·马休(Didier Mahieu)的一幅女性画，阿尔多·隆迪(Aldo Londi)设计的比托西陶瓷(Bitossi)，在洛杉矶一个市场上购买的一罐玻璃试管，以及一座法国铸造厂的维纳斯石膏半贝壳、珊瑚和海底元素突出了大气中消失的超现实。

The architecture and the display of the products create a physical and metaphysical link between the space and the collections, letting the purity of the line and the poetic purity of the materials do all the talking. Private elements collected worldwide give the story a personal signature: a drawing of a woman by didier mahieu, a bitossi ceramic designed by aldo londi, a jar of glass test tubes bought in a market in los angeles, the plaster bust of a venus coming from a french foundry. Shells, corals and submarine elements underline the evanescent surreality of the atmosphere.

The architecture and the display of the products create a physical and metaphysical link between the space and the collections, letting the purity of the line and the poetic purity of the materials do all the talking. Private elements collected worldwide give the story a personal signature: a drawing of a woman by didier mahieu, a bitossi ceramic designed by aldo londi, a jar of glass test tubes bought in a market in los angeles, the plaster bust of a venus coming from a french foundry. Shells, corals and submarine elements underline the evanescent surreality of the atmosphere.

 © Paola Pansini

保拉·潘西尼

Architects forte_forte

Location Via Ponte Vetero, 1, 20121 Milano MI, Italy

Lead Designers Robert Vattilana, Giada Forte

Area 170.0 m2

Project Year 2018

Photographs Paola Pansini

Category Apartment Interiors