© Faruk Pinjo

(c)FarukPinjo

建筑师提供的文字说明。由于缺乏空间，游乐场在20世纪70年代中期被转移到城镇郊区，建造在几个阶段进行，由此产生的贸易博览会中心自2012年以来逐步翻新，有著名的建筑公司对14个展厅的某些要素负责。2012年创建的总体规划概述了即将进行的西轴翻新----Agora，中央广场，应发挥更大的作用；建筑和开放空间内的方向需要改进；展馆的顺序和功能可以更好地对准。

Text description provided by the architects. Due to a lack of space, the fairgrounds were moved to the outskirts of town in the mid-1970s, construction took place in several stages, and the resulting trade fair center has since been renovated step by step – with famous architecture firms responsible for certain elements of the 14 exhibition halls. The master plan created in 2012 outlines the upcoming renovation of the west axis – the agora, the central square, should play a bigger role; the orientation within the buildings and open spaces calls for improvement; and the sequence and function of the exhibition halls could be aligned better.

Text description provided by the architects. Due to a lack of space, the fairgrounds were moved to the outskirts of town in the mid-1970s, construction took place in several stages, and the resulting trade fair center has since been renovated step by step – with famous architecture firms responsible for certain elements of the 14 exhibition halls. The master plan created in 2012 outlines the upcoming renovation of the west axis – the agora, the central square, should play a bigger role; the orientation within the buildings and open spaces calls for improvement; and the sequence and function of the exhibition halls could be aligned better.

 © Faruk Pinjo

(c)FarukPinjo

2014年，马蒂建筑师以其卓越的设计说服了竞争评审团，其特点是权力和克制。这座巨大的标志性建筑的强大姿态-四个展厅被合并成一座170米长、近70米宽、16.5米高的巨型整体建筑-为现有的企业集团提供了一个组织原则，并注入了新的能量。

In 2014, Marte Marte Architects convinced the competition jury with its outstanding design, which is characterized by power and restraint. The mighty gesture of the enormous emblematic structure – four exhibition halls are combined into one gigantic, monolithic building measuring 170 m long, nearly 70 m wide, and 16.5 m high – provides the existing conglomerate with an organizing principle and injects it with new energy.

In 2014, Marte Marte Architects convinced the competition jury with its outstanding design, which is characterized by power and restraint. The mighty gesture of the enormous emblematic structure – four exhibition halls are combined into one gigantic, monolithic building measuring 170 m long, nearly 70 m wide, and 16.5 m high – provides the existing conglomerate with an organizing principle and injects it with new energy.

 © Faruk Pinjo

(c)FarukPinjo

建筑的主干道是室内循环轴线-高玻璃开窗，引导参观者穿过一系列展厅-红、黑、红、黑。就像建筑物纵向两侧的椭圆、双曲线切口一样引人注目，巨人的色彩方案也同样强大、生动-色彩纯正，色彩丰富，不像臂章上的颜色那样有阴影。

The backbone of the building is the interior circulation axis – room-high glazed openings guide visitors through the series of exhibition halls – red, black, red, black. As eye-catching as the elliptical, hyperbolic incisions in the two longitudinal sides of the buildings are, the color scheme of the giant is just as powerful and vivid – pure, rich colors without shading like those used in coats of arms.

The backbone of the building is the interior circulation axis – room-high glazed openings guide visitors through the series of exhibition halls – red, black, red, black. As eye-catching as the elliptical, hyperbolic incisions in the two longitudinal sides of the buildings are, the color scheme of the giant is just as powerful and vivid – pure, rich colors without shading like those used in coats of arms.

 © Faruk Pinjo

(c)FarukPinjo

房间的尺寸和动力令人印象深刻。整个建筑复合体与由层压梁制成的4.5米高的构架的网格交叉交叉，给人以并排放置的印象。吊顶覆盖安装标高，只有底部法兰可见。在立面支架和横梁之间，在火灾的情况下，70门允许出口，而声面板的网格可防止可怕的颤动回波并确保高质量的声音。黑色的黑色。施工中的功能。两个展厅之间的壮观的大厅完全是红色的，承重混凝土板的五个椭圆形拱门形成拱廊，并将游客的溪流与小酒馆里的那些放松的人分开。在照明方面，建筑的不同顺序覆盖了整个光谱：可调谐的白色沐浴在适当的氛围中的展览和活动空间。

The dimensions and the power of the rooms are impressive. The entire building complex is crisscrossed with a lattice of 4.5-meter-high trusses made of laminated beams, giving one the impression of being placed side by side. A dropped ceiling covers the installation level and only the bottom flanges are visible. Between the facade supports with crossbeams, 70 doors permit exit in the case of fire, and a grid of acoustic panels prevents the dreaded flutter echo and ensures high-quality sound. Black in black. Function in construction. The spectacular foyer between the two exhibition halls is painted entirely in red, and the five elliptical arches of the load-bearing concrete slab form arcades and separate the stream of visitors from those relaxing in the bistro. In terms of lighting, the different sequences of the building cover the entire spectrum: Tunable White bathes the exhibition and event spaces in the appropriate ambiance.

The dimensions and the power of the rooms are impressive. The entire building complex is crisscrossed with a lattice of 4.5-meter-high trusses made of laminated beams, giving one the impression of being placed side by side. A dropped ceiling covers the installation level and only the bottom flanges are visible. Between the facade supports with crossbeams, 70 doors permit exit in the case of fire, and a grid of acoustic panels prevents the dreaded flutter echo and ensures high-quality sound. Black in black. Function in construction. The spectacular foyer between the two exhibition halls is painted entirely in red, and the five elliptical arches of the load-bearing concrete slab form arcades and separate the stream of visitors from those relaxing in the bistro. In terms of lighting, the different sequences of the building cover the entire spectrum: Tunable White bathes the exhibition and event spaces in the appropriate ambiance.

 © Faruk Pinjo

(c)FarukPinjo

MarteMarte的设计方法与其他竞争者的设计也有区别，那就是平等对待参观者、参展商和销售商。在这座建筑西面的两个红木院落中，一个是游客的入口，另一个是送货的入口。因此，建筑没有区分正面和背面，而是外观和功能的所有方面。

What also distinguishes Marte Marte’s approach from the other competitors’ designs was the equal treatment of visitors, exhibitors, and vendors. Of the two carmine courtyards cut into the west facade of the building, one serves as the entrance for visitors and the other for the delivery of goods. Thus, the building doesn’t differentiate between front and back but is presentable and functional on all sides.

What also distinguishes Marte Marte’s approach from the other competitors’ designs was the equal treatment of visitors, exhibitors, and vendors. Of the two carmine courtyards cut into the west facade of the building, one serves as the entrance for visitors and the other for the delivery of goods. Thus, the building doesn’t differentiate between front and back but is presentable and functional on all sides.

 © Faruk Pinjo

(c)FarukPinjo

在这个黑色巨人的带领下，玛特又一次走出了魔盒，创造了一座具有象征意义的建筑，为市郊的阿罗拉提供了一个喜庆、实用的环境。城邦万岁！

With the black giant, Marte Marte has once again thought outside the box and created a building of emblematic power, offering a festive, functional setting for an agora on the outskirts of the city. Long live the polis!

With the black giant, Marte Marte has once again thought outside the box and created a building of emblematic power, offering a festive, functional setting for an agora on the outskirts of the city. Long live the polis!

Architects Marte.Marte Architects

Location Messepl. 1, 6850 Dornbirn, Austria

Area 10450.0 m2

Project Year 2017

Photographs Faruk Pinjo

Category Renovation